Bibliography for LC Cultures of Contemporary Africa/Introduction to African Culture (09 24292) BETA

@article{Adejunmobi_1968, address={London}, title={Charting Nollywood’s appeal locally and globally}, journal={African literature today}, publisher={Heinemann}, author={Adejunmobi, Moradewun}, year={1968}, pages={106–121} }

@book{Adichie_2009a, address={London}, title={The thing around your neck}, publisher={Fourth Estate}, author={Adichie, Chimamanda Ngozi}, year={2009} }

@book{Adichie_2009b, address={London}, title={The thing around your neck}, publisher={Fourth Estate}, author={Adichie, Chimamanda Ngozi}, year={2009} }

@book{Agawu_1995, address={Cambridge}, title={African rhythm: a Northern Ewe perspective}, publisher={Cambridge University Press}, author={Agawu, V. Kofi}, year={1995} }

@book{Agawu_2016a, address={New York}, title={The African imagination in music}, publisher={Oxford University Press}, author={Agawu, V. Kofi}, year={2016} }

@book{Agawu_2016b, address={New York, NY}, title={The African imagination in music}, publisher={Oxford University Press}, author={Agawu, V. Kofi}, year={2016} }

@article{Amkpa_SenGupta_2010, title={History in Ousmane Sembene’s Guelwaar and Ceddo}, volume={2010}, DOI={10.1215/10757163-2010-27-14}, number={27}, journal={Nka Journal of Contemporary African Art}, author={Amkpa, A. and SenGupta, G.}, year={2010}, month={Sep}, pages={14–21} }

@inbook{Appiah_2006, address={New York}, title={Whose Culture is it, Anyway?}, volume={Issues of our time}, url={http://www.loc.gov/catdir/toc/ecip0518/2005024356.html}, booktitle={Cosmopolitanism: ethics in a world of strangers}, publisher={W.W. Norton & Co}, author={Appiah, Kwame Anthony}, year={2006} }

@book{Arom_Thom_Tuckett_Boyd_1991, address={Cambridge, U.K.}, title={African polyphony and polyrhythm: musical structure and methodology}, publisher={Cambridge University Press}, author={Arom, Simha and Thom, Martin and Tuckett, Barbara and Boyd, Raymond}, year={1991} }

@article{Asante, Kariamu Welsh_1985, title={The Jerusarema Dance of Zimbabwe}, volume={15}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=5&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_12784208&indx=7&recIds=TN_jstor_archive_12784208&recIdxs=6&elementId=6&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=kariamu%20welsh&dum=true&dstmp=1482772025253}, number={4}, journal={Journal of Black Studies}, author={Asante, Kariamu Welsh}, year={1985}, pages={381–403} }

@article{Asante, Molefi ; Appiah, Michael_1979, title={The Rhetoric of the Akan Drum}, volume={3}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1311809899&indx=1&recIds=TN_proquest1311809899&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=the%20rhetoric%20of%20the%20akan%20drum&dum=true&dstmp=1482783808747}, number={1}, journal={The Western Journal of Black Studies}, author={Asante, Molefi ; Appiah, Michael}, year={1979} }

@article{Baderoon, Gabeba_2011, title={‘Gender within gender’: Zanele Muholi’s images of trans being and becoming}, volume={37}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=12&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest927680036&indx=12&recIds=TN_proquest927680036&recIdxs=11&elementId=11&renderMode=poppedOut&displayMode=full&frbrVersion=12&vid=44BIR_VU1&mode=Basic&tab=local&vl(98300992UI1)=all_items&dscnt=0&vl(freeText0)=%20Muholi%20%2C%20%20Zanele%20&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vl(98300991UI0)=sub&dstmp=1482853125449}, number={2}, journal={Feminist Studies}, author={Baderoon, Gabeba}, year={2011}, pages={390–416} }

@article{Bissonauth_2014, title={Zanele Muholi’s Affective Appeal to Act}, volume={7}, DOI={10.2752/175145214X14153800234801}, number={3}, journal={Photography and Culture}, author={Bissonauth, Natasha}, year={2014}, month={Nov}, pages={239–251} }

@article{Byerly_1998, title={Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa}, volume={42}, DOI={10.2307/852825}, number={1}, journal={Ethnomusicology}, author={Byerly, Ingrid Bianca}, year={1998}, month={Winter} }

@book{Charry_2000, address={Chicago}, title={Mande music: traditional and modern music of the Maninka and Mandinka of Western Africa}, volume={Chicago studies in ethnomusicology}, publisher={University of Chicago Press}, author={Charry, Eric S.}, year={2000} }

@book{Charry_2012a, address={Bloomington, Ind}, title={Hip hop Africa: new African music in a globalizing world}, publisher={Indiana University Press}, author={Charry, Eric S.}, year={2012} }

@book{Charry_2012b, address={Bloomington, Ind}, title={Hip hop Africa: new African music in a globalizing world}, volume={African expressive cultures}, publisher={Indiana University Press}, author={Charry, Eric S.}, year={2012} }

@article{Cho_2010, title={Hiplife, Cultural Agency and the Youth Counter-Public in the Ghanaian Public Sphere}, volume={45}, DOI={10.1177/0021909610373888}, number={4}, journal={Journal of Asian and African Studies}, author={Cho, Glorya}, year={2010}, month={Aug}, pages={406–423} }

@article{Corley_2016, title={An Interview with Zanele Muholi}, volume={31}, DOI={10.1080/02690055.2016.1112570}, number={1}, journal={Wasafiri}, author={Corley, Íde}, year={2016}, month={Jan}, pages={22–29} }

@book{Diawara_1992, address={Bloomington}, title={African Cinema: politics and culture}, volume={Blacks in the diaspora}, publisher={Indiana U.P}, author={Diawara, Manthia}, year={1992} }

@book{Diawara_Haus der Kulturen der Welt_2010, address={Munich}, title={African film: new forms of aesthetics and politics}, publisher={Prestel}, author={Diawara, Manthia and Haus der Kulturen der Welt}, year={2010} }

@book{Doh_2009, address={Mankon, Bamenda, Cameroon}, title={Stereotyping Africa: surprising answers to surprising questions}, publisher={Langaa Research & Publishing CIG}, author={Doh, Emmanuel Fru}, year={2009} }

@article{Downey_2004, title={Yinka Shonibare in conversation}, volume={19}, DOI={10.1080/02690050408589884}, number={41}, journal={Wasafiri}, author={Downey, Anthony}, year={2004}, month={Mar}, pages={31–36} }

@article{Drewal_Drewal_1975, title={Gelede Dance of the Western Yoruba}, volume={8}, DOI={10.2307/3334829}, number={2}, journal={African Arts}, author={Drewal, Margaret Thompson and Drewal, Henry John}, year={1975}, month={Winter} }

@article{Drewett_2008, title={Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa}, volume={11}, DOI={10.1080/10253860802391292}, number={4}, journal={Consumption Markets & Culture}, author={Drewett, Michael}, year={2008}, month={Dec}, pages={287–305} }

@article{Durán, Lucy_2013, title={Poyi! Bamana Jeli Music, Mali and the Blues}, volume={25}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=8&tabs=detailsTab&ct=display&fn=search&doc=TN_mla2016393108&indx=3&recIds=TN_mla2016393108&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=8&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=Dur%C3%A1n%2C+Lucy&rfnGrp=1&srt=rank&tab=local&fctN=facet_creator&dum=true&vl(freeText0)=lucy%20duran&dstmp=1482784488100}, number={2}, journal={Journal of African Cultural Studies}, author={Durán, Lucy}, year={2013}, pages={211–246} }

@book{Enwezor_Okeke-Agulu_2009, address={Bologne}, title={Contemporary African art since 1980}, publisher={Damiani}, author={Enwezor, Okwui and Okeke-Agulu, Chika}, year={2009} }

@book{Euba_1990, address={Bayreuth}, title={Yoruba drumming: the Dùndún tradition}, volume={Bayreuth African studies}, publisher={Eckhard Breitinger}, author={Euba, Akin}, year={1990} }

@book{Farah_Willis_2016, title={Crossbones}, publisher={Audible Studios on Brilliance}, author={Farah, Nuruddin and Willis, Mirron}, year={2016} }

@book{Finnegan_1977, edition={New edition}, title={Oral Literature in Africa}, publisher={Oxford University Press Tanzania Ltd}, author={Finnegan, Ruth}, year={1977} }

@article{Garritano, Carmela_2013, title={African Video Movies and Global Desires: A Ghanaian History}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=4&tabs=detailsTab&ct=display&fn=search&doc=TN_mla2013306056&indx=3&recIds=TN_mla2013306056&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=4&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=African%20Video%20Movies%20and%20Global%20Desires%3A%20A%20Ghanaian%20History&dum=true&dstmp=1482860071228}, author={Garritano, Carmela}, year={2013} }

@article{Gore, Charles_2015, title={African Photography}, volume={48}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1712315485&indx=3&recIds=TN_proquest1712315485&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=african%20photography&dum=true&dstmp=1482853795488}, number={3}, journal={African Arts}, author={Gore, Charles}, year={2015} }

@inbook{Hobsbawm_1983, address={Cambridge}, title={Introduction: Inventing Traditions}, volume={Canto}, booktitle={The invention of tradition}, publisher={Cambridge University Press}, author={Hobsbawm, Eric}, year={1983}, pages={1–14} }

@inbook{J._2002, address={Uppsala}, title={The Generational Factor in Ghanaian Music: Concert parties, highlife, simpa, kpanlogo, gospel and local techno-pop}, booktitle={Playing with identities in contemporary music in Africa}, publisher={Nordiska Afrikainstitutet}, author={J., Collins}, year={2002}, pages={60–74} }

@book{Jones_Palmer_Jones_1989, address={Oxford}, title={Oral and Written Poetry in African Literature Today}, publisher={James Currey}, author={Jones, Eldred Durosimi and Palmer, Eustace and Jones, Marjorie}, year={1989} }

@article{Kasfir_1992, title={African Art and Authenticity: A Text with a Shadow}, volume={25}, DOI={10.2307/3337059}, number={2}, journal={African Arts}, author={Kasfir, Sidney Littlefield}, year={1992}, month={Apr} }

@article{Keller, Candace_2014, title={Framed and hidden histories: West African photography from local to global contexts.}, volume={47}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=5&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1725465042&indx=12&recIds=TN_proquest1725465042&recIdxs=11&elementId=11&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=Sidib%C3%A9%20%2C%20%20Malick%20%20%20%20&dum=true&dstmp=1482852804495}, number={4}, journal={African Arts}, author={Keller, Candace}, year={2014}, pages={36–47} }

@inbook{Klein_2007, address={Chicago}, title={The Making of a Yorùbá Culture Movement}, booktitle={Yorubá bàtá goes global: artists, culture brokers, and fans}, publisher={University of Chicago Press}, author={Klein, Debra L.}, year={2007}, pages={1–26} }

@inbook{Krings_Okome_2013, address={Bloomington}, title={Nollywood and its Diaspora: An Introduction}, volume={African expressive cultures}, booktitle={Global Nollywood: the transnational dimensions of an African video film industry}, publisher={Indiana University Press}, author={Krings, Matthias and Okome, Onookome}, year={2013}, pages={1–24} }

@book{Lamunière_2001, address={New Haven, Conn}, title={You look beautiful like that: the portrait photographs of Seydou Keïta and Malick Sidibé}, publisher={Yale University Press}, author={Lamunière, Michelle}, year={2001} }

@article{Lamuniere, Michelle ; Sidibe, Malick ; Brozga, Lia_2001, title={Ready to Wear: A conversation with Malick Sidibe}, volume={10}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS1527804201401327&indx=3&recIds=TN_museS1527804201401327&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=5&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vl(98300991UI0)=sub&fctV=peer_reviewed&fctV=articles&vid=44BIR_VU1&mode=Basic&rfnGrp=show_only&rfnGrp=1&tab=local&fctN=facet_tlevel&fctN=facet_pfilter&vl(98300992UI1)=all_items&vl(freeText0)=%20%20Sidib%C3%A9%20%2C%20%20Malick%20%20&dstmp=1482852911089}, number={4}, journal={Ready to Wear: A conversation with Malick Sidibe}, author={Lamuniere, Michelle ; Sidibe, Malick ; Brozga, Lia}, year={2001}, pages={132–159} }

@article{MAGOMBE, P VINCENT, title={The Cinemas of Sub-Saharan Africa}, url={http://search.proquest.com.ezproxye.bham.ac.uk/docview/1745475462?accountid=8630}, author={MAGOMBE, P VINCENT} }

@book{Mapanje_White_1983, address={Harlow}, title={Oral Poetry from Africa: An Anthology}, publisher={Pearson Education Limited}, author={Mapanje, Jack and White, Landeg}, year={1983} }

@article{Matebeni_2013, title={INTIMACY, QUEERNESS, RACE}, volume={27}, DOI={10.1080/09502386.2013.769151}, number={3}, journal={Cultural Studies}, author={Matebeni, Zethu}, year={2013}, month={May}, pages={404–417} }

@book{McCluskey_2009, address={Urbana, Ill}, title={The devil you dance with: film culture in the new South Africa}, publisher={University of Illinois Press}, author={McCluskey, Audrey T.}, year={2009} }

@book{McCluskey_McCluskey_2009, address={Urbana}, title={The devil you dance with: film culture in the new South Africa}, publisher={University of Illinois Press}, author={McCluskey, Audrey Thomas and McCluskey, Audrey T.}, year={2009} }

@book{Muholi_2010, address={Munich}, title={Faces and phases}, publisher={Prestel}, author={Muholi, Zanele}, year={2010} }

@book{Muller_2004, address={Santa Barbara}, title={South African music: a century of traditions in transformation}, volume={World music series}, publisher={ABC-Clio}, author={Muller, Carol Ann}, year={2004} }

@book{Nicol_2017, address={London}, title={Agents of the State}, publisher={Old Street Publishing}, author={Nicol, Mike}, year={2017} }

@inbook{Nketia_1975, address={London}, title={The Musical Traditions of Africa}, booktitle={The music of Africa}, publisher={Victor Gollancz}, author={Nketia, Kwabena}, year={1975}, pages={1–20} }

@book{Ntarangwi_2009, address={Urbana, Ill}, title={East African hip hop: youth culture and globalization}, volume={Interpretations of culture in the new millennium}, publisher={University of Illinois Press}, author={Ntarangwi, Mwenda}, year={2009} }

@inbook{Oguibe, Olu_1995, title={Art, Identity, Boundaries: The Rome Lecture}, volume={3}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS2152779295000247&indx=2&recIds=TN_museS2152779295000247&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=oguibe%20art%20identity%20boundaries&dum=true&dstmp=1504891687527}, number={1}, booktitle={Art, Identity, Boundaries: The Rome Lecture}, author={Oguibe, Olu}, year={1995}, pages={26–33} }

@article{Oguibe_1999, title={Finding a Place: Nigerian Artists in the Contemporary Art World}, volume={58}, DOI={10.1080/00043249.1999.10791937}, number={2}, journal={Art Journal}, author={Oguibe, Olu}, year={1999}, month={Jun}, pages={30–41} }

@article{Okome_2012, title={Nollywood, Lagos, and the Good-Time Woman}, volume={43}, url={https://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=15&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1527204412400106&indx=4&recIds=TN_museS1527204412400106&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=15&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=onookome%20okome&dum=true&dstmp=1481581872819}, number={4}, journal={Nollywood, Lagos, and the Good-Time Woman}, author={Okome, Onookome}, year={2012}, pages={166–186} }

@book{Okpewho_1992, address={Bloomington}, title={African oral literature: backgrounds, character, and continuity}, publisher={Indiana University Press}, author={Okpewho, Isidore}, year={1992} }

@book{Olwage_2008, address={Johannesburg}, title={Composing apartheid: music for and against apartheid}, publisher={Wits University Press}, author={Olwage, Grant}, year={2008} }

@inbook{Omojola_2012, address={Suffolk}, title={Yorùbá Drumming: Performance Practice and the Politics of Identity}, volume={Eastman/Rochester studies in ethnomusicology}, booktitle={Yorùbá music in the twentieth century: identity, agency, and performance practice}, publisher={Boydell & Brewer}, author={Omojola, Bode}, year={2012}, pages={16–45} }

@book{Osman_Osman_2012, address={London}, title={Fairytales for Lost Children}, publisher={Team Angelica Publishing}, author={Osman, Diriye and Osman, Diriye}, year={2012} }

@book{Osumare_2012a, address={New York}, title={The Hiplife in Ghana: West African Indigenization of Hip-Hop}, publisher={Palgrave Macmillan US}, author={Osumare, Halifu}, year={2012} }

@book{Osumare_2012b, address={Basingstoke}, title={The hiplife in Ghana: the West African indigenization of hip-hop}, publisher={Palgrave Macmillan}, author={Osumare, Halifu}, year={2012} }

@article{Pype_2006, title={Dancing for God or the Devil: Pentecostal Discourse on Popular Dance in Kinshasa}, volume={36}, DOI={10.1163/157006606778941968}, number={3}, journal={Journal of Religion in Africa}, author={Pype, Katrien}, year={2006}, month={Nov}, pages={296–318} }

@article{Schumann_2008, title={The Beat That Beat Apartheid: The Role of Music in the Resistance against Apartheid in South Africa}, volume={14}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2010394425&indx=13&recIds=TN_mla2010394425&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=The%20Beat%20that%20Beat%20Apartheid%3A%20The%20Role%20of%20Music%20in%20the%20Resistance%20against%20Apartheid%20in%20South%20Africa&dum=true&dstmp=1482786373766}, number={8}, journal={Stichproben. WienerZeitschrift für kritische Afrikastudien}, author={Schumann, Anne}, year={2008}, pages={17–39} }

@misc{Sembène_Sembène_200AD, address={[Paris]}, title={Xala}, publisher={Médiathèque des Trois Mondes}, author={Sembène, Ousmane and Sembène, Ousmane}, year={200AD} }

@book{Shipley_2013a, address={Durham, N.C.}, title={Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music}, publisher={Duke University Press}, author={Shipley, Jesse Weaver}, year={2013} }

@article{Shipley_2013b, title={Transnational circulation and digital fatigue in Ghana’s Azonto dance craze}, volume={40}, DOI={10.1111/amet.12027}, number={2}, journal={American Ethnologist}, author={Shipley, Jesse Weaver}, year={2013}, month={May}, pages={362–381} }

@book{Shipley_ProQuest (Firm)_2013, address={Durham and London}, title={Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173258}, publisher={Duke University Press}, author={Shipley, Jesse Weaver and ProQuest (Firm)}, year={2013} }

@book{Shire_2011, address={Ilford}, title={Teaching My Mother How to Give Birth}, publisher={Flipped Eye Publishing Limited}, author={Shire, Warsan}, year={2011} }

@inbook{Shule, Vicensia_2011, title={Tanzanian Films: Between Innovation & Incompetence}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2012393350&indx=2&recIds=TN_mla2012393350&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=shule%20tanzanian%20films&dum=true&dstmp=1482860171974}, booktitle={Tanzanian Films: Between Innovation & Incompetence}, author={Shule, Vicensia}, year={2011}, pages={39–49} }

@book{Sissay_2017a, address={London}, title={Something dark}, publisher={Oberon Books}, author={Sissay, Lemn}, year={2017} }

@book{Sissay_2017b, address={London}, title={Something dark}, publisher={Oberon Books}, author={Sissay, Lemn}, year={2017} }

@article{Thompson_2008, title={Keeping it real: reality and representation in Maasai Hip-Hop}, volume={20}, DOI={10.1080/13696810802159248}, number={1}, journal={Journal of African Cultural Studies}, author={Thompson, Katrina Daly}, year={2008}, month={Jun}, pages={33–44} }

@book{University of Birmingham. Centre of West African Studies_1995, address={Edgbaston, Birmingham}, title={The pressures of the text: orality, texts, and the telling of tales}, volume={no. 4}, publisher={Centre of West African Studies, University of Birmingham}, author={University of Birmingham. Centre of West African Studies}, editor={Brown, Stewart}, year={1995} }

@article{van Der Vlies, Andrew_2012, title={Queer knowledge and the politics of the gaze in contemporary South African photography: Zanele Muholi and others}, volume={24}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=9&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1223841859&indx=8&recIds=TN_proquest1223841859&recIdxs=7&elementId=7&renderMode=poppedOut&displayMode=full&frbrVersion=9&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vl(98300991UI0)=sub&vid=44BIR_VU1&fctV=peer_reviewed&mode=Basic&rfnGrp=show_only&tab=local&fctN=facet_tlevel&vl(98300992UI1)=all_items&vl(freeText0)=%20%20Muholi%20%2C%20%20Zanele%20%20&dstmp=1482853294095}, number={2}, journal={Journal of African Cultural Studies}, author={van Der Vlies, Andrew}, year={2012} }

@book{Vansina_1984, address={London}, title={Art history in Africa: an introduction to method}, publisher={Longman}, author={Vansina, Jan}, year={1984} }

@book{Vansina_Vansina_2013, address={Oxfordshire, England}, title={Art history in Africa: an introduction to method}, publisher={Routledge}, author={Vansina, Jan and Vansina, C.}, year={2013} }

@article{WATSON, SASHA_2011, title={Talking About Writing About Africa.}, volume={258}, url={http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=64137437&site=ehost-live}, number={30}, journal={Publishers Weekly}, author={WATSON, SASHA}, year={2011}, pages={24–24} }

@book{WATSON, SASHA ;, title={Talking About Writing About Africa.}, url={https://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_buh_64137437&indx=1&recIds=TN_buh_64137437&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=How%20to%20Write%20about%20Africa&dum=true&dstmp=1505213417593}, author={WATSON, SASHA ;} }

@book{Weiss_2009, address={Bloomington}, title={Street dreams and hip hop barbershops: global fantasy in urban Tanzania}, volume={Tracking globalization}, publisher={Indiana University Press}, author={Weiss, Brad}, year={2009} }

@misc{A Trip to Jamaica_7AD, url={https://www.youtube.com/watch?v=pdL2XjzsQZI}, year={7AD} }

@misc{Umoja - Meadowlands_9AD, url={https://www.youtube.com/watch?v=BdYSKphvlHQ}, year={9AD} }

@misc{Brikama Griots_10AD, url={https://www.youtube.com/watch?v=u6MY3v-WA94}, year={10AD} }

@misc{Osuofia in London (trailer)_16AD, url={https://www.youtube.com/watch?v=rjWagDoi1TE}, year={16AD} }

@misc{Malick Sidibé | Icontent | Douglas Sloan Director_20AD, url={https://www.youtube.com/watch?v=GHi4TG1SwFU}, year={20AD} }

@misc{LIVING IN BONDAGE_29AD, url={https://www.youtube.com/watch?v=pu_8a_OLiBg}, year={29AD} }

@misc{Jenifa_29AD, url={https://www.youtube.com/watch?v=uHz-AFO_puE}, year={29AD} }

@misc{Zimbabwe: the soul of mbira : traditions of the Shona people of Zimbabwe_1973, address={New York, N.Y.}, volume={Nonesuch explorer series}, publisher={Nonesuch}, year={1973} }

@book{Zimbabwean mbira music on an international stage [electronic resource] : Chartwell Dutiro’s life in music_2007, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=438417}, year={2007} }

@article{Aesthetic of the Entrepreneur: Afro-Cosmopolitan Rap and Moral Circulation in Accra, Ghana_2009, volume={82}, DOI={10.1353/anq.0.0074}, number={3}, journal={Anthropological Quarterly}, year={2009}, pages={631–668} }

@misc{Yoruba Dundun Talking Drum Ensemble_2010, url={https://www.youtube.com/watch?v=F0L2fhqFzKU}, year={2010}, month={Oct} }

@misc{Nkosi Sikelel’ iAfrika (south african national anthem, with lyrics) - Inno nazionale sudafricano_2013, url={https://www.youtube.com/watch?v=NBKjWRjwMkY}, year={2013}, month={Dec} }

@misc{Taxi Driver (Oko Ashewo)_2015, url={https://www.youtube.com/watch?v=OXgO0Ed3U9Q}, year={2015}, month={Oct} }

@misc{Agogo Eewo - Tunde Kelani_2015, url={https://www.youtube.com/watch?v=jzr4bOdlpyY&list=PLO6iWnHpL-AFrbjqiN25hbd_hcOPNlB-3}, year={2015}, month={Nov} }

@misc{Tolu Ogunlesi, We are all Africans; African Writing Online [many literatures, one voice]; Issue No. 8;, url={http://www.african-writing.com/eight/toluogunlesi.htm} }

@misc{How to Write about Africa | Binyavanga Wainaina | Granta Magazine, url={https://granta.com/how-to-write-about-africa/} }

@article{Introduction: Everything Good is Raining: Provisional Notes on the Nigerian Novel of the Third Generation }

@misc{From highlife to hiplife - a guide to Ghanaian music, url={https://www.timeout.com/accra/music/from-highlife-to-hiplife-a-guide-to-ghanaian-music} }

@misc{Highlife Classic Old School - Ghana - YouTube, url={https://www.youtube.com/watch?v=s5zycFeyqBE} }

@misc{Old School Ghana Hiplife hits mix - YouTube, url={https://www.youtube.com/watch?v=JeXpGgHTA04} }

@misc{Xala (1975), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0217DDE2}, publisher={FilmFour} }

@misc{Zanele Muholi’s Faces & Phases - Aperture Foundation NY, url={http://aperture.org/blog/magazine-zanele-muholis-faces-%C2%9D-phases/} }

@misc{Why Is My Curriculum White? Birmingham Launch | Redbrick | University of Birmingham, url={http://www.redbrick.me/comment/why-is-my-curriculum-white-birmingham/} }

@misc{Africa’s looted cultural and religious artefacts need to be returned [The Benin Kingdom] - How Africa News, url={http://howafrica.com/africas-looted-cultural-and-religious-artefacts-need-to-be-returned-the-benin-kingdom/} }

@article{Introduction: Everything Good is Raining: Provisional Notes on the Nigerian Novel of the Third Generation }