@book{Aaron_2004, address={Edinburgh}, title={New queer cinema: a critical reader}, publisher={Edinburgh University Press}, author={Aaron, Michele}, year={2004} }
@book{Aaron_2007, address={London}, title={Spectatorship: the power of looking on}, volume={35}, publisher={Wallflower}, author={Aaron, Michele}, year={2007} }
@book{Allen_1995, address={Cambridge}, title={Projecting illusion: film spectatorship and the impression of reality}, volume={Cambridge studies in film}, publisher={Cambridge University Press}, author={Allen, Richard}, year={1995} }
@book{Altman_1999, address={London}, title={Film/genre}, publisher={British Film Institute}, author={Altman, Rick}, year={1999} }
@book{Barker, address={Berkeley, CA}, title={The tactile eye: touch and the cinematic experience}, publisher={University of California Press}, author={Barker, Jennifer M.} }
@book{Barker, Jennifer M., 1969-_2009, title={The tactile eye: touch and the cinematic experience}, url={https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08197.0001.001}, publisher={University of California Press}, author={Barker, Jennifer M., 1969-}, year={2009} }
@book{Bordwell_Thompson_Smith_2017, address={New York, NY}, edition={Eleventh edition}, title={Film art: an introduction}, publisher={McGraw-Hill Education}, author={Bordwell, David and Thompson, Kristin and Smith, Jeff}, year={2017} }
@article{Brevik-Zender_2011, title={Let Them Wear Manolos: Fashion, Walter Benjamin, and Sofia Coppola’s Marie Antoinette}, volume={26}, DOI={10.1215/02705346-1415416}, number={3 78}, journal={Camera Obscura: Feminism, Culture, and Media Studies}, author={Brevik-Zender, H.}, year={2011}, month={Jan}, pages={1–33} }
@book{Cameron_Pye_1996, address={London}, title={The Movie book of the western}, publisher={Studio Vista}, author={Cameron, Ian and Pye, Douglas}, year={1996} }
@article{Carroll, Noel_1979, title={Avant-Garde Film and Film Theory}, url={http://bham-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1295098707&indx=1&recIds=TN_proquest1295098707&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=Avant-Garde%20Film%20and%20Film%20Theory%20Carroll&dum=true&dstmp=1513740032538}, number={4}, journal={Avant-Garde Film and Film Theory}, author={Carroll, Noel}, year={1979}, pages={135–143} }
@article{CARROLL_2010, title={Movies, the Moral Emotions, and Sympathy}, volume={34}, DOI={10.1111/j.1475-4975.2010.00197.x}, number={1}, journal={Midwest Studies In Philosophy}, author={CARROLL, NOËL}, year={2010}, month={Sep}, pages={1–19} }
@book{Cooper_Modern Humanities Research Association_2005, address={London}, title={Selfless cinema?: ethics and French documentary}, volume={No. 20}, publisher={Legenda}, author={Cooper, Sarah and Modern Humanities Research Association}, year={2005} }
@article{DADLEZ_2010, title={Seeing and Imagination: Emotional Response to Fictional Film}, volume={34}, DOI={10.1111/j.1475-4975.2010.00194.x}, number={1}, journal={Midwest Studies In Philosophy}, author={DADLEZ, E. M.}, year={2010}, month={Sep}, pages={120–135} }
@book{Davis_1995, address={London}, title={Enforcing normalcy: disability, deafness, and the body}, publisher={Verso}, author={Davis, Lennard J.}, year={1995} }
@book{Davis_2017a, address={New York, New York}, edition={Fifth edition}, title={The disability studies reader}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4741427}, publisher={Routledge}, author={Davis, Lennard J.}, year={2017} }
@book{Davis, Lennard J., 1949-_1995, title={Enforcing normalcy: disability, deafness, and the body}, url={https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb02823.0001.001}, publisher={Verso}, author={Davis, Lennard J., 1949-}, year={1995} }
@book{Deren_Nichols_2001, address={Berkeley, Calif}, title={Maya Deren and the American avant-garde}, publisher={University of California Press}, author={Deren, Maya and Nichols, Bill}, year={2001} }
@book{Dixon_Foster_2002, address={London}, title={Experimental cinema, the film reader}, publisher={Routledge}, author={Dixon, Wheeler W. and Foster, Gwendolyn Audrey}, year={2002} }
@book{Downing_Saxton_2009, address={New York, NY}, title={Film and ethics: foreclosed encounters}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=449453}, publisher={Routledge}, author={Downing, Lisa and Saxton, Libby}, year={2009} }
@book{Downing_Saxton_2010, address={London}, title={Film and ethics: foreclosed encounters}, publisher={Routledge}, author={Downing, Lisa and Saxton, Libby}, year={2010} }
@book{Dyer_Pidduck_2003a, address={London}, edition={2nd ed}, title={Now you see it: studies on lesbian and gay film}, publisher={Routledge}, author={Dyer, Richard and Pidduck, Julianne}, year={2003} }
@book{Dyer_Pidduck_2003b, address={London}, edition={2nd ed}, title={Now you see it: studies in lesbian and gay film}, publisher={Routledge}, author={Dyer, Richard and Pidduck, Julianne}, year={2003} }
@article{Eid_Ghazel_2009, title={Footprints of Fanon in Gillo Pontecorvo’s The Battle of Algiers and Sembene Ousamne’s Xala}, volume={35}, DOI={10.4314/eia.v35i2.42858}, number={2}, journal={English in Africa}, author={Eid, H and Ghazel, K}, year={2009}, month={May} }
@book{Elsaesser_Hagener_2015a, address={New York}, edition={2. ed}, title={Film theory: an introduction through the senses}, publisher={Routledge}, author={Elsaesser, Thomas and Hagener, Malte}, year={2015} }
@book{Elsaesser_Hagener_2015b, address={New York, New York}, edition={2nd ed}, title={Film theory: an introduction through the senses}, publisher={Routledge}, author={Elsaesser, Thomas and Hagener, Malte}, year={2015} }
@book{Eng_Halberstam_Muñoz_2005, address={Durham, N.C.}, title={What’s queer about queer studies now?}, volume={84–85}, publisher={Duke University Press}, author={Eng, David L. and Halberstam, Judith and Muñoz, José Esteban}, year={2005} }
@article{Fernando Solanas and Octavio Getino_1970, title={TOWARD A THIRD CINEMA}, volume={4}, url={http://www.jstor.org/stable/41685716?Search=yes&resultItemClick=true&searchText=third&searchText=cinema&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dthird%2Bcinema%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff&seq=1#page_scan_tab_contents}, number={3}, journal={Cinéaste}, publisher={Cineaste Publishers, Inc.}, author={Fernando Solanas and Octavio Getino}, year={1970}, pages={1–10} }
@article{French_Shacklock_2014, title={The affective sublime in Lars von Trier’s and Terrence Malick’s}, volume={12}, DOI={10.1080/17400309.2014.942555}, number={4}, journal={New Review of Film and Television Studies}, author={French, Sarah and Shacklock, Zoë}, year={2014}, month={Oct}, pages={339–356} }
@article{Galt, Rosalind_2011, title={Pretty: Film and the Decorative Image}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2011031545&indx=1&recIds=TN_mla2011031545&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=pretty%20rosalind%20galt&dum=true&dstmp=1504605725877}, author={Galt, Rosalind}, year={2011} }
@book{Galt_2011, address={New York}, title={Pretty: film and the decorative image}, url={https://www.vlebooks.com/vleweb/Product/Index/792191?page=0}, publisher={Columbia University Press}, author={Galt, Rosalind}, year={2011} }
@article{GAUT_2010, title={Empathy and Identification in Cinema}, volume={34}, DOI={10.1111/j.1475-4975.2010.00211.x}, number={1}, journal={Midwest Studies In Philosophy}, author={GAUT, BERYS}, year={2010}, month={Sep}, pages={136–157} }
@book{Geiger_Rutsky_2013, address={New York}, edition={Second edition}, title={Film analysis: a Norton reader}, publisher={W.W. Norton & Company}, author={Geiger, Jeffrey and Rutsky, R. L.}, year={2013} }
@book{Grant_2012a, address={Austin, Tex}, title={Film genre reader IV}, publisher={University of Texas Press}, author={Grant, Barry Keith}, year={2012} }
@book{Grant_2012b, address={Austin, Tex}, title={Film genre reader IV}, publisher={University of Texas Press}, author={Grant, Barry Keith}, year={2012} }
@book{Grant_2012c, address={Austin, Tex}, title={Film genre reader IV}, publisher={University of Texas Press}, author={Grant, Barry Keith}, year={2012} }
@book{Grossberg_Grossberg_Nelson_Treichler_Baughman_Wise_1992, address={New York}, title={Cultural studies}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1122888}, publisher={Routledge}, author={Grossberg, Lawrence and Grossberg, Lawrence and Nelson, Cary and Treichler, Paula A. and Baughman, Linda and Wise, J. Macgregor}, year={1992} }
@book{Grossberg_Nelson_Treichler_1992, address={New York}, title={Cultural studies}, publisher={Routledge}, author={Grossberg, Lawrence and Nelson, Cary and Treichler, Paula A.}, year={1992} }
@misc{Hill_Olsson_2015, address={[London]}, title={Concerning violence: nine scenes from the anti-imperialistic self-defense}, publisher={Dogwoof}, author={Hill, Lauryn and Olsson, Göran Hugo}, year={2015} }
@article{Keller_2013, title={Frustrated Climaxes: On Maya Deren’s Meshes of the Afternoon and Witch’s Cradle}, volume={52}, DOI={10.1353/cj.2013.0018}, number={3}, journal={Cinema Journal}, author={Keller, Sarah}, year={2013}, pages={75–98} }
@article{Klinger_2006, title={The art film, affect and the female viewer: The Piano revisited}, volume={47}, DOI={10.1093/screen/hjl002}, number={1}, journal={Screen}, author={Klinger, B.}, year={2006}, month={Jan}, pages={19–41} }
@book{Laine_2013, address={New York}, edition={Paperback ed}, title={Feeling cinema: emotional dynamics in film studies}, publisher={Bloomsbury}, author={Laine, Tarja}, year={2013} }
@book{Laine_2015a, address={New York}, title={Bodies in pain: emotion and the cinema of Darren Aronofsky}, publisher={Berghahn Books}, author={Laine, Tarja}, year={2015} }
@book{Laine_2015b, address={New York, New York}, title={Bodies in pain: emotion and the cinema of Darren Aronofsky}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1707815}, publisher={berghahn}, author={Laine, Tarja}, year={2015} }
@article{Lee_2016, title={Wes Anderson’s ambivalent film style: the relation between - - and emotion}, volume={14}, DOI={10.1080/17400309.2016.1172858}, number={4}, journal={New Review of Film and Television Studies}, author={Lee, Sunhee}, year={2016}, month={Oct}, pages={409–439} }
@book{Littman_Hatfield_2006, address={Bloomington, IN}, title={Experimental Film and Video: An Anthology}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2042367}, publisher={John Libbey Pub}, author={Littman, Stephen and Hatfield, Jackie}, year={2006} }
@book{Marks_2000a, address={Durham, N.C.}, title={The skin of the film: intercultural cinema, embodiment, and the senses}, publisher={Duke University Press}, author={Marks, Laura U.}, year={2000} }
@book{Marks_2000b, address={Durham}, title={The skin of the film: intercultural cinema, embodiment, and the senses}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1167652}, publisher={Duke University Press}, author={Marks, Laura U.}, year={2000} }
@article{McRuer_2003, title={AS GOOD AS IT GETS: Queer Theory and Critical Disability}, volume={9}, DOI={10.1215/10642684-9-1-2-79}, number={1–2}, journal={GLQ: A Journal of Lesbian and Gay Studies}, author={McRuer, R.}, year={2003}, month={Jan}, pages={79–105} }
@book{McRuer_Bérubé_2006, address={New York}, title={Crip theory: cultural signs of queerness and disability}, publisher={New York University Press}, author={McRuer, Robert and Bérubé, Michael}, year={2006} }
@book{McRuer_Bérubé_2006, address={New York}, title={Crip theory: cultural signs of queerness and disability}, publisher={New York University Press}, author={McRuer, Robert and Bérubé, Michael F.}, year={2006} }
@book{P. Adams Sitney_2002, title={Visionary Film : The American Avant-Garde, 1943-2000}, url={https://ebookcentral.proquest.com/lib/bham/reader.action?docID=241285&ppg=11}, publisher={Oxford University Press}, author={P. Adams Sitney}, year={2002} }
@article{PLANTINGA_2010, title={"I Followed the Rules, and They All Loved You More”: Moral Judgment and Attitudes toward Fictional Characters in Film}, volume={34}, DOI={10.1111/j.1475-4975.2010.00204.x}, number={1}, journal={Midwest Studies In Philosophy}, author={PLANTINGA, CARL}, year={2010}, month={Sep}, pages={34–51} }
@book{Pribram_1988, address={London}, title={Female spectators: looking at film and television}, publisher={Verso}, author={Pribram, E. Deidre}, year={1988} }
@article{Radley_2007, title={Terrible Pleasures or Pleasurable Terrors? The Psychotic Act of Horror Film Spectatorship}, volume={46}, DOI={10.3366/nfs.2007-3.008}, number={3}, journal={Nottingham French Studies}, author={Radley, Emma}, year={2007}, month={Sep}, pages={92–108} }
@book{Rich_2013a, address={Durham}, title={New queer cinema: the director’s cut}, publisher={Duke University Press}, author={Rich, B. Ruby}, year={2013} }
@book{Rich_2013b, address={Durham}, title={New queer cinema: the director’s cut}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173623}, publisher={Duke University Press}, author={Rich, B. Ruby}, year={2013} }
@book{Rich_2013c, address={Durham}, title={New queer cinema: the director’s cut}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173623}, publisher={Duke University Press}, author={Rich, B. Ruby}, year={2013} }
@book{Rob Stone, , Juli?n Daniel Guti?rrez-Albilla, , and Julian Daniel Gutierrez-Albilla_2013, title={A Companion to Luis Buñuel}, url={https://ebookcentral.proquest.com/lib/bham/reader.action?docID=1129776&ppg=5}, publisher={John Wiley & Sons, Incorporated}, author={Rob Stone, , Juli?n Daniel Guti?rrez-Albilla, , and Julian Daniel Gutierrez-Albilla}, year={2013} }
@article{Sinnerbrink_2012, title={Stimmung: exploring the aesthetics of mood}, volume={53}, DOI={10.1093/screen/hjs007}, number={2}, journal={Screen}, author={Sinnerbrink, R.}, year={2012}, month={Jun}, pages={148–163} }
@book{Sitney_2002, address={Oxford}, edition={Third edition}, title={Visionary film: the American avant-garde, 1943-2000}, publisher={Oxford University Press}, author={Sitney, P. Adams}, year={2002} }
@book{Wright_1977, address={Berkeley}, title={Six guns and society: a structural study of the Western}, publisher={University of California Press}, author={Wright, Will}, year={1977} }
@book{Cook_2007, address={London}, edition={Third edition}, title={The cinema book}, publisher={BFI}, year={2007} }
@book{Stone_Gutiérrez-Albilla_2013, address={Oxford}, title={A companion to Luis Buñuel}, publisher={Wiley-Blackwell}, year={2013} }
@book{Hatfield_Littman_2015, address={New Bernet, Herts, [England]}, title={Experimental film and video: an anthology}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2042367}, publisher={John Libbey Publishing}, year={2015} }
@book{Davis_2017b, address={New York, NY}, edition={Fifth edition}, title={The disability studies reader}, publisher={Routledge, an imprint of the Taylor & Francis Group}, year={2017} }
@misc{SH-Coding.pdf, url={http://faculty.georgetown.edu/irvinem/theory/SH-Coding.pdf} }
@misc{Outsiders_-The-Battle-of-Algiers-and-political-cinema.pdf, url={http://www.cronistas.org/wp-content/uploads/2014/02/Outsiders_-The-Battle-of-Algiers-and-political-cinema.pdf} }
@misc{For an imperfect cinema by Julio García Espinosa, trans. by Julianne Burton, url={http://www.ejumpcut.org/archive/onlinessays/JC20folder/ImperfectCinema.html} }
@misc{Cine-Tracts 2: Vol. 1, No. 2, Summer 1977 - CT02.pdf, url={https://library.brown.edu/cds/cinetracts/CT02.pdf} }
@article{QUEER AND PRESENT DANGER, volume={10}, url={https://search-proquest-com.ezproxyd.bham.ac.uk/docview/1305510453/fulltextPDF/C3BAD7840B704099PQ/1?accountid=8630}, journal={Sight and Sound} }
@misc{Vol 11, No 2 (2007), url={http://www.film-philosophy.com/index.php/f-p/issue/view/13} }
