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‘Osuofia in London (trailer)’ (16AD). Available at: https://www.youtube.com/watch?v=rjWagDoi1TE.

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Schumann, A. (2008) ‘The Beat That Beat Apartheid: The Role of Music in the Resistance against Apartheid in South Africa’, Stichproben. WienerZeitschrift für kritische Afrikastudien, 14(8), pp. 17–39. Available at: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2010394425&indx=13&recIds=TN_mla2010394425&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=The%20Beat%20that%20Beat%20Apartheid%3A%20The%20Role%20of%20Music%20in%20the%20Resistance%20against%20Apartheid%20in%20South%20Africa&dum=true&dstmp=1482786373766.

Sembène, O. and Sembène, O. (200AD) ‘Xala’. [Paris]: Médiathèque des Trois Mondes.

Shipley, J.W. (2013a) Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music. Durham, N.C.: Duke University Press.

Shipley, J.W. (2013b) ‘Transnational circulation and digital fatigue in Ghana’s Azonto dance craze’, American Ethnologist, 40(2), pp. 362–381. Available at: https://doi.org/10.1111/amet.12027.

Shipley, J.W. and ProQuest (Firm) (2013) Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music. Durham and London: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173258.

Shire, W. (2011) Teaching My Mother How to Give Birth. Ilford: Flipped Eye Publishing Limited.

Shule, Vicensia (2011) ‘Tanzanian Films: Between Innovation & Incompetence’, in Tanzanian Films: Between Innovation & Incompetence, pp. 39–49. Available at: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2012393350&indx=2&recIds=TN_mla2012393350&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=shule%20tanzanian%20films&dum=true&dstmp=1482860171974.

Sissay, L. (2017a) Something dark. London: Oberon Books.

Sissay, L. (2017b) Something dark. London: Oberon Books.

‘Taxi Driver (Oko Ashewo)’ (2015). Available at: https://www.youtube.com/watch?v=OXgO0Ed3U9Q.

Thompson, K.D. (2008) ‘Keeping it real: reality and representation in Maasai Hip-Hop’, Journal of African Cultural Studies, 20(1), pp. 33–44. Available at: https://doi.org/10.1080/13696810802159248.

Tolu Ogunlesi, We are all Africans; African Writing Online [many literatures, one voice]; Issue No. 8; (no date). Available at: http://www.african-writing.com/eight/toluogunlesi.htm.

‘Umoja - Meadowlands’ (9AD). Available at: https://www.youtube.com/watch?v=BdYSKphvlHQ.

University of Birmingham. Centre of West African Studies (1995) The pressures of the text: orality, texts, and the telling of tales. Edited by S. Brown. Edgbaston, Birmingham: Centre of West African Studies, University of Birmingham.

van Der Vlies, Andrew (2012) ‘Queer knowledge and the politics of the gaze in contemporary South African photography: Zanele Muholi and others’, Journal of African Cultural Studies, 24(2). Available at: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=9&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1223841859&indx=8&recIds=TN_proquest1223841859&recIdxs=7&elementId=7&renderMode=poppedOut&displayMode=full&frbrVersion=9&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vl(98300991UI0)=sub&vid=44BIR_VU1&fctV=peer_reviewed&mode=Basic&rfnGrp=show_only&tab=local&fctN=facet_tlevel&vl(98300992UI1)=all_items&vl(freeText0)=%20%20Muholi%20%2C%20%20Zanele%20%20&dstmp=1482853294095.

Vansina, J. (1984) Art history in Africa: an introduction to method. London: Longman.

Vansina, J. and Vansina, C. (2013) Art history in Africa: an introduction to method. Oxfordshire, England: Routledge.

WATSON, SASHA (2011) ‘Talking About Writing About Africa.’, Publishers Weekly, 258(30), pp. 24–24. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=64137437&site=ehost-live.

WATSON, SASHA ; (no date) Talking About Writing About Africa. Available at: https://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_buh_64137437&indx=1&recIds=TN_buh_64137437&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=How%20to%20Write%20about%20Africa&dum=true&dstmp=1505213417593.

Weiss, B. (2009) Street dreams and hip hop barbershops: global fantasy in urban Tanzania. Bloomington: Indiana University Press.

Why Is My Curriculum White? Birmingham Launch | Redbrick | University of Birmingham (no date). Available at: http://www.redbrick.me/comment/why-is-my-curriculum-white-birmingham/.

‘Xala (1975)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0217DDE2.

‘Yoruba Dundun Talking Drum Ensemble’ (2010). Available at: https://www.youtube.com/watch?v=F0L2fhqFzKU.

Zanele Muholi’s Faces & Phases - Aperture Foundation NY (no date). Available at: http://aperture.org/blog/magazine-zanele-muholis-faces-%C2%9D-phases/.

‘Zimbabwe: the soul of mbira : traditions of the Shona people of Zimbabwe’ (1973). New York, N.Y.: Nonesuch.

Zimbabwean mbira music on an international stage [electronic resource] : Chartwell Dutiro’s life in music (2007). Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=438417.