1.
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2.
Popple, S., Kember, J.: Early cinema: from factory gate to dream factory. Wallflower, London (2004).
3.
Workers Leaving The Lumiere Factory - Lumiere Brothers 1895 - YouTube, https://www.youtube.com/watch?v=yvC_xrDqB3s.
4.
Turn-of-the-Century Surgery (1900) - ALICE GUY BLACHE - Chirurgie fin de siecle - YouTube, https://www.youtube.com/watch?v=ck6K8q8JbVQ&list=PL2Cs2h2P03cmogHcwtQepFM8hGzj2yEy7&index=8.
5.
A Trip to the Moon (1902) - YouTube, https://www.youtube.com/watch?v=zXgTFBIwDCc.
6.
The Great Train Robbery - YouTube, https://www.youtube.com/watch?v=ZCWKh14Mvzg.
7.
Bordwell, D., Staiger, J., Thompson, K.: The classical Hollywood cinema: film style & mode of production to 1960. Routledge & Kegan Paul, London (1985).
8.
Gibson, P.C., Hill, J.: The Oxford guide to film studies. Oxford University Press, Oxford (1998).
9.
Broken Blossoms | 1919, silent, full film - YouTube, https://www.youtube.com/watch?v=GNzYWG5FTmk.
10.
To Have and Have Not, https://www.amazon.co.uk/Have-Not-Humphrey-Bogart/dp/B015OQIJ0W/ref=sr_1_1?ie=UTF8&qid=1505316650&sr=8-1&keywords=to+have+and+have+not+dvd.
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All That Heaven Allows [DVD], https://www.amazon.co.uk/All-That-Heaven-Allows-DVD/dp/B00128TX6G/ref=sr_1_1?s=dvd&ie=UTF8&qid=1505316804&sr=1-1&keywords=all+that+heaven+allows+dvd.
12.
Eĭzenshteĭn, S., Glenny, M., Taylor, R., British Film Institute: Selected works S. M. Eisenstein. Vol.2, Towards a theory of montage. British Film Institute, London (1994).
13.
Eisenstein, S.: Selected works: Volume II: Towards a theory of montage. I.B. Tauris, London, [England] (1991).
14.
Bordwell, D.: The Idea of Montage in Soviet Art and Film. Cinema Journal. 11, (1972). https://doi.org/10.2307/1225046.
15.
Kuleshov, L., Levaco, R.: Kuleshov on film: writings by Lev Kuleshov. University of California Press, Berkeley (etc.) (1974).
16.
Sargeant, A.: Vsevolod Pudovkin: classic films of the Soviet avant-garde. I.B.Tauris, London (2000).
17.
Roberts, G.: The man with the movie camera. I. B. Tauris, London (2000).
18.
Battleship Potemkin (1925) - Full Movie; English - YouTube, https://www.youtube.com/watch?v=7TgWoSHUn8c.
19.
Mother 1926 - YouTube, https://www.youtube.com/watch?v=vh9cxevRbEg.
20.
Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с киноаппаратом - YouTube, https://www.youtube.com/watch?v=7ZkvjWIEcoU.
21.
Lastra, J.: Sound technology and the American cinema: perception, representation, modernity. Columbia University Press, New York (2000).
22.
Dibbets, Karel: The Introduction of Sound.
23.
Chion, M., Gorbman, C.: Audio-vision: sound on screen. Columbia University Press, New York (1994).
24.
Mann, H., Von Sternberg, J.: The blue angel, (2002).
25.
Der blaue Engel (1930), https://learningonscreen.ac.uk/ondemand/index.php/prog/104794E6.
26.
Gibbs, J.: Mise-en-scène: film style and interpretation. Wallflower, New York (2002).
27.
Bordwell, D., American Council of Learned Societies: Figures traced in light: on cinematic staging. University of California Press, Berkeley (2005).
28.
Bordwell, D.: Narration in the fiction film. Methuen, London (1985).
29.
Mulvey, L., British Film Institute: Citizen Kane. B.F.I. Publishing, London (1992).
30.
Citizen Kane (1941), https://learningonscreen.ac.uk/ondemand/index.php/prog/01787544.
31.
Lieberman, EvanHegarty, Kerry: Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland. Journal of Film and Video. 62, 31–51.
32.
Welles, O.: Citizen Kane, (2003).
33.
Glassman, A., British Film Institute: Visions of light: the art of cinematography, (2006).
34.
O’Pray, M.: Avant-garde film: forms, themes and passions. Wallflower, London (2003).
35.
Sanchez, A., Pavlovic, T.: Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936). In: 100 years of Spanish cinema. pp. 21–38. Wiley-Blackwell, Malden, MA (2009). https://doi.org/10.1002/9781444304794.ch2.
36.
Graf, A., Scheunemann, D.: Avant-garde film. Rodopi, Amsterdam (2007).
37.
Williams, L.: Figures of desire: a theory and analysis of surrealist film. University of California Press, Berkeley, Calif (1992).
38.
Un Chien Andalou with new original orchestral soundtrack - YouTube, https://www.youtube.com/watch?v=vLM9qc29rh4.
39.
The Seashell and the Clergyman 1928 (Restored Full Movie) - YouTube, https://www.youtube.com/watch?v=ypseXIQVaF0.
40.
Eisner, L.H.: The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. University of California Press, Berkeley (2008).
41.
Sinnerbrink, R.: Stimmung: exploring the aesthetics of mood. Screen. 53, 148–163 (2012). https://doi.org/10.1093/screen/hjs007.
42.
Lloyd, J.: German expressionism: primitivism and modernity. Yale University Press, New Haven (1991).
43.
Nosferatu | 1922, silent, full film, high quality - YouTube, https://www.youtube.com/watch?v=oAX2WBzCh5Y.
44.
The Last Laugh (F.W. Murnau, 1924) - YouTube, https://www.youtube.com/watch?v=Zxc3ST9tjpU.
45.
Bazin, A., Gray, H., Andrew, Dudley, 1945-: What is cinema?: Vol. 1. University of California Press, Berkeley, California (2005).
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Shiel, M.: Italian neorealism: rebuilding the cinematic city. Wallflower, London (2006).
47.
Shiel, M.: Italian neorealism: rebuilding the cinematic city. Wallflower, London (2006).
48.
Bartolini, L., De Sica, V.: Ladri di biciclette, (2006).
49.
Bicycle Thieves (1948), https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66?bcast=122623822.
50.
Bicycle Thieves (1948), https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66.
51.
Ruberto, L.E., Wilson, K.M.: Italian neorealism and global cinema. Wayne State University Press, Detroit, Mich (2007).
52.
La Camera Stylo - Alexandre Astruc, http://www.newwavefilm.com/about/camera-stylo-astruc.shtml.
53.
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54.
Turim, Maureen: THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema. THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema. 9, (1973).
55.
Graham, P.J., Vincendeau, G.: The French new wave: critical landmarks. BFI, London (2009).
56.
Grant, B.K.: Auteurs and authorship: a film reader. Blackwell Publishing, Malden, Mass (2008).
57.
Wiegand, C.: French new wave. Pocket Essentials, Harpenden (2001).
58.
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59.
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60.
Psycho (1960), https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=113926139.
61.
Creed, B.: The monstrous feminine: film, feminism, psychoanalysis. Routledge, London (1993).
62.
Creed, B.: The monstrous-feminine: film, feminism, psychoanalysis. Routledge, London (1993).
63.
Silverman, K.: The acoustic mirror: the female voice in psychoanalysis and cinema. Indiana University Press, Indianapolis, Ind (1988).