1.
Stein B. Carissimi’s Tonal System and the Function of Transposition in the Expansion of Tonality. Journal of Musicology. 2002;19(2):264-305. doi:10.1525/jm.2002.19.2.264
2.
Stein BA. Between Key and Mode: Tonal Practice in the Music of Giacomo Carissimi. UMI; 1994.
3.
Wiering F. The Language of the Modes: Studies in the History of Polyphonic Modality. Routledge; 2015.
4.
Dahlhaus C. Studies on the Origin of Harmonic Tonality. Princeton University Press; 1990.
5.
Chafe ET. Monteverdi’s Tonal Language. Schirmer Books; 1992.
6.
Borgerding TM. Gender, Sexuality, and Early Music. Vol Criticism and analysis of early music. Routledge; 2002.
7.
Borgerding TM, ed. Gender, Sexuality, and Early Music. Routledge; 2002.
8.
Susan McClary. The Transition from Modal to Tonal Organization in the Works of Monteverdi.’ Ph.D. Diss, Harvard University, 1976.
9.
Meier B. The Modes of Classical Vocal Polyphony: Described According to the Sources, with Revisions by the Author. Broude Brothers; 1988.
10.
McClary, Susan. Modal Subjectivities: Self-Fashioning in the Italian Madrigal. University of California Press; 2004. https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05544.0001.001
11.
McClary S. Modal Subjectivities: Self-Fashioning in the Italian Madrigal. University of California Press; 2004. http://www.loc.gov/catdir/toc/ecip0411/2003025287.html
12.
Bent I, Drabkin W. Analysis. Vol New Grove handbooks in music. Macmillan; 1987.
13.
Cook N. A Guide to Musical Analysis. Dent; 1987.
14.
Cook N. A Guide to Musical Analysis. Oxford University Press; 1994.
15.
Dunsby J, Whittall A. Music Analysis in Theory and Practice. Faber Music; 1988.
16.
Forte, Allen. The Structure of Atonal Music / Allen Forte. New Haven : Yale University Press, 1977
17.
Lester J. Analytic Approaches to Twentieth-Century Music. W.W.Norton; 1989.
18.
Pearsall E. Twentieth-Century Music Theory and Practice. Routledge; 2012.
19.
Dunsby J. Early Twentieth Century Music: Models of Musical Analysis. Vol Models of musical analysis. Blackwell; 1993.
20.
Straus JN. Introduction to Post-Tonal Theory. 3rd ed. Prentice Hall; 2005.
