@misc{Bartolini_De Sica_2006, address={[U.K.]}, title={Ladri di biciclette}, publisher={Arrow Films}, author={Bartolini, Luigi and De Sica, Vittorio}, year={2006} }
@book{Bazin_Gray_Andrew, Dudley_2005, address={Berkeley, California}, edition={[New edition]}, title={What is cinema?: Vol. 1}, publisher={University of California Press}, author={Bazin, André and Gray, Hugh and Andrew, Dudley, 1945-}, year={2005} }
@misc{Bloch_Hitchcock_2005, address={[U.K.]}, title={Psycho}, publisher={Universal Pictures (UK)}, author={Bloch, Robert and Hitchcock, Alfred}, year={2005} }
@article{Bordwell_1972, title={The Idea of Montage in Soviet Art and Film}, volume={11}, DOI={10.2307/1225046}, number={2}, journal={Cinema Journal}, author={Bordwell, David}, year={1972}, month={Spring} }
@book{Bordwell_1985, address={London}, title={Narration in the fiction film}, publisher={Methuen}, author={Bordwell, David}, year={1985} }
@book{Bordwell_American Council of Learned Societies_2005, address={Berkeley}, title={Figures traced in light: on cinematic staging}, publisher={University of California Press}, author={Bordwell, David and American Council of Learned Societies}, year={2005} }
@book{Bordwell_Staiger_Thompson_1985, address={London}, title={The classical Hollywood cinema: film style & mode of production to 1960}, publisher={Routledge & Kegan Paul}, author={Bordwell, David and Staiger, Janet and Thompson, Kristin}, year={1985} }
@book{Bordwell_Thompson_1980, address={Reading, Mass}, title={Film art: an introduction}, volume={Addison-Wesley series in speech, drama, and film}, publisher={Addison-Wesley}, author={Bordwell, David and Thompson, Kristin}, year={1980} }
@book{Chion_Gorbman_1994, address={New York}, title={Audio-vision: sound on screen}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1994} }
@book{Creed_1993a, address={London}, title={The monstrous feminine: film, feminism, psychoanalysis}, volume={Popular fiction series}, publisher={Routledge}, author={Creed, Barbara}, year={1993} }
@book{Creed_1993b, address={London}, title={The monstrous-feminine: film, feminism, psychoanalysis}, publisher={Routledge}, author={Creed, Barbara}, year={1993} }
@article{Dibbets, Karel, title={The Introduction of Sound}, url={https://search.proquest.com/docview/1745491266?accountid=8630&rfr_id=info%3Axri%2Fsid%3Aprimo}, author={Dibbets, Karel} }
@book{Eisenstein_1991, address={London, [England]}, title={Selected works: Volume II: Towards a theory of montage}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=676398}, publisher={I.B. Tauris}, author={Eisenstein, Sergei}, editor={Glenny, Michael and Taylor, Richard}, year={1991} }
@book{Eisner_2008, address={Berkeley}, edition={2nd pbk. ed}, title={The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt}, publisher={University of California Press}, author={Eisner, Lotte H.}, year={2008} }
@book{Eĭzenshteĭn_Glenny_Taylor_British Film Institute_1994, address={London}, title={Selected works S. M. Eisenstein. Vol.2, Towards a theory of montage}, publisher={British Film Institute}, author={Eĭzenshteĭn, Sergeĭ and Glenny, Michael and Taylor, Richard and British Film Institute}, year={1994} }
@book{Gibbs_2002, address={New York}, title={Mise-en-scène: film style and interpretation}, volume={Short cuts series}, publisher={Wallflower}, author={Gibbs, John}, year={2002} }
@book{Gibson_Hill_1998, address={Oxford}, title={The Oxford guide to film studies}, publisher={Oxford University Press}, author={Gibson, Pamela Church and Hill, John}, year={1998} }
@misc{Glassman_British Film Institute_2006, address={London}, title={Visions of light: the art of cinematography}, publisher={British Film Institute}, author={Glassman, Arnold and British Film Institute}, year={2006} }
@book{Graf_Scheunemann_2007, address={Amsterdam}, title={Avant-garde film}, publisher={Rodopi}, author={Graf, Alexander and Scheunemann, Dietrich}, year={2007} }
@book{Graham_Vincendeau_2009, address={London}, edition={[New and expanded ed.]}, title={The French new wave: critical landmarks}, publisher={BFI}, author={Graham, Peter John and Vincendeau, Ginette}, year={2009} }
@book{Grant_2008a, address={Malden, Mass}, title={Auteurs and authorship: a film reader}, publisher={Blackwell Publishing}, author={Grant, Barry Keith}, year={2008} }
@book{Grant_2008b, address={Malden, Mass}, title={Auteurs and authorship: a film reader}, publisher={Blackwell Publishing}, author={Grant, Barry Keith}, year={2008} }
@book{Kuleshov_Levaco_1974, address={Berkeley (etc.)}, title={Kuleshov on film: writings by Lev Kuleshov}, publisher={University of California Press}, author={Kuleshov, Lev and Levaco, Ronald}, year={1974} }
@book{Lastra_2000, address={New York}, title={Sound technology and the American cinema: perception, representation, modernity}, volume={Film and culture}, publisher={Columbia University Press}, author={Lastra, James}, year={2000} }
@article{Lieberman, EvanHegarty, Kerry, title={Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland}, volume={62}, url={https://search.proquest.com/docview/212690826/fulltext/D6A98D8D3A414C63PQ/1?accountid=8630}, number={1}, journal={Journal of Film and Video}, author={Lieberman, EvanHegarty, Kerry}, pages={31–51} }
@book{Lloyd_1991, address={New Haven}, title={German expressionism: primitivism and modernity}, publisher={Yale University Press}, author={Lloyd, Jill}, year={1991} }
@misc{Mann_Von Sternberg_2002, address={London}, title={The blue angel}, publisher={Eureka}, author={Mann, Heinrich and Von Sternberg, Josef}, year={2002} }
@article{Mulvey_1975, title={Visual Pleasure and Narrative Cinema}, volume={16}, DOI={10.1093/screen/16.3.6}, number={3}, journal={Screen}, author={Mulvey, L.}, year={1975}, month={Sep}, pages={6–18} }
@book{Mulvey_British Film Institute_1992, address={London}, title={Citizen Kane}, volume={BFI film classics}, publisher={B.F.I. Publishing}, author={Mulvey, Laura and British Film Institute}, year={1992} }
@book{O’Pray_2003, address={London}, title={Avant-garde film: forms, themes and passions}, volume={Short cuts series}, publisher={Wallflower}, author={O’Pray, Michael}, year={2003} }
@book{Popple_Kember_2004, address={London}, title={Early cinema: from factory gate to dream factory}, volume={Short cuts}, publisher={Wallflower}, author={Popple, Simon and Kember, Joe}, year={2004} }
@book{Roberts_2000, address={London}, title={The man with the movie camera}, volume={KINOfiles}, publisher={I. B. Tauris}, author={Roberts, Graham}, year={2000} }
@book{Ruberto_Wilson_2007, address={Detroit, Mich}, title={Italian neorealism and global cinema}, volume={Contemporary approaches to film and television series}, publisher={Wayne State University Press}, author={Ruberto, Laura E. and Wilson, Kristi M.}, year={2007} }
@inbook{Sanchez_Pavlovic_2009, address={Malden, MA}, title={Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936)}, url={http://doi.wiley.com/10.1002/9781444304794.ch2}, DOI={10.1002/9781444304794.ch2}, booktitle={100 years of Spanish cinema}, publisher={Wiley-Blackwell}, author={Sanchez, Alejandra and Pavlovic, Tatjana}, year={2009}, pages={21–38} }
@book{Sargeant_2000, address={London}, title={Vsevolod Pudovkin: classic films of the Soviet avant-garde}, volume={KINOfiles}, publisher={I.B.Tauris}, author={Sargeant, Amy}, year={2000} }
@book{Shiel_2006a, address={London}, title={Italian neorealism: rebuilding the cinematic city}, volume={Short cuts}, publisher={Wallflower}, author={Shiel, Mark}, year={2006} }
@book{Shiel_2006b, address={London}, title={Italian neorealism: rebuilding the cinematic city}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=909624}, publisher={Wallflower}, author={Shiel, Mark}, year={2006} }
@book{Silverman_1988, address={Indianapolis, Ind}, title={The acoustic mirror: the female voice in psychoanalysis and cinema}, volume={Theories of representation and difference}, publisher={Indiana University Press}, author={Silverman, Kaja}, year={1988} }
@article{Sinnerbrink_2012, title={Stimmung: exploring the aesthetics of mood}, volume={53}, DOI={10.1093/screen/hjs007}, number={2}, journal={Screen}, author={Sinnerbrink, R.}, year={2012}, month={Jun}, pages={148–163} }
@article{Turim, Maureen_1973, title={THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema}, volume={9}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1306639553&indx=4&recIds=TN_proquest1306639553&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope:(44BIR_PDA1_DS),scope:(44BIR_ETH1_DS),scope:(44BIR_LGUI_DS),scope:(44BIR_PURE_FT),scope:(44BIR_ALEPH_DS),scope:(44BIR_MIM_DS+),scope:(44BIR_RLIST_DS),scope:(44BIR_ML_DS),scope:(44BIR_SFX_DS),scope:(44BIR_DR1_DS),scope:(44BIR_DR2_DS),44BIR_Ebsco_1,primo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=eng&rfnGrp=1&srt=rank&tab=local&fctN=facet_lang&dum=true&vl(freeText0)=nouvelle+vague+cahier+du+cinema&dstmp=1504697475949}, journal={THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema}, author={Turim, Maureen}, year={1973} }
@misc{Welles_2003, address={[U.K.]}, edition={Special ed}, title={Citizen Kane}, publisher={Universal Pictures (UK)}, author={Welles, Orson}, year={2003} }
@book{Wiegand_2001, address={Harpenden}, title={French new wave}, publisher={Pocket Essentials}, author={Wiegand, Chris}, year={2001} }
@book{Williams_1992, address={Berkeley, Calif}, title={Figures of desire: a theory and analysis of surrealist film}, publisher={University of California Press}, author={Williams, Linda}, year={1992} }
@misc{Workers Leaving The Lumiere Factory - Lumiere Brothers 1895 - YouTube, url={https://www.youtube.com/watch?v=yvC_xrDqB3s} }
@misc{Turn-of-the-Century Surgery (1900) - ALICE GUY BLACHE - Chirurgie fin de siecle - YouTube, url={https://www.youtube.com/watch?v=ck6K8q8JbVQ&list=PL2Cs2h2P03cmogHcwtQepFM8hGzj2yEy7&index=8} }
@misc{A Trip to the Moon (1902) - YouTube, url={https://www.youtube.com/watch?v=zXgTFBIwDCc} }
@misc{The Great Train Robbery - YouTube, url={https://www.youtube.com/watch?v=ZCWKh14Mvzg} }
@misc{Broken Blossoms | 1919, silent, full film - YouTube, url={https://www.youtube.com/watch?v=GNzYWG5FTmk} }
@misc{To Have and Have Not, url={https://www.amazon.co.uk/Have-Not-Humphrey-Bogart/dp/B015OQIJ0W/ref=sr_1_1?ie=UTF8&qid=1505316650&sr=8-1&keywords=to+have+and+have+not+dvd} }
@misc{All That Heaven Allows [DVD], url={https://www.amazon.co.uk/All-That-Heaven-Allows-DVD/dp/B00128TX6G/ref=sr_1_1?s=dvd&ie=UTF8&qid=1505316804&sr=1-1&keywords=all+that+heaven+allows+dvd} }
@misc{Battleship Potemkin (1925) - Full Movie; English - YouTube, url={https://www.youtube.com/watch?v=7TgWoSHUn8c} }
@misc{Mother 1926 - YouTube, url={https://www.youtube.com/watch?v=vh9cxevRbEg} }
@misc{Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с киноаппаратом - YouTube, url={https://www.youtube.com/watch?v=7ZkvjWIEcoU} }
@misc{Der blaue Engel (1930), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/104794E6}, publisher={Arte} }
@misc{Citizen Kane (1941), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/01787544}, publisher={BBC4} }
@misc{Un Chien Andalou with new original orchestral soundtrack - YouTube, url={https://www.youtube.com/watch?v=vLM9qc29rh4} }
@misc{The Seashell and the Clergyman 1928 (Restored Full Movie) - YouTube, url={https://www.youtube.com/watch?v=ypseXIQVaF0} }
@misc{Nosferatu | 1922, silent, full film, high quality - YouTube, url={https://www.youtube.com/watch?v=oAX2WBzCh5Y} }
@misc{The Last Laugh (F.W. Murnau, 1924) - YouTube, url={https://www.youtube.com/watch?v=Zxc3ST9tjpU} }
@misc{Bicycle Thieves (1948), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66?bcast=122623822}, publisher={BBC4} }
@misc{Bicycle Thieves (1948), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66}, publisher={BBC4} }
@misc{La Camera Stylo - Alexandre Astruc, url={http://www.newwavefilm.com/about/camera-stylo-astruc.shtml} }
@misc{Psycho (1960), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=113926139}, publisher={FilmFour} }
