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A. Juhasz and J. Lerner, Eds., F is for phony: fake documentary and truth’s undoing, vol. Visible evidence. Minneapolis: University of Minnesota Press, 2006.
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A. Juhasz, A. Juhasz, and J. Lerner, F is for phony: fake documentary and truth’s undoing, vol. v. 17. Minneapolis: University of Minnesota Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=310755
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Combs, Richard, ‘Orson Welles’ “F for Fake”’, in Orson Welles’ ‘F for Fake’, vol. 30, no. 1, 1994 [Online]. Available: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1300465711&indx=13&recIds=TN_proquest1300465711&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vid=44BIR_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=%22F%20for%20Fake%22&dstmp=1496763556848
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Ayres, Jackson, ‘Orson Welles’s: "Complicitous Critique: Postmodern Paradox in F for Fake’, in Orson Welles’s: "Complicitous Critique: Postmodern Paradox in F for Fake, vol. 40, no. 1, 2012, pp. 6–19 [Online]. Available: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest923757028&indx=13&recIds=TN_proquest923757028&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&frbrVersion=2&dscnt=0&viewAllItemsClicked=false&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&dum=true&selectedLocation=&vl(freeText0)=%22f%20for%20fake%22&dstmp=1484555389208
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J. Roscoe and C. Hight, Faking it: mock-documentary and the subversion of factuality. Manchester: Manchester University Press, 2001.
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G. Meikle, ‘"Find Out Exactly What to Think—Next!”: Chris Morris,                              and Journalistic Authority’, Popular Communication, vol. 10, no. 1–2, pp. 14–26, 2012, doi: 10.1080/15405702.2012.638569.
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C. Hight, Television mockumentary: reflexivity, satire and a call to play. Manchester: Manchester University Press, 2010.
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B. Nichols, Introduction to documentary, Third edition. Bloomington, Indiana: Indiana University Press, 2017.
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A. Rosenthal, The new documentary in action: a casebook in film making. Berkeley: University of California Press, 1971.
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Lucia, Cynthia ; Wiseman, Frederick ; Wiseman, Fred, ‘Revisiting High School: An Interview with Frederick Wiseman’, in Revisiting High School: An Interview with Frederick Wiseman, vol. 20, no. 4, 1994, pp. 5–11 [Online]. Available: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_1141687348&indx=1&recIds=TN_jstor_archive_1141687348&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=interview%20with%20fred%20wiseman&dum=true&dstmp=1502993389800
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L. Williams, ‘Mirrors without Memories: Truth, History, and the New Documentary’, Film Quarterly, vol. 46, no. 3, pp. 9–21, Apr. 1993, doi: 10.2307/1212899.
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E. Morris, ‘The Thin Blue Line’, vol. MGM DVD. MGM Home Entertainment, Santa Monica, Calif, 2005.
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J. Corner, The art of record: A critical introduction to documentary. Manchester: Manchester University Press, 1996.
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J. Corner, The art of record: a critical introduction to documentary. Manchester: Manchester University Press, 1996.
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Pritchard, Tiffany, ‘Q&A: “Cameraperson”, Kirsten Johnson’, in Q&A: ‘Cameraperson’, Kirsten Johnson, 2016 [Online]. Available: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1907374699&indx=4&recIds=TN_proquest1907374699&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22cameraperson%22&dum=true&dstmp=1519900215467
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Roberts, M, ‘“Baraka”: World cinema and the global culture industry (Global documentary by Ron Fricke)’, in ‘Baraka’: World cinema and the global culture industry (Global documentary by Ron Fricke), vol. 37, no. 3, 1998, pp. 62–82 [Online]. Available: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000074482800004&indx=13&recIds=TN_wos000074482800004&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=baraka%20global%20culture&dum=true&dstmp=1505125939347
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Ashuri, Tamar ;, ‘I Witness: Re-presenting Trauma in and by Cinema.’ [Online]. Available: http://www.findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_buh_53299992&indx=1&recIds=TN_buh_53299992&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&vl(98300999UI3)=all_items&&vl(1UI0)=contains&dscnt=0&vl(1UI2)=contains&mode=Advanced&vid=44BIR_VU1&vl(98301002UI0)=creator&vl(boolOperator1)=AND&vl(98300998UI2)=any&tab=local&vl(drEndMonth5)=00&vl(freeText1)=I+Witness&vl(drEndDay5)=00&dstmp=1510673430749&vl(drEndYear5)=YYYY&frbg=&vl(D98301001UI4)=all_items&vl(drStartMonth5)=00&vl(98300997UI1)=title&vl(1UI1)=contains&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&srt=rank&vl(boolOperator0)=AND&Submit=Search&vl(freeText2)=&vl(boolOperator2)=AND&vl(drStartYear5)=YYYY&dum=true&vl(freeText0)=ashuri&vl(drStartDay5)=00
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I. Forsyth and J. Pollard, ‘20,000 days on earth’. Channel 4 DVD, [U.K.?], 2014.
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‘20,000 Days on Earth (2014)’. FilmFour [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0896092C
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Chai, Barbara, ‘Arts & Entertainment: A Rocker’s Battle With the Creative Process’, in Arts & Entertainment: A Rocker’s Battle With the Creative Process, 2014 [Online]. Available: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1562069110&indx=4&recIds=TN_proquest1562069110&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=20%2C000%20days%20on%20earth&dum=true&dstmp=1505160603684
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H. Rogers, Ed., Music and sound in documentary film, vol. Routledge music and screen media series. New York, NY: Routledge, 2015.
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T. Austin, Watching the world: screen documentary and audiences. Manchester: Manchester University Press, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1069741
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B. Winston, Claiming the real: 2: Documentary : Grierson and beyond, 2nd ed. London: BFI, 2008.
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T. Austin, Watching the world: screen documentary and audiences. Manchester: Manchester University Press, 2007.
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W. De Jong, T. Austin, and W. De Jong, Rethinking documentary: new perspectives and practices. Buckingham: Open University, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=361578
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S. Bruzzi, New documentary, 2nd ed. London: Routledge, 2006.
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J. Corner and A. Rosenthal, New challenges for documentary, 2nd ed. Manchester: Manchester University Press, 2005.
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K. Macdonald and M. Cousins, Imagining reality: the Faber book of the documentary. London: Faber, 1996.
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M. Renov and American Film Institute, Theorizing documentary, vol. AFI film readers. New York: Routledge, 1993.
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B. Nichols, Representing reality: issues and concepts in documentary. Bloomington: Indiana University Press, 1991.
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B. Nichols, Blurred boundaries: questions of meaning in contemporary culture. Bloomington: Indiana University Press, 1994.
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B. Nichols, Introduction to documentary, Third edition. Bloomington, Indiana: Indiana University Press, 2017.
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B. Nichols, Introduction to Documentary, Third Edition, Third edition. Bloomington: Indiana University Press, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4813367
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B. K. Grant, Film Genre Reader IV. Austin, Tex: University of Texas Press, 2012.
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B. K. Grant, Film genre: from iconography to ideology, vol. Short cuts. London: Wallflower, 2007.
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Cawelti, John G., ‘Chinatown and Generic Transformation in Recent American Films’, in Chinatown and Generic Transformation in Recent American Films, 2012, pp. 279–297 [Online]. Available: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2015130459&indx=1&recIds=TN_mla2015130459&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=chinatown%20and%20generic%20transformation&dum=true&dstmp=1488282300310
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