‘A Trip to the Moon (1902) - YouTube’, n.d. https://www.youtube.com/watch?v=zXgTFBIwDCc.
‘All That Heaven Allows [DVD]’, n.d. https://www.amazon.co.uk/All-That-Heaven-Allows-DVD/dp/B00128TX6G/ref=sr_1_1?s=dvd&ie=UTF8&qid=1505316804&sr=1-1&keywords=all+that+heaven+allows+dvd.
Bartolini, Luigi, and Vittorio De Sica. ‘Ladri Di Biciclette’. [U.K.]: Arrow Films, 2006.
‘Battleship Potemkin (1925) - Full Movie; English - YouTube’, n.d. https://www.youtube.com/watch?v=7TgWoSHUn8c.
Bazin, André, Hugh Gray, and 1945- Andrew, Dudley. What Is Cinema?: Vol. 1. [New edition]. Berkeley, California: University of California Press, 2005.
‘Bicycle Thieves (1948)’. BBC4, n.d. https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66?bcast=122623822.
‘Bicycle Thieves (1948)’. BBC4, n.d. https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66.
Bloch, Robert, and Alfred Hitchcock. ‘Psycho’. [U.K.]: Universal Pictures (UK), 2005.
Bordwell, David. Narration in the Fiction Film. London: Methuen, 1985.
———. ‘The Idea of Montage in Soviet Art and Film’. Cinema Journal 11, no. 2 (Spring 1972). https://doi.org/10.2307/1225046.
Bordwell, David and American Council of Learned Societies. Figures Traced in Light: On Cinematic Staging. Berkeley: University of California Press, 2005.
Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge & Kegan Paul, 1985.
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Vol. Addison-Wesley series in speech, drama, and film. Reading, Mass: Addison-Wesley, 1980.
‘Broken Blossoms | 1919, Silent, Full Film - YouTube’, n.d. https://www.youtube.com/watch?v=GNzYWG5FTmk.
Chion, Michel, and Claudia Gorbman. Audio-Vision: Sound on Screen. New York: Columbia University Press, 1994.
‘Citizen Kane (1941)’. BBC4, n.d. https://learningonscreen.ac.uk/ondemand/index.php/prog/01787544.
Creed, Barbara. The Monstrous Feminine: Film, Feminism, Psychoanalysis. Vol. Popular fiction series. London: Routledge, 1993.
———. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993.
‘Der Blaue Engel (1930)’. Arte, n.d. https://learningonscreen.ac.uk/ondemand/index.php/prog/104794E6.
Dibbets, Karel. ‘The Introduction of Sound’, n.d. https://search.proquest.com/docview/1745491266?accountid=8630&rfr_id=info%3Axri%2Fsid%3Aprimo.
Eisenstein, Sergei. Selected Works: Volume II: Towards a Theory of Montage. Edited by Michael Glenny and Richard Taylor. London, [England]: I.B. Tauris, 1991. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=676398.
Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. 2nd pbk. ed. Berkeley: University of California Press, 2008.
Eĭzenshteĭn, Sergeĭ, Michael Glenny, Richard Taylor, and British Film Institute. Selected Works S. M. Eisenstein. Vol.2, Towards a Theory of Montage. London: British Film Institute, 1994.
Gibbs, John. Mise-En-Scène: Film Style and Interpretation. Vol. Short cuts series. New York: Wallflower, 2002.
Gibson, Pamela Church, and John Hill. The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998.
Glassman, Arnold and British Film Institute. ‘Visions of Light: The Art of Cinematography’. London: British Film Institute, 2006.
Graf, Alexander, and Dietrich Scheunemann. Avant-Garde Film. Amsterdam: Rodopi, 2007.
Graham, Peter John, and Ginette Vincendeau. The French New Wave: Critical Landmarks. [New and Expanded ed.]. London: BFI, 2009.
Grant, Barry Keith. Auteurs and Authorship: A Film Reader. Malden, Mass: Blackwell Publishing, 2008.
———. Auteurs and Authorship: A Film Reader. Malden, Mass: Blackwell Publishing, 2008.
Kuleshov, Lev, and Ronald Levaco. Kuleshov on Film: Writings by Lev Kuleshov. Berkeley (etc.): University of California Press, 1974.
‘La Camera Stylo - Alexandre Astruc’, n.d. http://www.newwavefilm.com/about/camera-stylo-astruc.shtml.
Lastra, James. Sound Technology and the American Cinema: Perception, Representation, Modernity. Vol. Film and culture. New York: Columbia University Press, 2000.
Lieberman, EvanHegarty, Kerry. ‘Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland’. Journal of Film and Video 62, no. 1 (n.d.): 31–51. https://search.proquest.com/docview/212690826/fulltext/D6A98D8D3A414C63PQ/1?accountid=8630.
Lloyd, Jill. German Expressionism: Primitivism and Modernity. New Haven: Yale University Press, 1991.
‘Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с Киноаппаратом - YouTube’, n.d. https://www.youtube.com/watch?v=7ZkvjWIEcoU.
Mann, Heinrich, and Josef Von Sternberg. ‘The Blue Angel’. London: Eureka, 2002.
‘Mother 1926 - YouTube’, n.d. https://www.youtube.com/watch?v=vh9cxevRbEg.
Mulvey, L. ‘Visual Pleasure and Narrative Cinema’. Screen 16, no. 3 (1 September 1975): 6–18. https://doi.org/10.1093/screen/16.3.6.
Mulvey, Laura and British Film Institute. Citizen Kane. Vol. BFI film classics. London: B.F.I. Publishing, 1992.
‘Nosferatu | 1922, Silent, Full Film, High Quality - YouTube’, n.d. https://www.youtube.com/watch?v=oAX2WBzCh5Y.
O’Pray, Michael. Avant-Garde Film: Forms, Themes and Passions. Vol. Short cuts series. London: Wallflower, 2003.
Popple, Simon, and Joe Kember. Early Cinema: From Factory Gate to Dream Factory. Vol. Short cuts. London: Wallflower, 2004.
‘Psycho (1960)’. FilmFour, n.d. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=113926139.
Roberts, Graham. The Man with the Movie Camera. Vol. KINOfiles. London: I. B. Tauris, 2000.
Ruberto, Laura E., and Kristi M. Wilson. Italian Neorealism and Global Cinema. Vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2007.
Sanchez, Alejandra, and Tatjana Pavlovic. ‘Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936)’. In 100 Years of Spanish Cinema, 21–38. Malden, MA: Wiley-Blackwell, 2009. https://doi.org/10.1002/9781444304794.ch2.
Sargeant, Amy. Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde. Vol. KINOfiles. London: I.B.Tauris, 2000.
Shiel, Mark. Italian Neorealism: Rebuilding the Cinematic City. Vol. Short cuts. London: Wallflower, 2006.
———. Italian Neorealism: Rebuilding the Cinematic City. London: Wallflower, 2006. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=909624.
Silverman, Kaja. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Vol. Theories of representation and difference. Indianapolis, Ind: Indiana University Press, 1988.
Sinnerbrink, R. ‘Stimmung: Exploring the Aesthetics of Mood’. Screen 53, no. 2 (1 June 2012): 148–63. https://doi.org/10.1093/screen/hjs007.
‘The Great Train Robbery - YouTube’, n.d. https://www.youtube.com/watch?v=ZCWKh14Mvzg.
‘The Last Laugh (F.W. Murnau, 1924) - YouTube’, n.d. https://www.youtube.com/watch?v=Zxc3ST9tjpU.
‘The Seashell and the Clergyman 1928 (Restored Full Movie) - YouTube’, n.d. https://www.youtube.com/watch?v=ypseXIQVaF0.
‘To Have and Have Not’, n.d. https://www.amazon.co.uk/Have-Not-Humphrey-Bogart/dp/B015OQIJ0W/ref=sr_1_1?ie=UTF8&qid=1505316650&sr=8-1&keywords=to+have+and+have+not+dvd.
Turim, Maureen. ‘THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers Du Cinema’. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers Du Cinema 9 (1973). http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1306639553&indx=4&recIds=TN_proquest1306639553&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope:(44BIR_PDA1_DS),scope:(44BIR_ETH1_DS),scope:(44BIR_LGUI_DS),scope:(44BIR_PURE_FT),scope:(44BIR_ALEPH_DS),scope:(44BIR_MIM_DS+),scope:(44BIR_RLIST_DS),scope:(44BIR_ML_DS),scope:(44BIR_SFX_DS),scope:(44BIR_DR1_DS),scope:(44BIR_DR2_DS),44BIR_Ebsco_1,primo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=eng&rfnGrp=1&srt=rank&tab=local&fctN=facet_lang&dum=true&vl(freeText0)=nouvelle+vague+cahier+du+cinema&dstmp=1504697475949.
‘Turn-of-the-Century Surgery (1900) - ALICE GUY BLACHE - Chirurgie Fin de Siecle - YouTube’, n.d. https://www.youtube.com/watch?v=ck6K8q8JbVQ&list=PL2Cs2h2P03cmogHcwtQepFM8hGzj2yEy7&index=8.
‘Un Chien Andalou with New Original Orchestral Soundtrack - YouTube’, n.d. https://www.youtube.com/watch?v=vLM9qc29rh4.
Welles, Orson. ‘Citizen Kane’. [U.K.]: Universal Pictures (UK), 2003.
Wiegand, Chris. French New Wave. Harpenden: Pocket Essentials, 2001.
Williams, Linda. Figures of Desire: A Theory and Analysis of Surrealist Film. Berkeley, Calif: University of California Press, 1992.
‘Workers Leaving The Lumiere Factory - Lumiere Brothers 1895 - YouTube’, n.d. https://www.youtube.com/watch?v=yvC_xrDqB3s.
