1
Tolu Ogunlesi, We are all Africans; African Writing Online [many literatures, one voice]; Issue No. 8; http://www.african-writing.com/eight/toluogunlesi.htm
2
How to Write about Africa | Binyavanga Wainaina | Granta Magazine. https://granta.com/how-to-write-about-africa/
3
WATSON, SASHA. Talking About Writing About Africa. Publishers Weekly 2011;258:24–24.http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=64137437&site=ehost-live
4
Doh EF. Stereotyping Africa: surprising answers to surprising questions. Mankon, Bamenda, Cameroon: : Langaa Research & Publishing CIG 2009.
5
Jones ED, Palmer E, Jones M. Oral and Written Poetry in African Literature Today. Oxford: : James Currey 1989.
6
Finnegan R. Oral Literature in Africa. New edition. Oxford University Press Tanzania Ltd 1977.
7
Okpewho I. African oral literature: backgrounds, character, and continuity. Bloomington: : Indiana University Press 1992.
8
University of Birmingham. Centre of West African Studies. The pressures of the text: orality, texts, and the telling of tales. Edgbaston, Birmingham: : Centre of West African Studies, University of Birmingham 1995.
9
Mapanje J, White L. Oral Poetry from Africa: An Anthology. Harlow: : Pearson Education Limited 1983.
10
Osman D, Osman D. Fairytales for Lost Children. London: : Team Angelica Publishing 2012.
11
Shire W. Teaching My Mother How to Give Birth. Ilford: : Flipped Eye Publishing Limited 2011.
12
Introduction: Everything Good is Raining: Provisional Notes on the Nigerian Novel of the Third Generation.
13
Nicol M. Agents of the State. London: : Old Street Publishing 2017.
14
Sissay L. Something dark. London: : Oberon Books 2017.
15
Adichie CN. The thing around your neck. London: : Fourth Estate 2009.
16
Farah N, Willis M. Crossbones. Audible Studios on Brilliance 2016.
17
Nketia K. The Musical Traditions of Africa. In: The music of Africa. London: : Victor Gollancz 1975. 1–20.
18
Yoruba Dundun Talking Drum Ensemble. 2010.https://www.youtube.com/watch?v=F0L2fhqFzKU
19
Brikama Griots. 10AD.https://www.youtube.com/watch?v=u6MY3v-WA94
20
Klein DL. The Making of a Yorùbá Culture Movement. In: Yorubá bàtá goes global: artists, culture brokers, and fans. Chicago: : University of Chicago Press 2007. 1–26.
21
Hobsbawm E. Introduction: Inventing Traditions. In: The invention of tradition. Cambridge: : Cambridge University Press 1983. 1–14.
22
Omojola B. Yorùbá Drumming: Performance Practice and the Politics of Identity. In: Yorùbá music in the twentieth century: identity, agency, and performance practice. Suffolk: : Boydell & Brewer 2012. 16–45.
23
Euba A. Yoruba drumming: the Dùndún tradition. Bayreuth: : Eckhard Breitinger 1990.
24
Charry ES. Mande music: traditional and modern music of the Maninka and Mandinka of Western Africa. Chicago: : University of Chicago Press 2000.
25
Durán, Lucy. Poyi! Bamana Jeli Music, Mali and the Blues. Journal of African Cultural Studies 2013;25:211–46.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=8&tabs=detailsTab&ct=display&fn=search&doc=TN_mla2016393108&indx=3&recIds=TN_mla2016393108&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=8&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=Dur%C3%A1n%2C+Lucy&rfnGrp=1&srt=rank&tab=local&fctN=facet_creator&dum=true&vl(freeText0)=lucy%20duran&dstmp=1482784488100
26
Asante, Molefi ; Appiah, Michael. The Rhetoric of the Akan Drum. The Western Journal of Black Studies 1979;3.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1311809899&indx=1&recIds=TN_proquest1311809899&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=the%20rhetoric%20of%20the%20akan%20drum&dum=true&dstmp=1482783808747
27
Zimbabwe: the soul of mbira : traditions of the Shona people of Zimbabwe. 1973;Nonesuch explorer series.
28
Zimbabwean mbira music on an international stage [electronic resource] : Chartwell Dutiro’s life in music. 2007. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=438417
29
Arom S, Thom M, Tuckett B, et al. African polyphony and polyrhythm: musical structure and methodology. Cambridge, U.K.: : Cambridge University Press 1991.
30
Muller CA. South African music: a century of traditions in transformation. Santa Barbara: : ABC-Clio 2004.
31
Agawu VK. African rhythm: a Northern Ewe perspective. Cambridge: : Cambridge University Press 1995.
32
Agawu VK. The African imagination in music. New York: : Oxford University Press 2016.
33
Agawu VK. The African imagination in music. New York, NY: : Oxford University Press 2016.
34
Schumann A. The Beat That Beat Apartheid: The Role of Music in the Resistance against Apartheid in South Africa. Stichproben WienerZeitschrift für kritische Afrikastudien 2008;14:17–39.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2010394425&indx=13&recIds=TN_mla2010394425&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=The%20Beat%20that%20Beat%20Apartheid%3A%20The%20Role%20of%20Music%20in%20the%20Resistance%20against%20Apartheid%20in%20South%20Africa&dum=true&dstmp=1482786373766
35
Nkosi Sikelel’ iAfrika (south african national anthem, with lyrics) - Inno nazionale sudafricano. 2013.https://www.youtube.com/watch?v=NBKjWRjwMkY
36
Umoja - Meadowlands. 9AD.https://www.youtube.com/watch?v=BdYSKphvlHQ
37
Byerly IB. Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa. Ethnomusicology 1998;42. doi:10.2307/852825
38
Drewett M. Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa. Consumption Markets & Culture 2008;11:287–305. doi:10.1080/10253860802391292
39
Olwage G. Composing apartheid: music for and against apartheid. Johannesburg: : Wits University Press 2008.
40
Cho G. Hiplife, Cultural Agency and the Youth Counter-Public in the Ghanaian Public Sphere. Journal of Asian and African Studies 2010;45:406–23. doi:10.1177/0021909610373888
41
From highlife to hiplife - a guide to Ghanaian music. https://www.timeout.com/accra/music/from-highlife-to-hiplife-a-guide-to-ghanaian-music
42
Highlife Classic Old School - Ghana - YouTube. https://www.youtube.com/watch?v=s5zycFeyqBE
43
Old School Ghana Hiplife hits mix - YouTube. https://www.youtube.com/watch?v=JeXpGgHTA04
44
Osumare H. The Hiplife in Ghana: West African Indigenization of Hip-Hop. New York: : Palgrave Macmillan US 2012.
45
Osumare H. The hiplife in Ghana: the West African indigenization of hip-hop. Basingstoke: : Palgrave Macmillan 2012.
46
J. C. The Generational Factor in Ghanaian Music: Concert parties, highlife, simpa, kpanlogo, gospel and local techno-pop. In: Playing with identities in contemporary music in Africa. Uppsala: : Nordiska Afrikainstitutet 2002. 60–74.
47
Shipley JW, ProQuest (Firm). Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music. Durham and London: : Duke University Press 2013. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173258
48
Shipley JW. Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music. Durham, N.C.: : Duke University Press 2013.
49
Aesthetic of the Entrepreneur: Afro-Cosmopolitan Rap and Moral Circulation in Accra, Ghana. Anthropological Quarterly 2009;82:631–68. doi:10.1353/anq.0.0074
50
Charry ES. Hip hop Africa: new African music in a globalizing world. Bloomington, Ind: : Indiana University Press 2012.
51
Charry ES. Hip hop Africa: new African music in a globalizing world. Bloomington, Ind: : Indiana University Press 2012.
52
Thompson KD. Keeping it real: reality and representation in Maasai Hip-Hop. Journal of African Cultural Studies 2008;20:33–44. doi:10.1080/13696810802159248
53
Ntarangwi M. East African hip hop: youth culture and globalization. Urbana, Ill: : University of Illinois Press 2009.
54
Weiss B. Street dreams and hip hop barbershops: global fantasy in urban Tanzania. Bloomington: : Indiana University Press 2009.
55
Drewal MT, Drewal HJ. Gelede Dance of the Western Yoruba. African Arts 1975;8. doi:10.2307/3334829
56
Shipley JW. Transnational circulation and digital fatigue in Ghana’s Azonto dance craze. American Ethnologist 2013;40:362–81. doi:10.1111/amet.12027
57
Asante, Kariamu Welsh. The Jerusarema Dance of Zimbabwe. Journal of Black Studies 1985;15:381–403.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=5&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_12784208&indx=7&recIds=TN_jstor_archive_12784208&recIdxs=6&elementId=6&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=kariamu%20welsh&dum=true&dstmp=1482772025253
58
Pype K. Dancing for God or the Devil: Pentecostal Discourse on Popular Dance in Kinshasa. Journal of Religion in Africa 2006;36:296–318. doi:10.1163/157006606778941968
59
Kasfir SL. African Art and Authenticity: A Text with a Shadow. African Arts 1992;25. doi:10.2307/3337059
60
Downey A. Yinka Shonibare in conversation. Wasafiri 2004;19:31–6. doi:10.1080/02690050408589884
61
Oguibe, Olu. Art, Identity, Boundaries: The Rome Lecture. In: Art, Identity, Boundaries: The Rome Lecture. 1995. 26–33.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS2152779295000247&indx=2&recIds=TN_museS2152779295000247&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=oguibe%20art%20identity%20boundaries&dum=true&dstmp=1504891687527
62
Oguibe O. Finding a Place: Nigerian Artists in the Contemporary Art World. Art Journal 1999;58:30–41. doi:10.1080/00043249.1999.10791937
63
Enwezor O, Okeke-Agulu C. Contemporary African art since 1980. Bologne: : Damiani 2009.
64
Vansina J, Vansina C. Art history in Africa: an introduction to method. Oxfordshire, England: : Routledge 2013.
65
Vansina J. Art history in Africa: an introduction to method. London: : Longman 1984.
66
MAGOMBE, P VINCENT. The Cinemas of Sub-Saharan Africa. http://search.proquest.com.ezproxye.bham.ac.uk/docview/1745475462?accountid=8630
67
Amkpa A, SenGupta G. History in Ousmane Sembene’s Guelwaar and Ceddo. Nka Journal of Contemporary African Art 2010;2010:14–21. doi:10.1215/10757163-2010-27-14
68
Sembène O, Sembène O. Xala. 200AD.
69
Xala (1975). https://learningonscreen.ac.uk/ondemand/index.php/prog/0217DDE2
70
Diawara M, Haus der Kulturen der Welt. African film: new forms of aesthetics and politics. Munich: : Prestel 2010.
71
Diawara M. African Cinema: politics and culture. Bloomington: : Indiana U.P 1992.
72
Garritano, Carmela. African Video Movies and Global Desires: A Ghanaian History. Published Online First: 2013.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=4&tabs=detailsTab&ct=display&fn=search&doc=TN_mla2013306056&indx=3&recIds=TN_mla2013306056&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=4&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=African%20Video%20Movies%20and%20Global%20Desires%3A%20A%20Ghanaian%20History&dum=true&dstmp=1482860071228
73
WATSON, SASHA ; Talking About Writing About Africa. https://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_buh_64137437&indx=1&recIds=TN_buh_64137437&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=How%20to%20Write%20about%20Africa&dum=true&dstmp=1505213417593
74
Shule, Vicensia. Tanzanian Films: Between Innovation & Incompetence. In: Tanzanian Films: Between Innovation & Incompetence. 2011. 39–49.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2012393350&indx=2&recIds=TN_mla2012393350&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=shule%20tanzanian%20films&dum=true&dstmp=1482860171974
75
McCluskey AT, McCluskey AT. The devil you dance with: film culture in the new South Africa. Urbana: : University of Illinois Press 2009.
76
McCluskey AT. The devil you dance with: film culture in the new South Africa. Urbana, Ill: : University of Illinois Press 2009.
77
Adejunmobi M. Charting Nollywood’s appeal locally and globally. African literature today 1968;:106–21.
78
LIVING IN BONDAGE. 29AD.https://www.youtube.com/watch?v=pu_8a_OLiBg
79
Agogo Eewo - Tunde Kelani. 2015.https://www.youtube.com/watch?v=jzr4bOdlpyY&list=PLO6iWnHpL-AFrbjqiN25hbd_hcOPNlB-3
80
Taxi Driver (Oko Ashewo). 2015.https://www.youtube.com/watch?v=OXgO0Ed3U9Q
81
Krings M, Okome O. Nollywood and its Diaspora: An Introduction. In: Global Nollywood: the transnational dimensions of an African video film industry. Bloomington: : Indiana University Press 2013. 1–24.
82
Okome O. Nollywood, Lagos, and the Good-Time Woman. Nollywood, Lagos, and the Good-Time Woman 2012;43:166–86.https://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=15&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1527204412400106&indx=4&recIds=TN_museS1527204412400106&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=15&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=onookome%20okome&dum=true&dstmp=1481581872819
83
A Trip to Jamaica. 7AD.https://www.youtube.com/watch?v=pdL2XjzsQZI
84
Jenifa. 29AD.https://www.youtube.com/watch?v=uHz-AFO_puE
85
Osuofia in London (trailer). 16AD.https://www.youtube.com/watch?v=rjWagDoi1TE
86
Malick Sidibé | Icontent | Douglas Sloan Director. 20AD.https://www.youtube.com/watch?v=GHi4TG1SwFU
87
Zanele Muholi’s Faces & Phases - Aperture Foundation NY. http://aperture.org/blog/magazine-zanele-muholis-faces-%C2%9D-phases/
88
Gore, Charles. African Photography. African Arts 2015;48.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1712315485&indx=3&recIds=TN_proquest1712315485&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=african%20photography&dum=true&dstmp=1482853795488
89
Keller, Candace. Framed and hidden histories: West African photography from local to global contexts. African Arts 2014;47:36–47.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=5&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1725465042&indx=12&recIds=TN_proquest1725465042&recIdxs=11&elementId=11&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=Sidib%C3%A9%20%2C%20%20Malick%20%20%20%20&dum=true&dstmp=1482852804495
90
Lamuniere, Michelle ; Sidibe, Malick ; Brozga, Lia. Ready to Wear: A conversation with Malick Sidibe. Ready to Wear: A conversation with Malick Sidibe 2001;10:132–59.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS1527804201401327&indx=3&recIds=TN_museS1527804201401327&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=5&rfnGrpCounter=1&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vl(98300991UI0)=sub&fctV=peer_reviewed&fctV=articles&vid=44BIR_VU1&mode=Basic&rfnGrp=show_only&rfnGrp=1&tab=local&fctN=facet_tlevel&fctN=facet_pfilter&vl(98300992UI1)=all_items&vl(freeText0)=%20%20Sidib%C3%A9%20%2C%20%20Malick%20%20&dstmp=1482852911089
91
Lamunière M. You look beautiful like that: the portrait photographs of Seydou Keïta and Malick Sidibé. New Haven, Conn: : Yale University Press 2001.
92
Muholi Z. Faces and phases. Munich: : Prestel 2010.
93
Baderoon, Gabeba. ‘Gender within gender’: Zanele Muholi’s images of trans being and becoming. Feminist Studies 2011;37:390–416.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=12&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest927680036&indx=12&recIds=TN_proquest927680036&recIdxs=11&elementId=11&renderMode=poppedOut&displayMode=full&frbrVersion=12&vid=44BIR_VU1&mode=Basic&tab=local&vl(98300992UI1)=all_items&dscnt=0&vl(freeText0)=%20Muholi%20%2C%20%20Zanele%20&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vl(98300991UI0)=sub&dstmp=1482853125449
94
Bissonauth N. Zanele Muholi’s Affective Appeal to Act. Photography and Culture 2014;7:239–51. doi:10.2752/175145214X14153800234801
95
Matebeni Z. INTIMACY, QUEERNESS, RACE. Cultural Studies 2013;27:404–17. doi:10.1080/09502386.2013.769151
96
van Der Vlies, Andrew. Queer knowledge and the politics of the gaze in contemporary South African photography: Zanele Muholi and others. Journal of African Cultural Studies 2012;24.http://findit.bham.ac.uk/primo_library/libweb/action/display.do?frbrVersion=9&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1223841859&indx=8&recIds=TN_proquest1223841859&recIdxs=7&elementId=7&renderMode=poppedOut&displayMode=full&frbrVersion=9&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vl(98300991UI0)=sub&vid=44BIR_VU1&fctV=peer_reviewed&mode=Basic&rfnGrp=show_only&tab=local&fctN=facet_tlevel&vl(98300992UI1)=all_items&vl(freeText0)=%20%20Muholi%20%2C%20%20Zanele%20%20&dstmp=1482853294095
97
Corley Í. An Interview with Zanele Muholi. Wasafiri 2016;31:22–9. doi:10.1080/02690055.2016.1112570
98
Why Is My Curriculum White? Birmingham Launch | Redbrick | University of Birmingham. http://www.redbrick.me/comment/why-is-my-curriculum-white-birmingham/
99
Africa’s looted cultural and religious artefacts need to be returned [The Benin Kingdom] - How Africa News. http://howafrica.com/africas-looted-cultural-and-religious-artefacts-need-to-be-returned-the-benin-kingdom/
100
Appiah KA. Whose Culture is it, Anyway? In: Cosmopolitanism: ethics in a world of strangers. New York: : W.W. Norton & Co 2006. http://www.loc.gov/catdir/toc/ecip0518/2005024356.html
101
Introduction: Everything Good is Raining: Provisional Notes on the Nigerian Novel of the Third Generation.
102
Sissay L. Something dark. London: : Oberon Books 2017.
103
Adichie CN. The thing around your neck. London: : Fourth Estate 2009.
