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Juhasz A, Lerner J, editors. F is for phony: fake documentary and truth’s undoing. Minneapolis: : University of Minnesota Press 2006.
2
Juhasz A, Juhasz A, Lerner J. F is for phony: fake documentary and truth’s undoing. Minneapolis: : University of Minnesota Press 2006. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=310755
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Combs, Richard. Orson Welles’ ‘F for Fake’. In: Orson Welles’ ‘F for Fake’. 1994. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1300465711&indx=13&recIds=TN_proquest1300465711&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vid=44BIR_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=%22F%20for%20Fake%22&dstmp=1496763556848
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Ayres, Jackson. Orson Welles’s: "Complicitous Critique: Postmodern Paradox in F for Fake. In: Orson Welles’s: "Complicitous Critique: Postmodern Paradox in F for Fake. 2012. 6–19.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest923757028&indx=13&recIds=TN_proquest923757028&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&frbrVersion=2&dscnt=0&viewAllItemsClicked=false&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&dum=true&selectedLocation=&vl(freeText0)=%22f%20for%20fake%22&dstmp=1484555389208
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Roscoe J, Hight C. Faking it: mock-documentary and the subversion of factuality. Manchester: : Manchester University Press 2001.
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Meikle G. "Find Out Exactly What to Think—Next!”: Chris Morris, and Journalistic Authority. Popular Communication 2012;10:14–26. doi:10.1080/15405702.2012.638569
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Hight C. Television mockumentary: reflexivity, satire and a call to play. Manchester: : Manchester University Press 2010.
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Nichols B. Introduction to documentary. Third edition. Bloomington, Indiana: : Indiana University Press 2017.
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Rosenthal A. The new documentary in action: a casebook in film making. Berkeley: : University of California Press 1971.
10
Lucia, Cynthia ; Wiseman, Frederick ; Wiseman, Fred. Revisiting High School: An Interview with Frederick Wiseman. In: Revisiting High School: An Interview with Frederick Wiseman. 1994. 5–11.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_1141687348&indx=1&recIds=TN_jstor_archive_1141687348&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=interview%20with%20fred%20wiseman&dum=true&dstmp=1502993389800
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Mamber S. High School Frederick Wiseman. Film Quarterly 1970;23:48–51. doi:10.2307/1210383
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Williams L. Mirrors without Memories: Truth, History, and the New Documentary. Film Quarterly 1993;46:9–21. doi:10.2307/1212899
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Morris E. The Thin Blue Line. 2005;MGM DVD.
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The Thin Blue Line: Storyville. https://learningonscreen.ac.uk/ondemand/index.php/prog/0217A165
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Curry RR. Errol Morris’ Construction of Innocence in ‘The Thin Blue Line’. Rocky Mountain Review of Language and Literature 1995;49. doi:10.2307/1347983
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Corner J. The art of record: A critical introduction to documentary. Manchester: : Manchester University Press 1996.
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Orvell M. Documentary Film and the Power of Interrogation: ‘American Dream’ & ‘Roger and Me’. Film Quarterly 1994;48:10–8. doi:10.2307/1213092
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Rosenbaum J. Negotiating the Pleasure Principle: The Recent Work of Adam Curtis. Film Quarterly 2008;62:70–5. doi:10.1525/fq.2008.62.1.70
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Corner J. The art of record: a critical introduction to documentary. Manchester: : Manchester University Press 1996.
20
Pritchard, Tiffany. Q&A: ‘Cameraperson’, Kirsten Johnson. In: Q&A: ‘Cameraperson’, Kirsten Johnson. 2016. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1907374699&indx=4&recIds=TN_proquest1907374699&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22cameraperson%22&dum=true&dstmp=1519900215467
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Weinberg R. Cameraperson. The Oral History Review 2017;44:368–71. doi:10.1093/ohr/ohx057
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Mcgill, Hannah. Cameraperson. In: Cameraperson. 2017. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1866536744&indx=2&recIds=TN_proquest1866536744&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22cameraperson%22&dum=true&dstmp=1519900644359
23
Roberts, M. ‘Baraka’: World cinema and the global culture industry (Global documentary by Ron Fricke). In: ‘Baraka’: World cinema and the global culture industry (Global documentary by Ron Fricke). 1998. 62–82.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000074482800004&indx=13&recIds=TN_wos000074482800004&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=baraka%20global%20culture&dum=true&dstmp=1505125939347
24
Stewart G. Screen Memory in Waltz with Bashir. Film Quarterly 2010;63:58–62. doi:10.1525/fq.2010.63.3.58
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Ashuri, Tamar ; I Witness: Re-presenting Trauma in and by Cinema. http://www.findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_buh_53299992&indx=1&recIds=TN_buh_53299992&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&vl(98300999UI3)=all_items&&vl(1UI0)=contains&dscnt=0&vl(1UI2)=contains&mode=Advanced&vid=44BIR_VU1&vl(98301002UI0)=creator&vl(boolOperator1)=AND&vl(98300998UI2)=any&tab=local&vl(drEndMonth5)=00&vl(freeText1)=I+Witness&vl(drEndDay5)=00&dstmp=1510673430749&vl(drEndYear5)=YYYY&frbg=&vl(D98301001UI4)=all_items&vl(drStartMonth5)=00&vl(98300997UI1)=title&vl(1UI1)=contains&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&srt=rank&vl(boolOperator0)=AND&Submit=Search&vl(freeText2)=&vl(boolOperator2)=AND&vl(drStartYear5)=YYYY&dum=true&vl(freeText0)=ashuri&vl(drStartDay5)=00
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Oppenheimer J. The Act of Killing. 2013.
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The Act of Killing (2012). https://learningonscreen.ac.uk/ondemand/index.php/prog/059705F6?bcast=108795473
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Hoskins J, Lasmana V. The Act of Killing. Visual Anthropology 2015;28:262–5. doi:10.1080/08949468.2015.996532
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Guynn WH. Unspeakable histories: film and the experience of catastrophe. New York: : Columbia University Press 2016.
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Guynn WH. Unspeakable histories: film and the experience of catastrophe. New York: : Columbia University Press 2016. http://ebookcentral.proquest.com/lib/bham/detail.action?docID=4588269
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Forsyth I, Pollard J. 20,000 days on earth. 2014.
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20,000 Days on Earth (2014). https://learningonscreen.ac.uk/ondemand/index.php/prog/0896092C
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Chai, Barbara. Arts & Entertainment: A Rocker’s Battle With the Creative Process. In: Arts & Entertainment: A Rocker’s Battle With the Creative Process. 2014. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1562069110&indx=4&recIds=TN_proquest1562069110&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=20%2C000%20days%20on%20earth&dum=true&dstmp=1505160603684
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Edgar-Hunt R, Fairclough-Isaacs K, Halligan B, editors. The music documentary: acid rock to electropop. New York: : Routledge 2013.
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Bordwell D, Thompson K, Smith J. Film art: an introduction. Twelfth edition. New York, NY: : McGraw-Hill Education 2020.
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Gledhill C, Williams L. Reinventing film studies. London: : Arnold 2000.
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Rogers H, editor. Music and sound in documentary film. New York, NY: : Routledge 2015.
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Grant BK, Sloniowski J. Documenting the documentary: close readings of documentary film and video. New and Expanded. Detroit, MI: : Wayne State University Press 2014.
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Austin T. Watching the world: screen documentary and audiences. Manchester: : Manchester University Press 2007. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1069741
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Winston B. Claiming the real: 2: Documentary : Grierson and beyond. 2nd ed. London: : BFI 2008.
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Austin T. Watching the world: screen documentary and audiences. Manchester: : Manchester University Press 2007.
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De Jong W, Austin T, De Jong W. Rethinking documentary: new perspectives and practices. Buckingham: : Open University 2008. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=361578
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Bruzzi S. New documentary. 2nd ed. London: : Routledge 2006.
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Corner J, Rosenthal A. New challenges for documentary. 2nd ed. Manchester: : Manchester University Press 2005.
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Renov M. The subject of documentary. Minneapolis: : University of Minnesota Press 2004.
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Winston B, British Film Institute. Claiming the real: the Griersonian documentary and its legitimations. London: : British Film Institute 1995.
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Corner J. The art of record: a critical introduction to documentary. Manchester: : Manchester University Press 1996.
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Macdonald K, Cousins M. Imagining reality: the Faber book of the documentary. London: : Faber 1996.
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Renov M, American Film Institute. Theorizing documentary. New York: : Routledge 1993.
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Barnouw E. Documentary: a history of the non-fiction film. 2nd rev.ed. New York: : Oxford University Press 1993.
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Nichols B. Representing reality: issues and concepts in documentary. Bloomington: : Indiana University Press 1991.
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Nichols B. Blurred boundaries: questions of meaning in contemporary culture. Bloomington: : Indiana University Press 1994.
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Nichols B. Introduction to documentary. Third edition. Bloomington, Indiana: : Indiana University Press 2017.
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Nichols B. Introduction to Documentary, Third Edition. Third edition. Bloomington: : Indiana University Press 2017. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4813367
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Grant BK. Film Genre Reader IV. Austin, Tex: : University of Texas Press 2012.
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Grant BK. Film genre: from iconography to ideology. London: : Wallflower 2007.
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Dixon WW, editor. Film genre 2000: new critical essays. Albany: : State University of New York Press 2000.
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Altman R. Film/genre. London: : British Film Institute 1999.
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Cawelti, John G. Chinatown and Generic Transformation in Recent American Films. In: Chinatown and Generic Transformation in Recent American Films. 2012. 279–97.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2015130459&indx=1&recIds=TN_mla2015130459&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=chinatown%20and%20generic%20transformation&dum=true&dstmp=1488282300310
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Maltby R. Harmless entertainment: Hollywood and the ideology of consensus. Metuchen: : Scarecrow 1983.
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Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1985.
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Maltby R. Hollywood cinema: an introduction. Oxford: : Blackwell 1995.
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King G. Spectacular narratives: Hollywood in the age of the blockbuster. London: : I.B. Tauris 2000.
