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Workers Leaving The Lumiere Factory - Lumiere Brothers 1895 - YouTube. https://www.youtube.com/watch?v=yvC_xrDqB3s
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Turn-of-the-Century Surgery (1900) - ALICE GUY BLACHE - Chirurgie fin de siecle - YouTube. https://www.youtube.com/watch?v=ck6K8q8JbVQ&list=PL2Cs2h2P03cmogHcwtQepFM8hGzj2yEy7&index=8
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Bordwell D, Staiger J, Thompson K. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul; 1985.
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Gibson PC, Hill J. The Oxford Guide to Film Studies. Oxford University Press; 1998.
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To Have and Have Not. https://www.amazon.co.uk/Have-Not-Humphrey-Bogart/dp/B015OQIJ0W/ref=sr_1_1?ie=UTF8&qid=1505316650&sr=8-1&keywords=to+have+and+have+not+dvd
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Eisenstein S. Selected Works: Volume II: Towards a Theory of Montage. (Glenny M, Taylor R, eds.). I.B. Tauris; 1991. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=676398
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Bordwell D. The Idea of Montage in Soviet Art and Film. Cinema Journal. 1972;11(2). doi:10.2307/1225046
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Kuleshov L, Levaco R. Kuleshov on Film: Writings by Lev Kuleshov. University of California Press; 1974.
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Sargeant A. Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde. Vol KINOfiles. I.B.Tauris; 2000.
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Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с киноаппаратом - YouTube. https://www.youtube.com/watch?v=7ZkvjWIEcoU
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Lastra J. Sound Technology and the American Cinema: Perception, Representation, Modernity. Vol Film and culture. Columbia University Press; 2000.
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Dibbets, Karel. The Introduction of Sound. https://search.proquest.com/docview/1745491266?accountid=8630&rfr_id=info%3Axri%2Fsid%3Aprimo
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Chion M, Gorbman C. Audio-Vision: Sound on Screen. Columbia University Press; 1994.
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Mann H, Von Sternberg J. The blue angel. Published online 2002.
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Der blaue Engel (1930). https://learningonscreen.ac.uk/ondemand/index.php/prog/104794E6
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Gibbs J. Mise-En-Scène: Film Style and Interpretation. Vol Short cuts series. Wallflower; 2002.
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Bordwell D, American Council of Learned Societies. Figures Traced in Light: On Cinematic Staging. University of California Press; 2005.
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Bordwell D. Narration in the Fiction Film. Methuen; 1985.
29.
Mulvey L, British Film Institute. Citizen Kane. Vol BFI film classics. B.F.I. Publishing; 1992.
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Citizen Kane (1941). https://learningonscreen.ac.uk/ondemand/index.php/prog/01787544
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Lieberman, EvanHegarty, Kerry. Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland. Journal of Film and Video. 62(1):31-51. https://search.proquest.com/docview/212690826/fulltext/D6A98D8D3A414C63PQ/1?accountid=8630
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Welles O. Citizen Kane. Published online 2003.
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Glassman A, British Film Institute. Visions of light: the art of cinematography. Published online 2006.
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O’Pray M. Avant-Garde Film: Forms, Themes and Passions. Vol Short cuts series. Wallflower; 2003.
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Sanchez A, Pavlovic T. Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936). In: 100 Years of Spanish Cinema. Wiley-Blackwell; 2009:21-38. doi:10.1002/9781444304794.ch2
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Graf A, Scheunemann D. Avant-Garde Film. Rodopi; 2007.
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Williams L. Figures of Desire: A Theory and Analysis of Surrealist Film. University of California Press; 1992.
38.
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The Seashell and the Clergyman 1928 (Restored Full Movie) - YouTube. https://www.youtube.com/watch?v=ypseXIQVaF0
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Eisner LH. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. 2nd pbk. ed. University of California Press; 2008.
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Lloyd J. German Expressionism: Primitivism and Modernity. Yale University Press; 1991.
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Nosferatu | 1922, silent, full film, high quality - YouTube. https://www.youtube.com/watch?v=oAX2WBzCh5Y
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The Last Laugh (F.W. Murnau, 1924) - YouTube. https://www.youtube.com/watch?v=Zxc3ST9tjpU
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Bazin A, Gray H, Andrew, Dudley 1945-. What Is Cinema?: Vol. 1. [New edition]. University of California Press; 2005.
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Shiel M. Italian Neorealism: Rebuilding the Cinematic City. Vol Short cuts. Wallflower; 2006.
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Shiel M. Italian Neorealism: Rebuilding the Cinematic City. Wallflower; 2006. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=909624
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Bartolini L, De Sica V. Ladri di biciclette. Published online 2006.
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Bicycle Thieves (1948). https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66?bcast=122623822
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Bicycle Thieves (1948). https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66
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Ruberto LE, Wilson KM. Italian Neorealism and Global Cinema. Vol Contemporary approaches to film and television series. Wayne State University Press; 2007.
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La Camera Stylo - Alexandre Astruc. http://www.newwavefilm.com/about/camera-stylo-astruc.shtml
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Grant BK. Auteurs and Authorship: A Film Reader. Blackwell Publishing; 2008.
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Turim, Maureen. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema. 1973;9. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1306639553&indx=4&recIds=TN_proquest1306639553&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope:(44BIR_PDA1_DS),scope:(44BIR_ETH1_DS),scope:(44BIR_LGUI_DS),scope:(44BIR_PURE_FT),scope:(44BIR_ALEPH_DS),scope:(44BIR_MIM_DS+),scope:(44BIR_RLIST_DS),scope:(44BIR_ML_DS),scope:(44BIR_SFX_DS),scope:(44BIR_DR1_DS),scope:(44BIR_DR2_DS),44BIR_Ebsco_1,primo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=eng&rfnGrp=1&srt=rank&tab=local&fctN=facet_lang&dum=true&vl(freeText0)=nouvelle+vague+cahier+du+cinema&dstmp=1504697475949
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Graham PJ, Vincendeau G. The French New Wave: Critical Landmarks. [New and expanded ed.]. BFI; 2009.
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Grant BK. Auteurs and Authorship: A Film Reader. Blackwell Publishing; 2008.
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Wiegand C. French New Wave. Pocket Essentials; 2001.
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Mulvey L. Visual Pleasure and Narrative Cinema. Screen. 1975;16(3):6-18. doi:10.1093/screen/16.3.6
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Bloch R, Hitchcock A. Psycho. Published online 2005.
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Psycho (1960). https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=113926139
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Creed B. The Monstrous Feminine: Film, Feminism, Psychoanalysis. Vol Popular fiction series. Routledge; 1993.
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Creed B. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge; 1993.
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Silverman K. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Vol Theories of representation and difference. Indiana University Press; 1988.