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Citizen Kane (1941). n.d. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/01787544.
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Eisenstein, Sergei. 1991. Selected Works: Volume II: Towards a Theory of Montage. Edited by Michael Glenny and Richard Taylor. I.B. Tauris. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=676398.
Eisner, Lotte H. 2008. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. 2nd pbk. ed. University of California Press.
Eĭzenshteĭn, Sergeĭ, Michael Glenny, Richard Taylor, and British Film Institute. 1994. Selected Works S. M. Eisenstein. Vol.2, Towards a Theory of Montage. British Film Institute.
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Lastra, James. 2000. Sound Technology and the American Cinema: Perception, Representation, Modernity. Film and Culture. Columbia University Press.
Lieberman, EvanHegarty, Kerry. n.d. ‘Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland’. Journal of Film and Video 62 (1): 31–51. https://search.proquest.com/docview/212690826/fulltext/D6A98D8D3A414C63PQ/1?accountid=8630.
Lloyd, Jill. 1991. German Expressionism: Primitivism and Modernity. Yale University Press.
Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с Киноаппаратом - YouTube. n.d. https://www.youtube.com/watch?v=7ZkvjWIEcoU.
Mann, Heinrich, and Josef Von Sternberg. 2002. The Blue Angel. Eureka. Videorecording.
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Shiel, Mark. 2006a. Italian Neorealism: Rebuilding the Cinematic City. Wallflower. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=909624.
Shiel, Mark. 2006b. Italian Neorealism: Rebuilding the Cinematic City. Short cuts. Wallflower.
Silverman, Kaja. 1988. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Theories of representation and Difference. Indiana University Press.
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To Have and Have Not. n.d. https://www.amazon.co.uk/Have-Not-Humphrey-Bogart/dp/B015OQIJ0W/ref=sr_1_1?ie=UTF8&qid=1505316650&sr=8-1&keywords=to+have+and+have+not+dvd.
Turim, Maureen. 1973. ‘THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers Du Cinema’. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers Du Cinema 9. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1306639553&indx=4&recIds=TN_proquest1306639553&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope:(44BIR_PDA1_DS),scope:(44BIR_ETH1_DS),scope:(44BIR_LGUI_DS),scope:(44BIR_PURE_FT),scope:(44BIR_ALEPH_DS),scope:(44BIR_MIM_DS+),scope:(44BIR_RLIST_DS),scope:(44BIR_ML_DS),scope:(44BIR_SFX_DS),scope:(44BIR_DR1_DS),scope:(44BIR_DR2_DS),44BIR_Ebsco_1,primo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=eng&rfnGrp=1&srt=rank&tab=local&fctN=facet_lang&dum=true&vl(freeText0)=nouvelle+vague+cahier+du+cinema&dstmp=1504697475949.
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