Bibliography for Documentary Filmmaking (09 20841) BETA

@book{Altman_1999, address={London}, title={Film/genre}, publisher={British Film Institute}, author={Altman, Rick}, year={1999} }

@article{Ashuri, Tamar ;, title={I Witness: Re-presenting Trauma in and by Cinema.}, url={http://www.findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_buh_53299992&indx=1&recIds=TN_buh_53299992&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&vl(98300999UI3)=all_items&&vl(1UI0)=contains&dscnt=0&vl(1UI2)=contains&mode=Advanced&vid=44BIR_VU1&vl(98301002UI0)=creator&vl(boolOperator1)=AND&vl(98300998UI2)=any&tab=local&vl(drEndMonth5)=00&vl(freeText1)=I+Witness&vl(drEndDay5)=00&dstmp=1510673430749&vl(drEndYear5)=YYYY&frbg=&vl(D98301001UI4)=all_items&vl(drStartMonth5)=00&vl(98300997UI1)=title&vl(1UI1)=contains&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&srt=rank&vl(boolOperator0)=AND&Submit=Search&vl(freeText2)=&vl(boolOperator2)=AND&vl(drStartYear5)=YYYY&dum=true&vl(freeText0)=ashuri&vl(drStartDay5)=00}, author={Ashuri, Tamar ;} }

@book{Austin_2007a, address={Manchester}, title={Watching the world: screen documentary and audiences}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1069741}, publisher={Manchester University Press}, author={Austin, Thomas}, year={2007} }

@book{Austin_2007b, address={Manchester}, title={Watching the world: screen documentary and audiences}, publisher={Manchester University Press}, author={Austin, Thomas}, year={2007} }

@inbook{Ayres, Jackson_2012, title={Orson Welles’s: "Complicitous Critique: Postmodern Paradox in F for Fake}, volume={40}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest923757028&indx=13&recIds=TN_proquest923757028&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&frbrVersion=2&dscnt=0&viewAllItemsClicked=false&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&dum=true&selectedLocation=&vl(freeText0)=%22f%20for%20fake%22&dstmp=1484555389208}, number={1}, booktitle={Orson Welles’s: "Complicitous Critique: Postmodern Paradox in F for Fake}, author={Ayres, Jackson}, year={2012}, pages={6–19} }

@book{Barnouw_1993, address={New York}, edition={2nd rev.ed}, title={Documentary: a history of the non-fiction film}, publisher={Oxford University Press}, author={Barnouw, Erik}, year={1993} }

@book{Bordwell_Staiger_Thompson_1985, address={London}, title={The classical Hollywood cinema: film style & mode of production to 1960}, publisher={Routledge}, author={Bordwell, David and Staiger, Janet and Thompson, Kristin}, year={1985} }

@book{Bordwell_Thompson_Smith_2020, address={New York, NY}, edition={Twelfth edition}, title={Film art: an introduction}, publisher={McGraw-Hill Education}, author={Bordwell, David and Thompson, Kristin and Smith, Jeff}, year={2020} }

@book{Bruzzi_2006, address={London}, edition={2nd ed}, title={New documentary}, publisher={Routledge}, author={Bruzzi, Stella}, year={2006} }

@inbook{Cawelti, John G._2012, title={Chinatown and Generic Transformation in Recent American Films}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2015130459&indx=1&recIds=TN_mla2015130459&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=chinatown%20and%20generic%20transformation&dum=true&dstmp=1488282300310}, booktitle={Chinatown and Generic Transformation in Recent American Films}, author={Cawelti, John G.}, year={2012}, pages={279–297} }

@inbook{Chai, Barbara_2014, title={Arts & Entertainment: A Rocker’s Battle With the Creative Process}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1562069110&indx=4&recIds=TN_proquest1562069110&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=20%2C000%20days%20on%20earth&dum=true&dstmp=1505160603684}, booktitle={Arts & Entertainment: A Rocker’s Battle With the Creative Process}, author={Chai, Barbara}, year={2014} }

@inbook{Combs, Richard_1994, title={Orson Welles’ ‘F for Fake’}, volume={30}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1300465711&indx=13&recIds=TN_proquest1300465711&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vid=44BIR_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=%22F%20for%20Fake%22&dstmp=1496763556848}, number={1}, booktitle={Orson Welles’ ‘F for Fake’}, author={Combs, Richard}, year={1994} }

@book{Corner_1996a, address={Manchester}, title={The art of record: A critical introduction to documentary}, publisher={Manchester University Press}, author={Corner, John}, year={1996} }

@book{Corner_1996b, address={Manchester}, title={The art of record: a critical introduction to documentary}, publisher={Manchester University Press}, author={Corner, John}, year={1996} }

@book{Corner_1996c, address={Manchester}, title={The art of record: a critical introduction to documentary}, publisher={Manchester University Press}, author={Corner, John}, year={1996} }

@book{Corner_Rosenthal_2005, address={Manchester}, edition={2nd ed}, title={New challenges for documentary}, publisher={Manchester University Press}, author={Corner, John and Rosenthal, Alan}, year={2005} }

@article{Curry_1995, title={Errol Morris’ Construction of Innocence in ‘The Thin Blue Line’}, volume={49}, DOI={10.2307/1347983}, number={2}, journal={Rocky Mountain Review of Language and Literature}, author={Curry, Renee R.}, year={1995} }

@book{De Jong_Austin_De Jong_2008, address={Buckingham}, title={Rethinking documentary: new perspectives and practices}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=361578}, publisher={Open University}, author={De Jong, Wilma and Austin, Thomas and De Jong, Wilma}, year={2008} }

@misc{Forsyth_Pollard_2014, address={[U.K.?]}, title={20,000 days on earth}, publisher={Channel 4 DVD}, author={Forsyth, Iain and Pollard, Jane}, year={2014} }

@book{Gledhill_Williams_2000, address={London}, title={Reinventing film studies}, publisher={Arnold}, author={Gledhill, Christine and Williams, Linda}, year={2000} }

@book{Grant_2007, address={London}, title={Film genre: from iconography to ideology}, volume={Short cuts}, publisher={Wallflower}, author={Grant, Barry Keith}, year={2007} }

@book{Grant_2012, address={Austin, Tex}, title={Film Genre Reader IV}, publisher={University of Texas Press}, author={Grant, Barry Keith}, year={2012} }

@book{Grant_Sloniowski_2014, address={Detroit, MI}, edition={New and Expanded}, title={Documenting the documentary: close readings of documentary film and video}, publisher={Wayne State University Press}, author={Grant, Barry Keith and Sloniowski, Jeannette}, year={2014} }

@book{Guynn_2016a, address={New York}, title={Unspeakable histories: film and the experience of catastrophe}, volume={Film and culture}, publisher={Columbia University Press}, author={Guynn, William Howard}, year={2016} }

@book{Guynn_2016b, address={New York}, title={Unspeakable histories: film and the experience of catastrophe}, volume={Film and Culture}, url={http://ebookcentral.proquest.com/lib/bham/detail.action?docID=4588269}, publisher={Columbia University Press}, author={Guynn, William Howard}, year={2016} }

@book{Hight_2010, address={Manchester}, title={Television mockumentary: reflexivity, satire and a call to play}, publisher={Manchester University Press}, author={Hight, Craig}, year={2010} }

@article{Hoskins_Lasmana_2015, title={The Act of Killing}, volume={28}, DOI={10.1080/08949468.2015.996532}, number={3}, journal={Visual Anthropology}, author={Hoskins, Janet and Lasmana, Viola}, year={2015}, month={May}, pages={262–265} }

@book{Juhasz_Juhasz_Lerner_2006, address={Minneapolis}, title={F is for phony: fake documentary and truth’s undoing}, volume={v. 17}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=310755}, publisher={University of Minnesota Press}, author={Juhasz, Alexandra and Juhasz, Alexandra and Lerner, Jesse}, year={2006} }

@book{King_2000, address={London}, title={Spectacular narratives: Hollywood in the age of the blockbuster}, publisher={I.B. Tauris}, author={King, Geoff}, year={2000} }

@inbook{Lucia, Cynthia ; Wiseman, Frederick ; Wiseman, Fred_1994, title={Revisiting High School: An Interview with Frederick Wiseman}, volume={20}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_1141687348&indx=1&recIds=TN_jstor_archive_1141687348&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=interview%20with%20fred%20wiseman&dum=true&dstmp=1502993389800}, number={4}, booktitle={Revisiting High School: An Interview with Frederick Wiseman}, author={Lucia, Cynthia ; Wiseman, Frederick ; Wiseman, Fred}, year={1994}, pages={5–11} }

@book{Macdonald_Cousins_1996, address={London}, title={Imagining reality: the Faber book of the documentary}, publisher={Faber}, author={Macdonald, Kevin and Cousins, Mark}, year={1996} }

@book{Maltby_1983, address={Metuchen}, title={Harmless entertainment: Hollywood and the ideology of consensus}, publisher={Scarecrow}, author={Maltby, Richard}, year={1983} }

@book{Maltby_1995, address={Oxford}, title={Hollywood cinema: an introduction}, publisher={Blackwell}, author={Maltby, Richard}, year={1995} }

@article{Mamber_1970, title={High School Frederick Wiseman}, volume={23}, DOI={10.2307/1210383}, number={3}, journal={Film Quarterly}, author={Mamber, Stephen}, year={1970}, month={Apr}, pages={48–51} }

@inbook{Mcgill, Hannah_2017, title={Cameraperson}, volume={27}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1866536744&indx=2&recIds=TN_proquest1866536744&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22cameraperson%22&dum=true&dstmp=1519900644359}, number={2}, booktitle={Cameraperson}, author={Mcgill, Hannah}, year={2017} }

@article{Meikle_2012, title={"Find Out Exactly What to Think—Next!”: Chris Morris,                              and Journalistic Authority}, volume={10}, DOI={10.1080/15405702.2012.638569}, number={1–2}, journal={Popular Communication}, author={Meikle, Graham}, year={2012}, pages={14–26} }

@misc{Morris_2005, address={Santa Monica, Calif}, title={The Thin Blue Line}, volume={MGM DVD}, publisher={MGM Home Entertainment}, author={Morris, Errol}, year={2005} }

@book{Nichols_1991, address={Bloomington}, title={Representing reality: issues and concepts in documentary}, publisher={Indiana University Press}, author={Nichols, Bill}, year={1991} }

@book{Nichols_1994, address={Bloomington}, title={Blurred boundaries: questions of meaning in contemporary culture}, publisher={Indiana University Press}, author={Nichols, Bill}, year={1994} }

@book{Nichols_2017a, address={Bloomington, Indiana}, edition={Third edition}, title={Introduction to documentary}, publisher={Indiana University Press}, author={Nichols, Bill}, year={2017} }

@book{Nichols_2017b, address={Bloomington, Indiana}, edition={Third edition}, title={Introduction to documentary}, publisher={Indiana University Press}, author={Nichols, Bill}, year={2017} }

@book{Nichols_2017c, address={Bloomington}, edition={Third edition}, title={Introduction to Documentary, Third Edition}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4813367}, publisher={Indiana University Press}, author={Nichols, Bill}, year={2017} }

@misc{Oppenheimer_2013, address={[U.K.]}, title={The Act of Killing}, publisher={Dogwoof DVD}, author={Oppenheimer, Joshua}, year={2013} }

@article{Orvell_1994, title={Documentary Film and the Power of Interrogation: ‘American Dream’ & ‘Roger and Me’}, volume={48}, DOI={10.2307/1213092}, number={2}, journal={Film Quarterly}, author={Orvell, Miles}, year={1994}, month={Dec}, pages={10–18} }

@inbook{Pritchard, Tiffany_2016, title={Q&A: ‘Cameraperson’, Kirsten Johnson}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1907374699&indx=4&recIds=TN_proquest1907374699&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22cameraperson%22&dum=true&dstmp=1519900215467}, booktitle={Q&A: ‘Cameraperson’, Kirsten Johnson}, author={Pritchard, Tiffany}, year={2016} }

@book{Renov_2004, address={Minneapolis}, title={The subject of documentary}, volume={Visible evidence}, publisher={University of Minnesota Press}, author={Renov, Michael}, year={2004} }

@book{Renov_American Film Institute_1993, address={New York}, title={Theorizing documentary}, volume={AFI film readers}, publisher={Routledge}, author={Renov, Michael and American Film Institute}, year={1993} }

@inbook{Roberts, M_1998, title={‘Baraka’: World cinema and the global culture industry (Global documentary by Ron Fricke)}, volume={37}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000074482800004&indx=13&recIds=TN_wos000074482800004&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=baraka%20global%20culture&dum=true&dstmp=1505125939347}, number={3}, booktitle={‘Baraka’: World cinema and the global culture industry (Global documentary by Ron Fricke)}, author={Roberts, M}, year={1998}, pages={62–82} }

@book{Roscoe_Hight_2001, address={Manchester}, title={Faking it: mock-documentary and the subversion of factuality}, publisher={Manchester University Press}, author={Roscoe, Jane and Hight, Craig}, year={2001} }

@article{Rosenbaum_2008, title={Negotiating the Pleasure Principle: The Recent Work of Adam Curtis}, volume={62}, DOI={10.1525/fq.2008.62.1.70}, number={1}, journal={Film Quarterly}, author={Rosenbaum, Jonathan}, year={2008}, month={Sep}, pages={70–75} }

@book{Rosenthal_1971, address={Berkeley}, title={The new documentary in action: a casebook in film making}, publisher={University of California Press}, author={Rosenthal, Alan}, year={1971} }

@article{Stewart_2010, title={Screen Memory in Waltz with Bashir}, volume={63}, DOI={10.1525/fq.2010.63.3.58}, number={3}, journal={Film Quarterly}, author={Stewart, Garrett}, year={2010}, month={Mar}, pages={58–62} }

@article{Weinberg_2017, title={Cameraperson}, volume={44}, DOI={10.1093/ohr/ohx057}, number={2}, journal={The Oral History Review}, author={Weinberg, Robin}, year={2017}, pages={368–371} }

@article{Williams_1993, title={Mirrors without Memories: Truth, History, and the New Documentary}, volume={46}, DOI={10.2307/1212899}, number={3}, journal={Film Quarterly}, author={Williams, Linda}, year={1993}, month={Apr}, pages={9–21} }

@book{Winston_2008, address={London}, edition={2nd ed}, title={Claiming the real: 2: Documentary : Grierson and beyond}, publisher={BFI}, author={Winston, Brian}, year={2008} }

@book{Winston_British Film Institute_1995, address={London}, title={Claiming the real: the Griersonian documentary and its legitimations}, publisher={British Film Institute}, author={Winston, Brian and British Film Institute}, year={1995} }

@book{Dixon_2000, address={Albany}, title={Film genre 2000: new critical essays}, volume={The SUNY series, cultural studies in cinema/video}, publisher={State University of New York Press}, year={2000} }

@book{Juhasz_Lerner_2006, address={Minneapolis}, title={F is for phony: fake documentary and truth’s undoing}, volume={Visible evidence}, publisher={University of Minnesota Press}, year={2006} }

@book{Edgar-Hunt_Fairclough-Isaacs_Halligan_2013, address={New York}, title={The music documentary: acid rock to electropop}, volume={Routledge music and screen media series}, publisher={Routledge}, year={2013} }

@book{Rogers_2015, address={New York, NY}, title={Music and sound in documentary film}, volume={Routledge music and screen media series}, publisher={Routledge}, year={2015} }

@misc{The Thin Blue Line: Storyville, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0217A165}, publisher={BBC4} }

@misc{The Act of Killing (2012), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/059705F6?bcast=108795473}, publisher={Arte} }

@misc{20,000 Days on Earth (2014), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0896092C}, publisher={FilmFour} }