Bibliography for Documentary Filmmaking (09 20841) BETA

1.

Juhasz A, Lerner J, editors. F is for phony: fake documentary and truth’s undoing. Vol. Visible evidence. Minneapolis: University of Minnesota Press; 2006.

2.

Juhasz A, Juhasz A, Lerner J. F is for phony: fake documentary and truth’s undoing [Internet]. Vol. v. 17. Minneapolis: University of Minnesota Press; 2006. Available from: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=310755

3.

Combs, Richard. Orson Welles’ ‘F for Fake’. In: Orson Welles’ ‘F for Fake’ [Internet]. 1994. Available from: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1300465711&indx=13&recIds=TN_proquest1300465711&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vid=44BIR_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=%22F%20for%20Fake%22&dstmp=1496763556848

4.

Ayres, Jackson. Orson Welles’s: "Complicitous Critique: Postmodern Paradox in F for Fake. In: Orson Welles’s: "Complicitous Critique: Postmodern Paradox in F for Fake [Internet]. 2012. p. 6–19. Available from: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest923757028&indx=13&recIds=TN_proquest923757028&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&frbrVersion=2&dscnt=0&viewAllItemsClicked=false&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&dum=true&selectedLocation=&vl(freeText0)=%22f%20for%20fake%22&dstmp=1484555389208

5.

Roscoe J, Hight C. Faking it: mock-documentary and the subversion of factuality. Manchester: Manchester University Press; 2001.

6.

Meikle G. "Find Out Exactly What to Think—Next!”: Chris Morris,                              and Journalistic Authority. Popular Communication. 2012;10(1–2):14–26.

7.

Hight C. Television mockumentary: reflexivity, satire and a call to play. Manchester: Manchester University Press; 2010.

8.

Nichols B. Introduction to documentary. Third edition. Bloomington, Indiana: Indiana University Press; 2017.

9.

Rosenthal A. The new documentary in action: a casebook in film making. Berkeley: University of California Press; 1971.

10.

Lucia, Cynthia ; Wiseman, Frederick ; Wiseman, Fred. Revisiting High School: An Interview with Frederick Wiseman. In: Revisiting High School: An Interview with Frederick Wiseman [Internet]. 1994. p. 5–11. Available from: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_1141687348&indx=1&recIds=TN_jstor_archive_1141687348&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=interview%20with%20fred%20wiseman&dum=true&dstmp=1502993389800

11.

Mamber S. High School Frederick Wiseman. Film Quarterly. 1970 Apr;23(3):48–51.

12.

Williams L. Mirrors without Memories: Truth, History, and the New Documentary. Film Quarterly. 1993 Apr;46(3):9–21.

13.

Morris E. The Thin Blue Line. Vol. MGM DVD. Santa Monica, Calif: MGM Home Entertainment; 2005.

14.

The Thin Blue Line: Storyville [Internet]. BBC4; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0217A165

15.

Curry RR. Errol Morris’ Construction of Innocence in ‘The Thin Blue Line’. Rocky Mountain Review of Language and Literature. 1995;49(2).

16.

Corner J. The art of record: A critical introduction to documentary. Manchester: Manchester University Press; 1996.

17.

Orvell M. Documentary Film and the Power of Interrogation: ‘American Dream’ & ‘Roger and Me’. Film Quarterly. 1994 Dec;48(2):10–8.

18.

Rosenbaum J. Negotiating the Pleasure Principle: The Recent Work of Adam Curtis. Film Quarterly. 2008 Sep;62(1):70–5.

19.

Corner J. The art of record: a critical introduction to documentary. Manchester: Manchester University Press; 1996.

20.

Pritchard, Tiffany. Q&A: ‘Cameraperson’, Kirsten Johnson. In: Q&A: ‘Cameraperson’, Kirsten Johnson [Internet]. 2016. Available from: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1907374699&indx=4&recIds=TN_proquest1907374699&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22cameraperson%22&dum=true&dstmp=1519900215467

21.

Weinberg R. Cameraperson. The Oral History Review. 2017;44(2):368–71.

22.

Mcgill, Hannah. Cameraperson. In: Cameraperson [Internet]. 2017. Available from: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1866536744&indx=2&recIds=TN_proquest1866536744&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22cameraperson%22&dum=true&dstmp=1519900644359

23.

Roberts, M. ‘Baraka’: World cinema and the global culture industry (Global documentary by Ron Fricke). In: ‘Baraka’: World cinema and the global culture industry (Global documentary by Ron Fricke) [Internet]. 1998. p. 62–82. Available from: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wos000074482800004&indx=13&recIds=TN_wos000074482800004&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=baraka%20global%20culture&dum=true&dstmp=1505125939347

24.

Stewart G. Screen Memory in Waltz with Bashir. Film Quarterly. 2010 Mar;63(3):58–62.

25.

Ashuri, Tamar ; I Witness: Re-presenting Trauma in and by Cinema. Available from: http://www.findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_buh_53299992&indx=1&recIds=TN_buh_53299992&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&vl(98300999UI3)=all_items&&vl(1UI0)=contains&dscnt=0&vl(1UI2)=contains&mode=Advanced&vid=44BIR_VU1&vl(98301002UI0)=creator&vl(boolOperator1)=AND&vl(98300998UI2)=any&tab=local&vl(drEndMonth5)=00&vl(freeText1)=I+Witness&vl(drEndDay5)=00&dstmp=1510673430749&vl(drEndYear5)=YYYY&frbg=&vl(D98301001UI4)=all_items&vl(drStartMonth5)=00&vl(98300997UI1)=title&vl(1UI1)=contains&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&srt=rank&vl(boolOperator0)=AND&Submit=Search&vl(freeText2)=&vl(boolOperator2)=AND&vl(drStartYear5)=YYYY&dum=true&vl(freeText0)=ashuri&vl(drStartDay5)=00

26.

Oppenheimer J. The Act of Killing. [U.K.]: Dogwoof DVD; 2013.

27.

The Act of Killing (2012) [Internet]. Arte; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/059705F6?bcast=108795473

28.

Hoskins J, Lasmana V. The Act of Killing. Visual Anthropology. 2015 May 27;28(3):262–5.

29.

Guynn WH. Unspeakable histories: film and the experience of catastrophe. Vol. Film and culture. New York: Columbia University Press; 2016.

30.

Guynn WH. Unspeakable histories: film and the experience of catastrophe [Internet]. Vol. Film and Culture. New York: Columbia University Press; 2016. Available from: http://ebookcentral.proquest.com/lib/bham/detail.action?docID=4588269

31.

Forsyth I, Pollard J. 20,000 days on earth. [U.K.?]: Channel 4 DVD; 2014.

32.

20,000 Days on Earth (2014) [Internet]. FilmFour; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0896092C

33.

Chai, Barbara. Arts & Entertainment: A Rocker’s Battle With the Creative Process. In: Arts & Entertainment: A Rocker’s Battle With the Creative Process [Internet]. 2014. Available from: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1562069110&indx=4&recIds=TN_proquest1562069110&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=20%2C000%20days%20on%20earth&dum=true&dstmp=1505160603684

34.

Edgar-Hunt R, Fairclough-Isaacs K, Halligan B, editors. The music documentary: acid rock to electropop. Vol. Routledge music and screen media series. New York: Routledge; 2013.

35.

Bordwell D, Thompson K, Smith J. Film art: an introduction. Twelfth edition. New York, NY: McGraw-Hill Education; 2020.

36.

Gledhill C, Williams L. Reinventing film studies. London: Arnold; 2000.

37.

Rogers H, editor. Music and sound in documentary film. Vol. Routledge music and screen media series. New York, NY: Routledge; 2015.

38.

Grant BK, Sloniowski J. Documenting the documentary: close readings of documentary film and video. New and Expanded. Detroit, MI: Wayne State University Press; 2014.

39.

Austin T. Watching the world: screen documentary and audiences [Internet]. Manchester: Manchester University Press; 2007. Available from: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1069741

40.

Winston B. Claiming the real: 2: Documentary : Grierson and beyond. 2nd ed. London: BFI; 2008.

41.

Austin T. Watching the world: screen documentary and audiences. Manchester: Manchester University Press; 2007.

42.

De Jong W, Austin T, De Jong W. Rethinking documentary: new perspectives and practices [Internet]. Buckingham: Open University; 2008. Available from: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=361578

43.

Bruzzi S. New documentary. 2nd ed. London: Routledge; 2006.

44.

Corner J, Rosenthal A. New challenges for documentary. 2nd ed. Manchester: Manchester University Press; 2005.

45.

Renov M. The subject of documentary. Vol. Visible evidence. Minneapolis: University of Minnesota Press; 2004.

46.

Winston B, British Film Institute. Claiming the real: the Griersonian documentary and its legitimations. London: British Film Institute; 1995.

47.

Corner J. The art of record: a critical introduction to documentary. Manchester: Manchester University Press; 1996.

48.

Macdonald K, Cousins M. Imagining reality: the Faber book of the documentary. London: Faber; 1996.

49.

Renov M, American Film Institute. Theorizing documentary. Vol. AFI film readers. New York: Routledge; 1993.

50.

Barnouw E. Documentary: a history of the non-fiction film. 2nd rev.ed. New York: Oxford University Press; 1993.

51.

Nichols B. Representing reality: issues and concepts in documentary. Bloomington: Indiana University Press; 1991.

52.

Nichols B. Blurred boundaries: questions of meaning in contemporary culture. Bloomington: Indiana University Press; 1994.

53.

Nichols B. Introduction to documentary. Third edition. Bloomington, Indiana: Indiana University Press; 2017.

54.

Nichols B. Introduction to Documentary, Third Edition [Internet]. Third edition. Bloomington: Indiana University Press; 2017. Available from: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4813367

55.

Grant BK. Film Genre Reader IV. Austin, Tex: University of Texas Press; 2012.

56.

Grant BK. Film genre: from iconography to ideology. Vol. Short cuts. London: Wallflower; 2007.

57.

Dixon WW, editor. Film genre 2000: new critical essays. Vol. The SUNY series, cultural studies in cinema/video. Albany: State University of New York Press; 2000.

58.

Altman R. Film/genre. London: British Film Institute; 1999.

59.

Cawelti, John G. Chinatown and Generic Transformation in Recent American Films. In: Chinatown and Generic Transformation in Recent American Films [Internet]. 2012. p. 279–97. Available from: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2015130459&indx=1&recIds=TN_mla2015130459&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=chinatown%20and%20generic%20transformation&dum=true&dstmp=1488282300310

60.

Maltby R. Harmless entertainment: Hollywood and the ideology of consensus. Metuchen: Scarecrow; 1983.

61.

Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge; 1985.

62.

Maltby R. Hollywood cinema: an introduction. Oxford: Blackwell; 1995.

63.

King G. Spectacular narratives: Hollywood in the age of the blockbuster. London: I.B. Tauris; 2000.