1.
Stein, B.: Carissimi’s Tonal System and the Function of Transposition in the Expansion of Tonality. Journal of Musicology. 19, 264–305 (2002). https://doi.org/10.1525/jm.2002.19.2.264.
2.
Stein, B.A.: Between key and mode: tonal practice in the music of Giacomo Carissimi. UMI, Ann Arbor, Mich (1994).
3.
Wiering, F.: The language of the modes: studies in the history of polyphonic modality. Routledge, London (2015).
4.
Dahlhaus, C.: Studies on the origin of harmonic tonality. Princeton University Press, Princeton, N.J. (1990).
5.
Chafe, E.T.: Monteverdi’s tonal language. Schirmer Books, New York (1992).
6.
Borgerding, T.M.: Gender, sexuality, and early music. Routledge, New York (2002).
7.
Borgerding, T.M. ed: Gender, sexuality, and early music. Routledge, New York (2002).
8.
Susan McClary.: The Transition from Modal to Tonal Organization in the Works of Monteverdi.’  Ph.D.  diss, Harvard  University, 1976.
9.
Meier, B.: The modes of classical vocal polyphony: described according to the sources, with revisions by the author. Broude Brothers, New York (1988).
10.
McClary, Susan.: Modal subjectivities: self-fashioning in the Italian madrigal. University of California Press (2004).
11.
McClary, S.: Modal subjectivities: self-fashioning in the Italian madrigal. University of California Press, Berkeley, Calif (2004).
12.
Bent, I., Drabkin, W.: Analysis. Macmillan, London (1987).
13.
Cook, N.: A guide to musical analysis. Dent, London (1987).
14.
Cook, N.: A guide to musical analysis. Oxford University Press, Oxford (1994).
15.
Dunsby, J., Whittall, A.: Music analysis in theory and practice. Faber Music, London (1988).
16.
Forte, Allen: The structure of atonal music / Allen Forte. New Haven : Yale University Press, 1977.
17.
Lester, J.: Analytic approaches to twentieth-century music. W.W.Norton, New York (1989).
18.
Pearsall, E.: Twentieth-century music theory and practice. Routledge, New York (2012).
19.
Dunsby, J.: Early twentieth century music: models of musical analysis. Blackwell, Oxford (1993).
20.
Straus, J.N.: Introduction to post-tonal theory. Prentice Hall, Upper Saddle River, N.J. (2005).