Bibliography for LC Cultures of Contemporary Africa/Introduction to African Culture (09 24292) BETA

1.

Tolu Ogunlesi, We are all Africans; African Writing Online [many literatures, one voice]; Issue No. 8; http://www.african-writing.com/eight/toluogunlesi.htm

2.

How to Write about Africa | Binyavanga Wainaina | Granta Magazine. https://granta.com/how-to-write-about-africa/

3.

WATSON, SASHA. Talking About Writing About Africa. Publishers Weekly. 2011;258(30):24-24. http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=64137437&site=ehost-live

4.

Doh EF. Stereotyping Africa: Surprising Answers to Surprising Questions. Langaa Research & Publishing CIG; 2009.

5.

Jones ED, Palmer E, Jones M. Oral and Written Poetry in African Literature Today. James Currey; 1989.

6.

Finnegan R. Oral Literature in Africa. New edition. Oxford University Press Tanzania Ltd; 1977.

7.

Okpewho I. African Oral Literature: Backgrounds, Character, and Continuity. Indiana University Press; 1992.

8.

University of Birmingham. Centre of West African Studies. The Pressures of the Text: Orality, Texts, and the Telling of Tales. Vol no. 4. (Brown S, ed.). Centre of West African Studies, University of Birmingham; 1995.

9.

Mapanje J, White L. Oral Poetry from Africa: An Anthology. Pearson Education Limited; 1983.

10.

Osman D, Osman D. Fairytales for Lost Children. Team Angelica Publishing; 2012.

11.

Shire W. Teaching My Mother How to Give Birth. Flipped Eye Publishing Limited; 2011.

12.

Introduction: Everything Good is Raining: Provisional Notes on the Nigerian Novel of the Third Generation.

13.

Nicol M. Agents of the State. Old Street Publishing; 2017.

14.

Sissay L. Something Dark. Oberon Books; 2017.

15.

Adichie CN. The Thing around Your Neck. Fourth Estate; 2009.

16.

Farah N, Willis M. Crossbones. Audible Studios on Brilliance; 2016.

17.

Nketia K. The Musical Traditions of Africa. In: The Music of Africa. Victor Gollancz; 1975:1-20.

18.

Yoruba Dundun Talking Drum Ensemble. Published online 26 October 2010. https://www.youtube.com/watch?v=F0L2fhqFzKU

19.

Brikama Griots. Published online 10AD. https://www.youtube.com/watch?v=u6MY3v-WA94

20.

Klein DL. The Making of a Yorùbá Culture Movement. In: Yorubá Bàtá Goes Global: Artists, Culture Brokers, and Fans. University of Chicago Press; 2007:1-26.

21.

Hobsbawm E. Introduction: Inventing Traditions. In: The Invention of Tradition. Vol Canto. Cambridge University Press; 1983:1-14.

22.

Omojola B. Yorùbá Drumming: Performance Practice and the Politics of Identity. In: Yorùbá Music in the Twentieth Century: Identity, Agency, and Performance Practice. Vol Eastman/Rochester studies in ethnomusicology. Boydell & Brewer; 2012:16-45.

23.

Euba A. Yoruba Drumming: The Dùndún Tradition. Vol Bayreuth African studies. Eckhard Breitinger; 1990.

24.

Charry ES. Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africa. Vol Chicago studies in ethnomusicology. University of Chicago Press; 2000.

25.

Durán, Lucy. Poyi! Bamana Jeli Music, Mali and the Blues. Journal of African Cultural Studies. 2013;25(2):211-246. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=8&tabs=detailsTab&ct=display&fn=search&doc=TN_mla2016393108&indx=3&recIds=TN_mla2016393108&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=8&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=Dur%C3%A1n%2C+Lucy&rfnGrp=1&srt=rank&tab=local&fctN=facet_creator&dum=true&vl(freeText0)=lucy%20duran&dstmp=1482784488100

26.

Asante, Molefi ; Appiah, Michael. The Rhetoric of the Akan Drum. The Western Journal of Black Studies. 1979;3(1). http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1311809899&indx=1&recIds=TN_proquest1311809899&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=the%20rhetoric%20of%20the%20akan%20drum&dum=true&dstmp=1482783808747

27.

Zimbabwe: the soul of mbira : traditions of the Shona people of Zimbabwe. 1973;Nonesuch explorer series.

28.

Zimbabwean Mbira Music on an International Stage [Electronic Resource] : Chartwell Dutiro’s Life in Music.; 2007. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=438417

29.

Arom S, Thom M, Tuckett B, Boyd R. African Polyphony and Polyrhythm: Musical Structure and Methodology. Cambridge University Press; 1991.

30.

Muller CA. South African Music: A Century of Traditions in Transformation. Vol World music series. ABC-Clio; 2004.

31.

Agawu VK. African Rhythm: A Northern Ewe Perspective. Cambridge University Press; 1995.

32.

Agawu VK. The African Imagination in Music. Oxford University Press; 2016.

33.

Agawu VK. The African Imagination in Music. Oxford University Press; 2016.

34.

Schumann A. The Beat That Beat Apartheid: The Role of Music in the Resistance against Apartheid in South Africa. Stichproben WienerZeitschrift für kritische Afrikastudien. 2008;14(8):17-39. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2010394425&indx=13&recIds=TN_mla2010394425&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=The%20Beat%20that%20Beat%20Apartheid%3A%20The%20Role%20of%20Music%20in%20the%20Resistance%20against%20Apartheid%20in%20South%20Africa&dum=true&dstmp=1482786373766

35.

Nkosi Sikelel’ iAfrika (south african national anthem, with lyrics) - Inno nazionale sudafricano. Published online 10 December 2013. https://www.youtube.com/watch?v=NBKjWRjwMkY

36.

Umoja - Meadowlands. Published online 9AD. https://www.youtube.com/watch?v=BdYSKphvlHQ

37.

Byerly IB. Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa. Ethnomusicology. 1998;42(1). doi:10.2307/852825

38.

Drewett M. Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa. Consumption Markets & Culture. 2008;11(4):287-305. doi:10.1080/10253860802391292

39.

Olwage G. Composing Apartheid: Music for and against Apartheid. Wits University Press; 2008.

40.

Cho G. Hiplife, Cultural Agency and the Youth Counter-Public in the Ghanaian Public Sphere. Journal of Asian and African Studies. 2010;45(4):406-423. doi:10.1177/0021909610373888

41.

From highlife to hiplife - a guide to Ghanaian music. https://www.timeout.com/accra/music/from-highlife-to-hiplife-a-guide-to-ghanaian-music

42.

Highlife Classic Old School - Ghana - YouTube. https://www.youtube.com/watch?v=s5zycFeyqBE

43.

Old School Ghana Hiplife hits mix - YouTube. https://www.youtube.com/watch?v=JeXpGgHTA04

44.

Osumare H. The Hiplife in Ghana: West African Indigenization of Hip-Hop. Palgrave Macmillan US; 2012.

45.

Osumare H. The Hiplife in Ghana: The West African Indigenization of Hip-Hop. Palgrave Macmillan; 2012.

46.

J. C. The Generational Factor in Ghanaian Music: Concert parties, highlife, simpa, kpanlogo, gospel and local techno-pop. In: Playing with Identities in Contemporary Music in Africa. Nordiska Afrikainstitutet; 2002:60-74.

47.

Shipley JW, ProQuest (Firm). Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music. Duke University Press; 2013. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173258

48.

Shipley JW. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music. Duke University Press; 2013.

49.

Aesthetic of the Entrepreneur: Afro-Cosmopolitan Rap and Moral Circulation in Accra, Ghana. Anthropological Quarterly. 2009;82(3):631-668. doi:10.1353/anq.0.0074

50.

Charry ES. Hip Hop Africa: New African Music in a Globalizing World. Indiana University Press; 2012.

51.

Charry ES. Hip Hop Africa: New African Music in a Globalizing World. Vol African expressive cultures. Indiana University Press; 2012.

52.

Thompson KD. Keeping it real: reality and representation in Maasai Hip-Hop. Journal of African Cultural Studies. 2008;20(1):33-44. doi:10.1080/13696810802159248

53.

Ntarangwi M. East African Hip Hop: Youth Culture and Globalization. Vol Interpretations of culture in the new millennium. University of Illinois Press; 2009.

54.

Weiss B. Street Dreams and Hip Hop Barbershops: Global Fantasy in Urban Tanzania. Vol Tracking globalization. Indiana University Press; 2009.

55.

Drewal MT, Drewal HJ. Gelede Dance of the Western Yoruba. African Arts. 1975;8(2). doi:10.2307/3334829

56.

Shipley JW. Transnational circulation and digital fatigue in Ghana’s Azonto dance craze. American Ethnologist. 2013;40(2):362-381. doi:10.1111/amet.12027

57.

Asante, Kariamu Welsh. The Jerusarema Dance of Zimbabwe. Journal of Black Studies. 1985;15(4):381-403. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=5&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_12784208&indx=7&recIds=TN_jstor_archive_12784208&recIdxs=6&elementId=6&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=kariamu%20welsh&dum=true&dstmp=1482772025253

58.

Pype K. Dancing for God or the Devil: Pentecostal Discourse on Popular Dance in Kinshasa. Journal of Religion in Africa. 2006;36(3):296-318. doi:10.1163/157006606778941968

59.

Kasfir SL. African Art and Authenticity: A Text with a Shadow. African Arts. 1992;25(2). doi:10.2307/3337059

60.

Downey A. Yinka Shonibare in conversation. Wasafiri. 2004;19(41):31-36. doi:10.1080/02690050408589884

61.

Oguibe, Olu. Art, Identity, Boundaries: The Rome Lecture. In: Art, Identity, Boundaries: The Rome Lecture. Vol 3. ; 1995:26-33. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS2152779295000247&indx=2&recIds=TN_museS2152779295000247&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=oguibe%20art%20identity%20boundaries&dum=true&dstmp=1504891687527

62.

Oguibe O. Finding a Place: Nigerian Artists in the Contemporary Art World. Art Journal. 1999;58(2):30-41. doi:10.1080/00043249.1999.10791937

63.

Enwezor O, Okeke-Agulu C. Contemporary African Art since 1980. Damiani; 2009.

64.

Vansina J, Vansina C. Art History in Africa: An Introduction to Method. Routledge; 2013.

65.

Vansina J. Art History in Africa: An Introduction to Method. Longman; 1984.

66.

MAGOMBE, P VINCENT. The Cinemas of Sub-Saharan Africa. http://search.proquest.com.ezproxye.bham.ac.uk/docview/1745475462?accountid=8630

67.

Amkpa A, SenGupta G. History in Ousmane Sembene’s Guelwaar and Ceddo. Nka Journal of Contemporary African Art. 2010;2010(27):14-21. doi:10.1215/10757163-2010-27-14

68.

Sembène O, Sembène O. Xala. Published online 200AD.

69.

Xala (1975). https://learningonscreen.ac.uk/ondemand/index.php/prog/0217DDE2

70.

Diawara M, Haus der Kulturen der Welt. African Film: New Forms of Aesthetics and Politics. Prestel; 2010.

71.

Diawara M. African Cinema: Politics and Culture. Vol Blacks in the diaspora. Indiana U.P; 1992.

72.

Garritano, Carmela. African Video Movies and Global Desires: A Ghanaian History. Published online 2013. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=4&tabs=detailsTab&ct=display&fn=search&doc=TN_mla2013306056&indx=3&recIds=TN_mla2013306056&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=4&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=African%20Video%20Movies%20and%20Global%20Desires%3A%20A%20Ghanaian%20History&dum=true&dstmp=1482860071228

73.

WATSON, SASHA ; Talking About Writing About Africa. https://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_buh_64137437&indx=1&recIds=TN_buh_64137437&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=How%20to%20Write%20about%20Africa&dum=true&dstmp=1505213417593

74.

Shule, Vicensia. Tanzanian Films: Between Innovation & Incompetence. In: Tanzanian Films: Between Innovation & Incompetence. ; 2011:39-49. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2012393350&indx=2&recIds=TN_mla2012393350&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=shule%20tanzanian%20films&dum=true&dstmp=1482860171974

75.

McCluskey AT, McCluskey AT. The Devil You Dance with: Film Culture in the New South Africa. University of Illinois Press; 2009.

76.

McCluskey AT. The Devil You Dance with: Film Culture in the New South Africa. University of Illinois Press; 2009.

77.

Adejunmobi M. Charting Nollywood’s appeal locally and globally. African literature today. Published online 1968:106-121.

78.

LIVING IN BONDAGE. Published online 29AD. https://www.youtube.com/watch?v=pu_8a_OLiBg

79.

Agogo Eewo - Tunde Kelani. Published online 29 November 2015. https://www.youtube.com/watch?v=jzr4bOdlpyY&list=PLO6iWnHpL-AFrbjqiN25hbd_hcOPNlB-3

80.

Taxi Driver (Oko Ashewo). Published online 23 October 2015. https://www.youtube.com/watch?v=OXgO0Ed3U9Q

81.

Krings M, Okome O. Nollywood and its Diaspora: An Introduction. In: Global Nollywood: The Transnational Dimensions of an African Video Film Industry. Vol African expressive cultures. Indiana University Press; 2013:1-24.

82.

Okome O. Nollywood, Lagos, and the Good-Time Woman. Nollywood, Lagos, and the Good-Time Woman. 2012;43(4):166-186. https://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=15&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1527204412400106&indx=4&recIds=TN_museS1527204412400106&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=15&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=onookome%20okome&dum=true&dstmp=1481581872819

83.

A Trip to Jamaica. Published online 7AD. https://www.youtube.com/watch?v=pdL2XjzsQZI

84.

Jenifa. Published online 29AD. https://www.youtube.com/watch?v=uHz-AFO_puE

85.

Osuofia in London (trailer). Published online 16AD. https://www.youtube.com/watch?v=rjWagDoi1TE

86.

Malick Sidibé | Icontent | Douglas Sloan Director. Published online 20AD. https://www.youtube.com/watch?v=GHi4TG1SwFU

87.

Zanele Muholi’s Faces & Phases - Aperture Foundation NY. http://aperture.org/blog/magazine-zanele-muholis-faces-%C2%9D-phases/

88.

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