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W. Wright, Six guns and society: a structural study of the Western. Berkeley: University of California Press, 1977.
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D. Bordwell, K. Thompson, and J. Smith, Film art: an introduction, Eleventh edition. New York, NY: McGraw-Hill Education, 2017.
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P. Cook, Ed., The cinema book, Third edition. London: BFI, 2007.
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S. Keller, ‘Frustrated Climaxes: On Maya Deren’s Meshes of the Afternoon and Witch’s Cradle’, Cinema Journal, vol. 52, no. 3, pp. 75–98, 2013, doi: 10.1353/cj.2013.0018.
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P. A. Sitney, Visionary film: the American avant-garde, 1943-2000, Third edition. Oxford: Oxford University Press, 2002.
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P. Adams Sitney, Visionary Film : The American Avant-Garde, 1943-2000. Oxford University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/reader.action?docID=241285&ppg=11
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R. Stone and J. D. Gutiérrez-Albilla, Eds., A companion to Luis Buñuel. Oxford: Wiley-Blackwell, 2013.
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Rob Stone, , Juli?n Daniel Guti?rrez-Albilla, , and Julian Daniel Gutierrez-Albilla, A Companion to Luis Buñuel. John Wiley & Sons, Incorporated, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/reader.action?docID=1129776&ppg=5
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M. Deren and B. Nichols, Maya Deren and the American avant-garde. Berkeley, Calif: University of California Press, 2001.
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Carroll, Noel, ‘Avant-Garde Film and Film Theory’, Avant-Garde Film and Film Theory, no. 4, pp. 135–143, 1979 [Online]. Available: http://bham-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1295098707&indx=1&recIds=TN_proquest1295098707&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=Avant-Garde%20Film%20and%20Film%20Theory%20Carroll&dum=true&dstmp=1513740032538
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W. W. Dixon and G. A. Foster, Experimental cinema, the film reader. London: Routledge, 2002.
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J. Hatfield and S. Littman, Eds., Experimental film and video: an anthology. New Bernet, Herts, [England]: John Libbey Publishing, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2042367
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S. Littman and J. Hatfield, Experimental Film and Video: An Anthology. Bloomington, IN: John Libbey Pub, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2042367
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N. CARROLL, ‘Movies, the Moral Emotions, and Sympathy’, Midwest Studies In Philosophy, vol. 34, no. 1, pp. 1–19, Sep. 2010, doi: 10.1111/j.1475-4975.2010.00197.x.
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R. Allen, Projecting illusion: film spectatorship and the impression of reality, vol. Cambridge studies in film. Cambridge: Cambridge University Press, 1995.
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E. M. DADLEZ, ‘Seeing and Imagination: Emotional Response to Fictional Film’, Midwest Studies In Philosophy, vol. 34, no. 1, pp. 120–135, Sep. 2010, doi: 10.1111/j.1475-4975.2010.00194.x.
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S. Lee, ‘Wes Anderson’s ambivalent film style: the relation between - - and emotion’, New Review of Film and Television Studies, vol. 14, no. 4, pp. 409–439, Oct. 2016, doi: 10.1080/17400309.2016.1172858.
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B. GAUT, ‘Empathy and Identification in Cinema’, Midwest Studies In Philosophy, vol. 34, no. 1, pp. 136–157, Sep. 2010, doi: 10.1111/j.1475-4975.2010.00211.x.
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L. Grossberg, L. Grossberg, C. Nelson, P. A. Treichler, L. Baughman, and J. M. Wise, Cultural studies. New York: Routledge, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1122888
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Fernando Solanas and Octavio Getino, ‘TOWARD A THIRD CINEMA’, Cinéaste, vol. 4, no. 3, pp. 1–10, 1970 [Online]. Available: http://www.jstor.org/stable/41685716?Search=yes&resultItemClick=true&searchText=third&searchText=cinema&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dthird%2Bcinema%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff&seq=1#page_scan_tab_contents
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‘For an imperfect cinema by Julio García Espinosa, trans. by Julianne Burton’. [Online]. Available: http://www.ejumpcut.org/archive/onlinessays/JC20folder/ImperfectCinema.html
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H. Eid and K. Ghazel, ‘Footprints of Fanon in Gillo Pontecorvo’s The Battle of Algiers and Sembene Ousamne’s Xala’, English in Africa, vol. 35, no. 2, May 2009, doi: 10.4314/eia.v35i2.42858.
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L. Hill and G. H. Olsson, ‘Concerning violence: nine scenes from the anti-imperialistic self-defense’. Dogwoof, [London], 2015.
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‘Cine-Tracts 2: Vol. 1, No. 2, Summer 1977 - CT02.pdf’. [Online]. Available: https://library.brown.edu/cds/cinetracts/CT02.pdf
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B. K. Grant, Film genre reader IV. Austin, Tex: University of Texas Press, 2012.
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H. Brevik-Zender, ‘Let Them Wear Manolos: Fashion, Walter Benjamin, and Sofia Coppola’s Marie Antoinette’, Camera Obscura: Feminism, Culture, and Media Studies, vol. 26, no. 3 78, pp. 1–33, Jan. 2011, doi: 10.1215/02705346-1415416.
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I. Cameron and D. Pye, The Movie book of the western. London: Studio Vista, 1996.
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R. Galt, Pretty: film and the decorative image. New York: Columbia University Press, 2011 [Online]. Available: https://www.vlebooks.com/vleweb/Product/Index/792191?page=0
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B. R. Rich, New queer cinema: the director’s cut. Durham: Duke University Press, 2013.
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B. R. Rich, New queer cinema: the director’s cut. Durham: Duke University Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173623
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‘QUEER AND PRESENT DANGER’, Sight and Sound, vol. 10 [Online]. Available: https://search-proquest-com.ezproxyd.bham.ac.uk/docview/1305510453/fulltextPDF/C3BAD7840B704099PQ/1?accountid=8630
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R. Dyer and J. Pidduck, Now you see it: studies on lesbian and gay film, 2nd ed. London: Routledge, 2003.
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R. Dyer and J. Pidduck, Now you see it: studies in lesbian and gay film, 2nd ed. London: Routledge, 2003.
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M. Aaron, New queer cinema: a critical reader. Edinburgh: Edinburgh University Press, 2004.
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B. R. Rich, New queer cinema: the director’s cut. Durham: Duke University Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173623
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D. L. Eng, J. Halberstam, and J. E. Muñoz, What’s queer about queer studies now?, vol. 84–85. Durham, N.C.: Duke University Press, 2005.
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‘Vol 11, No 2 (2007)’. [Online]. Available: http://www.film-philosophy.com/index.php/f-p/issue/view/13
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L. Downing and L. Saxton, Film and ethics: foreclosed encounters. London: Routledge, 2010.
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L. Downing and L. Saxton, Film and ethics: foreclosed encounters. New York, NY: Routledge, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=449453
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S. Cooper and Modern Humanities Research Association, Selfless cinema?: ethics and French documentary, vol. No. 20. London: Legenda, 2005.
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C. PLANTINGA, ‘"I Followed the Rules, and They All Loved You More”: Moral Judgment and Attitudes toward Fictional Characters in Film’, Midwest Studies In Philosophy, vol. 34, no. 1, pp. 34–51, Sep. 2010, doi: 10.1111/j.1475-4975.2010.00204.x.
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M. Aaron, Spectatorship: the power of looking on, vol. 35. London: Wallflower, 2007.
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L. J. Davis, Ed., The disability studies reader, Fifth edition. New York, NY: Routledge, an imprint of the Taylor & Francis Group, 2017.
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L. J. Davis, The disability studies reader, Fifth edition. New York, New York: Routledge, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4741427
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R. McRuer, ‘AS GOOD AS IT GETS: Queer Theory and Critical Disability’, GLQ: A Journal of Lesbian and Gay Studies, vol. 9, no. 1–2, pp. 79–105, Jan. 2003, doi: 10.1215/10642684-9-1-2-79.
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L. J. Davis, Enforcing normalcy: disability, deafness, and the body. London: Verso, 1995.
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Davis, Lennard J., 1949-, Enforcing normalcy: disability, deafness, and the body. Verso, 1995 [Online]. Available: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb02823.0001.001
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R. McRuer and M. Bérubé, Crip theory: cultural signs of queerness and disability. New York: New York University Press, 2006.
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R. McRuer and M. F. Bérubé, Crip theory: cultural signs of queerness and disability. New York: New York University Press, 2006.
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T. Elsaesser and M. Hagener, Film theory: an introduction through the senses, 2. ed. New York: Routledge, 2015.
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T. Elsaesser and M. Hagener, Film theory: an introduction through the senses, 2nd ed. New York, New York: Routledge, 2015.
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B. Klinger, ‘The art film, affect and the female viewer: The Piano revisited’, Screen, vol. 47, no. 1, pp. 19–41, Jan. 2006, doi: 10.1093/screen/hjl002.
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T. Laine, Feeling cinema: emotional dynamics in film studies, Paperback ed. New York: Bloomsbury, 2013.
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R. Sinnerbrink, ‘Stimmung: exploring the aesthetics of mood’, Screen, vol. 53, no. 2, pp. 148–163, Jun. 2012, doi: 10.1093/screen/hjs007.
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S. French and Z. Shacklock, ‘The affective sublime in Lars von Trier’s and Terrence Malick’s’, New Review of Film and Television Studies, vol. 12, no. 4, pp. 339–356, Oct. 2014, doi: 10.1080/17400309.2014.942555.
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L. U. Marks, The skin of the film: intercultural cinema, embodiment, and the senses. Durham, N.C.: Duke University Press, 2000.
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L. U. Marks, The skin of the film: intercultural cinema, embodiment, and the senses. Durham: Duke University Press, 2000 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1167652
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J. M. Barker, The tactile eye: touch and the cinematic experience. Berkeley, CA: University of California Press.
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Barker, Jennifer M., 1969-, The tactile eye: touch and the cinematic experience. University of California Press, 2009 [Online]. Available: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08197.0001.001
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T. Laine, Bodies in pain: emotion and the cinema of Darren Aronofsky. New York: Berghahn Books, 2015.
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T. Laine, Bodies in pain: emotion and the cinema of Darren Aronofsky. New York, New York: berghahn, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1707815
