Bibliography for Film Theory and Criticism I (09 29437)

[1]
D. Bordwell and K. Thompson, Film art: an introduction, vol. Addison-Wesley series in speech, drama, and film. Reading, Mass: Addison-Wesley, 1980.

[2]
S. Popple and J. Kember, Early cinema: from factory gate to dream factory, vol. Short cuts. London: Wallflower, 2004.

[3]
‘Workers Leaving The Lumiere Factory - Lumiere Brothers 1895 - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=yvC_xrDqB3s

[4]
‘Turn-of-the-Century Surgery (1900) - ALICE GUY BLACHE - Chirurgie fin de siecle - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=ck6K8q8JbVQ&list=PL2Cs2h2P03cmogHcwtQepFM8hGzj2yEy7&index=8

[5]
‘A Trip to the Moon (1902) - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=zXgTFBIwDCc

[6]
‘The Great Train Robbery - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=ZCWKh14Mvzg

[7]
D. Bordwell, J. Staiger, and K. Thompson, The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge & Kegan Paul, 1985.

[8]
P. C. Gibson and J. Hill, The Oxford guide to film studies. Oxford: Oxford University Press, 1998.

[9]
‘Broken Blossoms | 1919, silent, full film - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=GNzYWG5FTmk

[10]
‘To Have and Have Not’. [Online]. Available: https://www.amazon.co.uk/Have-Not-Humphrey-Bogart/dp/B015OQIJ0W/ref=sr_1_1?ie=UTF8&qid=1505316650&sr=8-1&keywords=to+have+and+have+not+dvd

[11]
‘All That Heaven Allows [DVD]’. [Online]. Available: https://www.amazon.co.uk/All-That-Heaven-Allows-DVD/dp/B00128TX6G/ref=sr_1_1?s=dvd&ie=UTF8&qid=1505316804&sr=1-1&keywords=all+that+heaven+allows+dvd

[12]
S. Eĭzenshteĭn, M. Glenny, R. Taylor, and British Film Institute, Selected works S. M. Eisenstein. Vol.2, Towards a theory of montage. London: British Film Institute, 1994.

[13]
S. Eisenstein, Selected works: Volume II: Towards a theory of montage. London, [England]: I.B. Tauris, 1991 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=676398

[14]
D. Bordwell, ‘The Idea of Montage in Soviet Art and Film’, Cinema Journal, vol. 11, no. 2, Spring 1972, doi: 10.2307/1225046.

[15]
L. Kuleshov and R. Levaco, Kuleshov on film: writings by Lev Kuleshov. Berkeley (etc.): University of California Press, 1974.

[16]
A. Sargeant, Vsevolod Pudovkin: classic films of the Soviet avant-garde, vol. KINOfiles. London: I.B.Tauris, 2000.

[17]
G. Roberts, The man with the movie camera, vol. KINOfiles. London: I. B. Tauris, 2000.

[18]
‘Battleship Potemkin (1925) - Full Movie; English - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=7TgWoSHUn8c

[19]
‘Mother 1926 - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=vh9cxevRbEg

[20]
‘Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с киноаппаратом - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=7ZkvjWIEcoU

[21]
J. Lastra, Sound technology and the American cinema: perception, representation, modernity, vol. Film and culture. New York: Columbia University Press, 2000.

[22]
Dibbets, Karel, ‘The Introduction of Sound’ [Online]. Available: https://search.proquest.com/docview/1745491266?accountid=8630&rfr_id=info%3Axri%2Fsid%3Aprimo

[23]
M. Chion and C. Gorbman, Audio-vision: sound on screen. New York: Columbia University Press, 1994.

[24]
H. Mann and J. Von Sternberg, ‘The blue angel’. Eureka, London, 2002.

[25]
‘Der blaue Engel (1930)’. Arte [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/104794E6

[26]
J. Gibbs, Mise-en-scène: film style and interpretation, vol. Short cuts series. New York: Wallflower, 2002.

[27]
D. Bordwell and American Council of Learned Societies, Figures traced in light: on cinematic staging. Berkeley: University of California Press, 2005.

[28]
D. Bordwell, Narration in the fiction film. London: Methuen, 1985.

[29]
L. Mulvey and British Film Institute, Citizen Kane, vol. BFI film classics. London: B.F.I. Publishing, 1992.

[30]
‘Citizen Kane (1941)’. BBC4 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/01787544

[31]
Lieberman, EvanHegarty, Kerry, ‘Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland’, Journal of Film and Video, vol. 62, no. 1, pp. 31–51 [Online]. Available: https://search.proquest.com/docview/212690826/fulltext/D6A98D8D3A414C63PQ/1?accountid=8630

[32]
O. Welles, ‘Citizen Kane’. Universal Pictures (UK), [U.K.], 2003.

[33]
A. Glassman and British Film Institute, ‘Visions of light: the art of cinematography’. British Film Institute, London, 2006.

[34]
M. O’Pray, Avant-garde film: forms, themes and passions, vol. Short cuts series. London: Wallflower, 2003.

[35]
A. Sanchez and T. Pavlovic, ‘Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936)’, in 100 years of Spanish cinema, Malden, MA: Wiley-Blackwell, 2009, pp. 21–38 [Online]. Available: http://doi.wiley.com/10.1002/9781444304794.ch2

[36]
A. Graf and D. Scheunemann, Avant-garde film. Amsterdam: Rodopi, 2007.

[37]
L. Williams, Figures of desire: a theory and analysis of surrealist film. Berkeley, Calif: University of California Press, 1992.

[38]
‘Un Chien Andalou with new original orchestral soundtrack - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=vLM9qc29rh4

[39]
‘The Seashell and the Clergyman 1928 (Restored Full Movie) - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=ypseXIQVaF0

[40]
L. H. Eisner, The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt, 2nd pbk. ed. Berkeley: University of California Press, 2008.

[41]
R. Sinnerbrink, ‘Stimmung: exploring the aesthetics of mood’, Screen, vol. 53, no. 2, pp. 148–163, Jun. 2012, doi: 10.1093/screen/hjs007.

[42]
J. Lloyd, German expressionism: primitivism and modernity. New Haven: Yale University Press, 1991.

[43]
‘Nosferatu | 1922, silent, full film, high quality - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=oAX2WBzCh5Y

[44]
‘The Last Laugh (F.W. Murnau, 1924) - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=Zxc3ST9tjpU

[45]
A. Bazin, H. Gray, and 1945- Andrew, Dudley, What is cinema?: Vol. 1, [New edition]. Berkeley, California: University of California Press, 2005.

[46]
M. Shiel, Italian neorealism: rebuilding the cinematic city, vol. Short cuts. London: Wallflower, 2006.

[47]
M. Shiel, Italian neorealism: rebuilding the cinematic city. London: Wallflower, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=909624

[48]
L. Bartolini and V. De Sica, ‘Ladri di biciclette’. Arrow Films, [U.K.], 2006.

[49]
‘Bicycle Thieves (1948)’. BBC4 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66?bcast=122623822

[50]
‘Bicycle Thieves (1948)’. BBC4 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66

[51]
L. E. Ruberto and K. M. Wilson, Italian neorealism and global cinema, vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2007.

[52]
‘La Camera Stylo - Alexandre Astruc’. [Online]. Available: http://www.newwavefilm.com/about/camera-stylo-astruc.shtml

[53]
B. K. Grant, Auteurs and authorship: a film reader. Malden, Mass: Blackwell Publishing, 2008.

[54]
Turim, Maureen, ‘THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema’, THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema, vol. 9, 1973 [Online]. Available: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1306639553&indx=4&recIds=TN_proquest1306639553&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope:(44BIR_PDA1_DS),scope:(44BIR_ETH1_DS),scope:(44BIR_LGUI_DS),scope:(44BIR_PURE_FT),scope:(44BIR_ALEPH_DS),scope:(44BIR_MIM_DS+),scope:(44BIR_RLIST_DS),scope:(44BIR_ML_DS),scope:(44BIR_SFX_DS),scope:(44BIR_DR1_DS),scope:(44BIR_DR2_DS),44BIR_Ebsco_1,primo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=eng&rfnGrp=1&srt=rank&tab=local&fctN=facet_lang&dum=true&vl(freeText0)=nouvelle+vague+cahier+du+cinema&dstmp=1504697475949

[55]
P. J. Graham and G. Vincendeau, The French new wave: critical landmarks, [New and Expanded ed.]. London: BFI, 2009.

[56]
B. K. Grant, Auteurs and authorship: a film reader. Malden, Mass: Blackwell Publishing, 2008.

[57]
C. Wiegand, French new wave. Harpenden: Pocket Essentials, 2001.

[58]
L. Mulvey, ‘Visual Pleasure and Narrative Cinema’, Screen, vol. 16, no. 3, pp. 6–18, Sep. 1975, doi: 10.1093/screen/16.3.6.

[59]
R. Bloch and A. Hitchcock, ‘Psycho’. Universal Pictures (UK), [U.K.], 2005.

[60]
‘Psycho (1960)’. FilmFour [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=113926139

[61]
B. Creed, The monstrous feminine: film, feminism, psychoanalysis, vol. Popular fiction series. London: Routledge, 1993.

[62]
B. Creed, The monstrous-feminine: film, feminism, psychoanalysis. London: Routledge, 1993.

[63]
K. Silverman, The acoustic mirror: the female voice in psychoanalysis and cinema, vol. Theories of representation and difference. Indianapolis, Ind: Indiana University Press, 1988.

Bibliography for Film Theory and Criticism I (09 29437) BETA