1.
Bordwell, D. & Thompson, K. Film Art: An Introduction. vol. Addison-Wesley series in speech, drama, and film (Addison-Wesley, Reading, Mass, 1980).
2.
Popple, S. & Kember, J. Early Cinema: From Factory Gate to Dream Factory. vol. Short cuts (Wallflower, London, 2004).
3.
Workers Leaving The Lumiere Factory - Lumiere Brothers 1895 - YouTube.
4.
Turn-of-the-Century Surgery (1900) - ALICE GUY BLACHE - Chirurgie fin de siecle - YouTube.
5.
A Trip to the Moon (1902) - YouTube.
6.
The Great Train Robbery - YouTube.
7.
Bordwell, D., Staiger, J. & Thompson, K. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. (Routledge & Kegan Paul, London, 1985).
8.
Gibson, P. C. & Hill, J. The Oxford Guide to Film Studies. (Oxford University Press, Oxford, 1998).
9.
Broken Blossoms | 1919, silent, full film - YouTube.
10.
To Have and Have Not.
11.
All That Heaven Allows [DVD].
12.
Eĭzenshteĭn, S., Glenny, M., Taylor, R., & British Film Institute. Selected Works S. M. Eisenstein. Vol.2, Towards a Theory of Montage. (British Film Institute, London, 1994).
13.
Eisenstein, S. Selected Works: Volume II: Towards a Theory of Montage. (I.B. Tauris, London, [England], 1991).
14.
Bordwell, D. The Idea of Montage in Soviet Art and Film. Cinema Journal 11, (1972).
15.
Kuleshov, L. & Levaco, R. Kuleshov on Film: Writings by Lev Kuleshov. (University of California Press, Berkeley (etc.), 1974).
16.
Sargeant, A. Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde. vol. KINOfiles (I.B.Tauris, London, 2000).
17.
Roberts, G. The Man with the Movie Camera. vol. KINOfiles (I. B. Tauris, London, 2000).
18.
Battleship Potemkin (1925) - Full Movie; English - YouTube.
19.
Mother 1926 - YouTube.
20.
Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с киноаппаратом - YouTube.
21.
Lastra, J. Sound Technology and the American Cinema: Perception, Representation, Modernity. vol. Film and culture (Columbia University Press, New York, 2000).
22.
Dibbets, Karel. The Introduction of Sound.
23.
Chion, M. & Gorbman, C. Audio-Vision: Sound on Screen. (Columbia University Press, New York, 1994).
24.
Mann, H. & Von Sternberg, J. The blue angel. (2002).
25.
Der blaue Engel (1930).
26.
Gibbs, J. Mise-En-Scène: Film Style and Interpretation. vol. Short cuts series (Wallflower, New York, 2002).
27.
Bordwell, D. & American Council of Learned Societies. Figures Traced in Light: On Cinematic Staging. (University of California Press, Berkeley, 2005).
28.
Bordwell, D. Narration in the Fiction Film. (Methuen, London, 1985).
29.
Mulvey, L. & British Film Institute. Citizen Kane. vol. BFI film classics (B.F.I. Publishing, London, 1992).
30.
Citizen Kane (1941).
31.
Lieberman, EvanHegarty, Kerry. Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland. Journal of Film and Video 62, 31–51.
32.
Welles, O. Citizen Kane. (2003).
33.
Glassman, A. & British Film Institute. Visions of light: the art of cinematography. (2006).
34.
O’Pray, M. Avant-Garde Film: Forms, Themes and Passions. vol. Short cuts series (Wallflower, London, 2003).
35.
Sanchez, A. & Pavlovic, T. Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936). in 100 years of Spanish cinema 21–38 (Wiley-Blackwell, Malden, MA, 2009). doi:10.1002/9781444304794.ch2.
36.
Graf, A. & Scheunemann, D. Avant-Garde Film. (Rodopi, Amsterdam, 2007).
37.
Williams, L. Figures of Desire: A Theory and Analysis of Surrealist Film. (University of California Press, Berkeley, Calif, 1992).
38.
Un Chien Andalou with new original orchestral soundtrack - YouTube.
39.
The Seashell and the Clergyman 1928 (Restored Full Movie) - YouTube.
40.
Eisner, L. H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. (University of California Press, Berkeley, 2008).
41.
Sinnerbrink, R. Stimmung: exploring the aesthetics of mood. Screen 53, 148–163 (2012).
42.
Lloyd, J. German Expressionism: Primitivism and Modernity. (Yale University Press, New Haven, 1991).
43.
Nosferatu | 1922, silent, full film, high quality - YouTube.
44.
The Last Laugh (F.W. Murnau, 1924) - YouTube.
45.
Bazin, A., Gray, H. & Andrew, Dudley, 1945-. What Is Cinema?: Vol. 1. (University of California Press, Berkeley, California, 2005).
46.
Shiel, M. Italian Neorealism: Rebuilding the Cinematic City. vol. Short cuts (Wallflower, London, 2006).
47.
Shiel, M. Italian Neorealism: Rebuilding the Cinematic City. (Wallflower, London, 2006).
48.
Bartolini, L. & De Sica, V. Ladri di biciclette. (2006).
49.
Bicycle Thieves (1948).
50.
Bicycle Thieves (1948).
51.
Ruberto, L. E. & Wilson, K. M. Italian Neorealism and Global Cinema. vol. Contemporary approaches to film and television series (Wayne State University Press, Detroit, Mich, 2007).
52.
La Camera Stylo - Alexandre Astruc. http://www.newwavefilm.com/about/camera-stylo-astruc.shtml.
53.
Grant, B. K. Auteurs and Authorship: A Film Reader. (Blackwell Publishing, Malden, Mass, 2008).
54.
Turim, Maureen. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema 9, (1973).
55.
Graham, P. J. & Vincendeau, G. The French New Wave: Critical Landmarks. (BFI, London, 2009).
56.
Grant, B. K. Auteurs and Authorship: A Film Reader. (Blackwell Publishing, Malden, Mass, 2008).
57.
Wiegand, C. French New Wave. (Pocket Essentials, Harpenden, 2001).
58.
Mulvey, L. Visual Pleasure and Narrative Cinema. Screen 16, 6–18 (1975).
59.
Bloch, R. & Hitchcock, A. Psycho. (2005).
60.
Psycho (1960).
61.
Creed, B. The Monstrous Feminine: Film, Feminism, Psychoanalysis. vol. Popular fiction series (Routledge, London, 1993).
62.
Creed, B. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. (Routledge, London, 1993).
63.
Silverman, K. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. vol. Theories of representation and difference (Indiana University Press, Indianapolis, Ind, 1988).