@book{Bent_Drabkin_1987, address={London}, title={Analysis}, volume={New Grove handbooks in music}, publisher={Macmillan}, author={Bent, Ian and Drabkin, William}, year={1987} }
@book{Borgerding_2002a, address={New York}, title={Gender, sexuality, and early music}, volume={Criticism and analysis of early music}, publisher={Routledge}, author={Borgerding, Todd Michael}, year={2002} }
@book{Chafe_1992, address={New York}, title={Monteverdi’s tonal language}, publisher={Schirmer Books}, author={Chafe, Eric Thomas}, year={1992} }
@book{Cook_1987, address={London}, title={A guide to musical analysis}, publisher={Dent}, author={Cook, Nicholas}, year={1987} }
@book{Cook_1994, address={Oxford}, title={A guide to musical analysis}, publisher={Oxford University Press}, author={Cook, Nicholas}, year={1994} }
@book{Dahlhaus_1990, address={Princeton, N.J.}, title={Studies on the origin of harmonic tonality}, publisher={Princeton University Press}, author={Dahlhaus, Carl}, year={1990} }
@book{Dunsby_1993, address={Oxford}, title={Early twentieth century music: models of musical analysis}, volume={Models of musical analysis}, publisher={Blackwell}, author={Dunsby, Jonathan}, year={1993} }
@book{Dunsby_Whittall_1988, address={London}, title={Music analysis in theory and practice}, publisher={Faber Music}, author={Dunsby, Jonathan and Whittall, Arnold}, year={1988} }
@book{Forte, Allen, title={The structure of atonal music / Allen Forte}, publisher={New Haven : Yale University Press, 1977}, author={Forte, Allen} }
@book{Lester_1989, address={New York}, title={Analytic approaches to twentieth-century music}, publisher={W.W.Norton}, author={Lester, Joel}, year={1989} }
@book{McClary, Susan._2004, title={Modal subjectivities: self-fashioning in the Italian madrigal}, url={https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05544.0001.001}, publisher={University of California Press}, author={McClary, Susan.}, year={2004} }
@book{McClary_2004, address={Berkeley, Calif}, title={Modal subjectivities: self-fashioning in the Italian madrigal}, url={http://www.loc.gov/catdir/toc/ecip0411/2003025287.html}, publisher={University of California Press}, author={McClary, Susan}, year={2004} }
@book{Meier_1988, address={New York}, title={The modes of classical vocal polyphony: described according to the sources, with revisions by the author}, publisher={Broude Brothers}, author={Meier, Bernhard}, year={1988} }
@book{Pearsall_2012, address={New York}, title={Twentieth-century music theory and practice}, publisher={Routledge}, author={Pearsall, Edward}, year={2012} }
@article{Stein_2002, title={Carissimi’s Tonal System and the Function of Transposition in the Expansion of Tonality}, volume={19}, DOI={10.1525/jm.2002.19.2.264}, number={2}, journal={Journal of Musicology}, author={Stein, Beverly}, year={2002}, month={Apr}, pages={264–305} }
@book{Stein_1994, address={Ann Arbor, Mich}, title={Between key and mode: tonal practice in the music of Giacomo Carissimi}, publisher={UMI}, author={Stein, Beverly Ann}, year={1994} }
@book{Straus_2005, address={Upper Saddle River, N.J.}, edition={3rd ed}, title={Introduction to post-tonal theory}, publisher={Prentice Hall}, author={Straus, Joseph Nathan}, year={2005} }
@phdthesis{ title={The Transition from Modal to Tonal Organization in the Works of Monteverdi.’ Ph.D. diss, Harvard University, 1976}, author={Susan McClary.} }
@book{Wiering_2015, address={London}, title={The language of the modes: studies in the history of polyphonic modality}, publisher={Routledge}, author={Wiering, Frans}, year={2015} }
@book{Borgerding_2002b, address={New York}, title={Gender, sexuality, and early music}, publisher={Routledge}, year={2002} }
