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Bordwell D, Thompson K. Film art: an introduction. Reading, Mass: : Addison-Wesley 1980.
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Popple S, Kember J. Early cinema: from factory gate to dream factory. London: : Wallflower 2004.
3
Workers Leaving The Lumiere Factory - Lumiere Brothers 1895 - YouTube. https://www.youtube.com/watch?v=yvC_xrDqB3s
4
Turn-of-the-Century Surgery (1900) - ALICE GUY BLACHE - Chirurgie fin de siecle - YouTube. https://www.youtube.com/watch?v=ck6K8q8JbVQ&list=PL2Cs2h2P03cmogHcwtQepFM8hGzj2yEy7&index=8
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A Trip to the Moon (1902) - YouTube. https://www.youtube.com/watch?v=zXgTFBIwDCc
6
The Great Train Robbery - YouTube. https://www.youtube.com/watch?v=ZCWKh14Mvzg
7
Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge & Kegan Paul 1985.
8
Gibson PC, Hill J. The Oxford guide to film studies. Oxford: : Oxford University Press 1998.
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Broken Blossoms | 1919, silent, full film - YouTube. https://www.youtube.com/watch?v=GNzYWG5FTmk
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To Have and Have Not. https://www.amazon.co.uk/Have-Not-Humphrey-Bogart/dp/B015OQIJ0W/ref=sr_1_1?ie=UTF8&qid=1505316650&sr=8-1&keywords=to+have+and+have+not+dvd
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All That Heaven Allows [DVD]. https://www.amazon.co.uk/All-That-Heaven-Allows-DVD/dp/B00128TX6G/ref=sr_1_1?s=dvd&ie=UTF8&qid=1505316804&sr=1-1&keywords=all+that+heaven+allows+dvd
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Eĭzenshteĭn S, Glenny M, Taylor R, et al. Selected works S. M. Eisenstein. Vol.2, Towards a theory of montage. London: : British Film Institute 1994.
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Eisenstein S. Selected works: Volume II: Towards a theory of montage. London, [England]: : I.B. Tauris 1991. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=676398
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Bordwell D. The Idea of Montage in Soviet Art and Film. Cinema Journal 1972;11. doi:10.2307/1225046
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Kuleshov L, Levaco R. Kuleshov on film: writings by Lev Kuleshov. Berkeley (etc.): : University of California Press 1974.
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Sargeant A. Vsevolod Pudovkin: classic films of the Soviet avant-garde. London: : I.B.Tauris 2000.
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Roberts G. The man with the movie camera. London: : I. B. Tauris 2000.
18
Battleship Potemkin (1925) - Full Movie; English - YouTube. https://www.youtube.com/watch?v=7TgWoSHUn8c
19
Mother 1926 - YouTube. https://www.youtube.com/watch?v=vh9cxevRbEg
20
Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с киноаппаратом - YouTube. https://www.youtube.com/watch?v=7ZkvjWIEcoU
21
Lastra J. Sound technology and the American cinema: perception, representation, modernity. New York: : Columbia University Press 2000.
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Dibbets, Karel. The Introduction of Sound. https://search.proquest.com/docview/1745491266?accountid=8630&rfr_id=info%3Axri%2Fsid%3Aprimo
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Chion M, Gorbman C. Audio-vision: sound on screen. New York: : Columbia University Press 1994.
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Mann H, Von Sternberg J. The blue angel. 2002.
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Der blaue Engel (1930). https://learningonscreen.ac.uk/ondemand/index.php/prog/104794E6
26
Gibbs J. Mise-en-scène: film style and interpretation. New York: : Wallflower 2002.
27
Bordwell D, American Council of Learned Societies. Figures traced in light: on cinematic staging. Berkeley: : University of California Press 2005.
28
Bordwell D. Narration in the fiction film. London: : Methuen 1985.
29
Mulvey L, British Film Institute. Citizen Kane. London: : B.F.I. Publishing 1992.
30
Citizen Kane (1941). https://learningonscreen.ac.uk/ondemand/index.php/prog/01787544
31
Lieberman, EvanHegarty, Kerry. Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland. Journal of Film and Video;62:31–51.https://search.proquest.com/docview/212690826/fulltext/D6A98D8D3A414C63PQ/1?accountid=8630
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Welles O. Citizen Kane. 2003.
33
Glassman A, British Film Institute. Visions of light: the art of cinematography. 2006.
34
O’Pray M. Avant-garde film: forms, themes and passions. London: : Wallflower 2003.
35
Sanchez A, Pavlovic T. Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936). In: 100 years of Spanish cinema. Malden, MA: : Wiley-Blackwell 2009. 21–38. doi:10.1002/9781444304794.ch2
36
Graf A, Scheunemann D. Avant-garde film. Amsterdam: : Rodopi 2007.
37
Williams L. Figures of desire: a theory and analysis of surrealist film. Berkeley, Calif: : University of California Press 1992.
38
Un Chien Andalou with new original orchestral soundtrack - YouTube. https://www.youtube.com/watch?v=vLM9qc29rh4
39
The Seashell and the Clergyman 1928 (Restored Full Movie) - YouTube. https://www.youtube.com/watch?v=ypseXIQVaF0
40
Eisner LH. The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. 2nd pbk. ed. Berkeley: : University of California Press 2008.
41
Sinnerbrink R. Stimmung: exploring the aesthetics of mood. Screen 2012;53:148–63. doi:10.1093/screen/hjs007
42
Lloyd J. German expressionism: primitivism and modernity. New Haven: : Yale University Press 1991.
43
Nosferatu | 1922, silent, full film, high quality - YouTube. https://www.youtube.com/watch?v=oAX2WBzCh5Y
44
The Last Laugh (F.W. Murnau, 1924) - YouTube. https://www.youtube.com/watch?v=Zxc3ST9tjpU
45
Bazin A, Gray H, Andrew, Dudley 1945-. What is cinema?: Vol. 1. [New edition]. Berkeley, California: : University of California Press 2005.
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Shiel M. Italian neorealism: rebuilding the cinematic city. London: : Wallflower 2006.
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Shiel M. Italian neorealism: rebuilding the cinematic city. London: : Wallflower 2006. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=909624
48
Bartolini L, De Sica V. Ladri di biciclette. 2006.
49
Bicycle Thieves (1948). https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66?bcast=122623822
50
Bicycle Thieves (1948). https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66
51
Ruberto LE, Wilson KM. Italian neorealism and global cinema. Detroit, Mich: : Wayne State University Press 2007.
52
La Camera Stylo - Alexandre Astruc. http://www.newwavefilm.com/about/camera-stylo-astruc.shtml
53
Grant BK. Auteurs and authorship: a film reader. Malden, Mass: : Blackwell Publishing 2008.
54
Turim, Maureen. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema 1973;9.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1306639553&indx=4&recIds=TN_proquest1306639553&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope:(44BIR_PDA1_DS),scope:(44BIR_ETH1_DS),scope:(44BIR_LGUI_DS),scope:(44BIR_PURE_FT),scope:(44BIR_ALEPH_DS),scope:(44BIR_MIM_DS+),scope:(44BIR_RLIST_DS),scope:(44BIR_ML_DS),scope:(44BIR_SFX_DS),scope:(44BIR_DR1_DS),scope:(44BIR_DR2_DS),44BIR_Ebsco_1,primo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=eng&rfnGrp=1&srt=rank&tab=local&fctN=facet_lang&dum=true&vl(freeText0)=nouvelle+vague+cahier+du+cinema&dstmp=1504697475949
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Graham PJ, Vincendeau G. The French new wave: critical landmarks. [New and expanded ed.]. London: : BFI 2009.
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Grant BK. Auteurs and authorship: a film reader. Malden, Mass: : Blackwell Publishing 2008.
57
Wiegand C. French new wave. Harpenden: : Pocket Essentials 2001.
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Mulvey L. Visual Pleasure and Narrative Cinema. Screen 1975;16:6–18. doi:10.1093/screen/16.3.6
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Bloch R, Hitchcock A. Psycho. 2005.
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Psycho (1960). https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=113926139
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Creed B. The monstrous feminine: film, feminism, psychoanalysis. London: : Routledge 1993.
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Creed B. The monstrous-feminine: film, feminism, psychoanalysis. London: : Routledge 1993.
63
Silverman K. The acoustic mirror: the female voice in psychoanalysis and cinema. Indianapolis, Ind: : Indiana University Press 1988.