Aaron, M. (2004). New queer cinema: a critical reader. Edinburgh University Press.
Aaron, M. (2007). Spectatorship: the power of looking on (Vol. 35). Wallflower.
Allen, R. (1995). Projecting illusion: film spectatorship and the impression of reality: Vol. Cambridge studies in film. Cambridge University Press.
Altman, R. (1999). Film/genre. British Film Institute.
Barker, J. M. (n.d.). The tactile eye: touch and the cinematic experience. University of California Press.
Barker, Jennifer M., 1969-. (2009). The tactile eye: touch and the cinematic experience. University of California Press. https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08197.0001.001
Bordwell, D., Thompson, K., & Smith, J. (2017). Film art: an introduction (Eleventh edition). McGraw-Hill Education.
Brevik-Zender, H. (2011). Let Them Wear Manolos: Fashion, Walter Benjamin, and Sofia Coppola’s Marie Antoinette. Camera Obscura: Feminism, Culture, and Media Studies, 26(3 78), 1–33. https://doi.org/10.1215/02705346-1415416
Cameron, I., & Pye, D. (1996). The Movie book of the western. Studio Vista.
CARROLL, N. (2010). Movies, the Moral Emotions, and Sympathy. Midwest Studies In Philosophy, 34(1), 1–19. https://doi.org/10.1111/j.1475-4975.2010.00197.x
Carroll, Noel. (1979). Avant-Garde Film and Film Theory. Avant-Garde Film and Film Theory, 4, 135–143. http://bham-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1295098707&indx=1&recIds=TN_proquest1295098707&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=Avant-Garde%20Film%20and%20Film%20Theory%20Carroll&dum=true&dstmp=1513740032538
Cine-Tracts 2: Vol. 1, No. 2, Summer 1977 - CT02.pdf. (n.d.). https://library.brown.edu/cds/cinetracts/CT02.pdf
Cook, P. (Ed.). (2007). The cinema book (Third edition). BFI.
Cooper, S. & Modern Humanities Research Association. (2005). Selfless cinema?: ethics and French documentary: Vol. No. 20. Legenda.
DADLEZ, E. M. (2010). Seeing and Imagination: Emotional Response to Fictional Film. Midwest Studies In Philosophy, 34(1), 120–135. https://doi.org/10.1111/j.1475-4975.2010.00194.x
Davis, L. J. (1995). Enforcing normalcy: disability, deafness, and the body. Verso.
Davis, L. J. (Ed.). (2017a). The disability studies reader (Fifth edition). Routledge, an imprint of the Taylor & Francis Group.
Davis, L. J. (2017b). The disability studies reader (Fifth edition). Routledge. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4741427
Davis, Lennard J., 1949-. (1995). Enforcing normalcy: disability, deafness, and the body. Verso. https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb02823.0001.001
Deren, M., & Nichols, B. (2001). Maya Deren and the American avant-garde. University of California Press.
Dixon, W. W., & Foster, G. A. (2002). Experimental cinema, the film reader. Routledge.
Downing, L., & Saxton, L. (2009). Film and ethics: foreclosed encounters. Routledge. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=449453
Downing, L., & Saxton, L. (2010). Film and ethics: foreclosed encounters. Routledge.
Dyer, R., & Pidduck, J. (2003a). Now you see it: studies in lesbian and gay film (2nd ed). Routledge.
Dyer, R., & Pidduck, J. (2003b). Now you see it: studies on lesbian and gay film (2nd ed). Routledge.
Eid, H., & Ghazel, K. (2009). Footprints of Fanon in Gillo Pontecorvo’s The Battle of Algiers and Sembene Ousamne’s Xala. English in Africa, 35(2). https://doi.org/10.4314/eia.v35i2.42858
Elsaesser, T., & Hagener, M. (2015a). Film theory: an introduction through the senses (2. ed). Routledge.
Elsaesser, T., & Hagener, M. (2015b). Film theory: an introduction through the senses (2nd ed). Routledge.
Eng, D. L., Halberstam, J., & Muñoz, J. E. (2005). What’s queer about queer studies now? (Vols 84–85). Duke University Press.
Fernando Solanas and Octavio Getino. (1970). TOWARD A THIRD CINEMA. Cinéaste, 4(3), 1–10. http://www.jstor.org/stable/41685716?Search=yes&resultItemClick=true&searchText=third&searchText=cinema&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dthird%2Bcinema%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff&seq=1#page_scan_tab_contents
For an imperfect cinema by Julio García Espinosa, trans. by Julianne Burton. (n.d.). http://www.ejumpcut.org/archive/onlinessays/JC20folder/ImperfectCinema.html
French, S., & Shacklock, Z. (2014). The affective sublime in Lars von Trier’s and Terrence Malick’s. New Review of Film and Television Studies, 12(4), 339–356. https://doi.org/10.1080/17400309.2014.942555
Galt, R. (2011). Pretty: film and the decorative image. Columbia University Press. https://www.vlebooks.com/vleweb/Product/Index/792191?page=0
Galt, Rosalind. (2011). Pretty: Film and the Decorative Image. http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2011031545&indx=1&recIds=TN_mla2011031545&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=pretty%20rosalind%20galt&dum=true&dstmp=1504605725877
GAUT, B. (2010). Empathy and Identification in Cinema. Midwest Studies In Philosophy, 34(1), 136–157. https://doi.org/10.1111/j.1475-4975.2010.00211.x
Geiger, J., & Rutsky, R. L. (2013). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Grant, B. K. (2012a). Film genre reader IV. University of Texas Press.
Grant, B. K. (2012b). Film genre reader IV. University of Texas Press.
Grant, B. K. (2012c). Film genre reader IV. University of Texas Press.
Grossberg, L., Grossberg, L., Nelson, C., Treichler, P. A., Baughman, L., & Wise, J. M. (1992). Cultural studies. Routledge. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1122888
Grossberg, L., Nelson, C., & Treichler, P. A. (1992). Cultural studies. Routledge.
Hatfield, J., & Littman, S. (Eds.). (2015). Experimental film and video: an anthology. John Libbey Publishing. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2042367
Hill, L., & Olsson, G. H. (2015). Concerning violence: nine scenes from the anti-imperialistic self-defense. Dogwoof.
Keller, S. (2013). Frustrated Climaxes: On Maya Deren’s Meshes of the Afternoon and Witch’s Cradle. Cinema Journal, 52(3), 75–98. https://doi.org/10.1353/cj.2013.0018
Klinger, B. (2006). The art film, affect and the female viewer: The Piano revisited. Screen, 47(1), 19–41. https://doi.org/10.1093/screen/hjl002
Laine, T. (2013). Feeling cinema: emotional dynamics in film studies (Paperback ed). Bloomsbury.
Laine, T. (2015a). Bodies in pain: emotion and the cinema of Darren Aronofsky. Berghahn Books.
Laine, T. (2015b). Bodies in pain: emotion and the cinema of Darren Aronofsky. berghahn. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1707815
Lee, S. (2016). Wes Anderson’s ambivalent film style: the relation between - - and emotion. New Review of Film and Television Studies, 14(4), 409–439. https://doi.org/10.1080/17400309.2016.1172858
Littman, S., & Hatfield, J. (2006). Experimental Film and Video: An Anthology. John Libbey Pub. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2042367
Marks, L. U. (2000a). The skin of the film: intercultural cinema, embodiment, and the senses. Duke University Press.
Marks, L. U. (2000b). The skin of the film: intercultural cinema, embodiment, and the senses. Duke University Press. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1167652
McRuer, R. (2003). AS GOOD AS IT GETS: Queer Theory and Critical Disability. GLQ: A Journal of Lesbian and Gay Studies, 9(1–2), 79–105. https://doi.org/10.1215/10642684-9-1-2-79
McRuer, R., & Bérubé, M. (2006). Crip theory: cultural signs of queerness and disability. New York University Press.
McRuer, R., & Bérubé, M. F. (2006). Crip theory: cultural signs of queerness and disability. New York University Press.
Outsiders_-The-Battle-of-Algiers-and-political-cinema.pdf. (n.d.). http://www.cronistas.org/wp-content/uploads/2014/02/Outsiders_-The-Battle-of-Algiers-and-political-cinema.pdf
P. Adams Sitney. (2002). Visionary Film : The American Avant-Garde, 1943-2000. Oxford University Press. https://ebookcentral.proquest.com/lib/bham/reader.action?docID=241285&ppg=11
PLANTINGA, C. (2010). "I Followed the Rules, and They All Loved You More”: Moral Judgment and Attitudes toward Fictional Characters in Film. Midwest Studies In Philosophy, 34(1), 34–51. https://doi.org/10.1111/j.1475-4975.2010.00204.x
Pribram, E. D. (1988). Female spectators: looking at film and television. Verso.
QUEER AND PRESENT DANGER. (n.d.). Sight and Sound, 10. https://search-proquest-com.ezproxyd.bham.ac.uk/docview/1305510453/fulltextPDF/C3BAD7840B704099PQ/1?accountid=8630
Radley, E. (2007). Terrible Pleasures or Pleasurable Terrors? The Psychotic Act of Horror Film Spectatorship. Nottingham French Studies, 46(3), 92–108. https://doi.org/10.3366/nfs.2007-3.008
Rich, B. R. (2013a). New queer cinema: the director’s cut. Duke University Press.
Rich, B. R. (2013b). New queer cinema: the director’s cut. Duke University Press. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173623
Rich, B. R. (2013c). New queer cinema: the director’s cut. Duke University Press. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173623
Rob Stone, , Juli?n Daniel Guti?rrez-Albilla, , and Julian Daniel Gutierrez-Albilla. (2013). A Companion to Luis Buñuel. John Wiley & Sons, Incorporated. https://ebookcentral.proquest.com/lib/bham/reader.action?docID=1129776&ppg=5
SH-Coding.pdf. (n.d.). http://faculty.georgetown.edu/irvinem/theory/SH-Coding.pdf
Sinnerbrink, R. (2012). Stimmung: exploring the aesthetics of mood. Screen, 53(2), 148–163. https://doi.org/10.1093/screen/hjs007
Sitney, P. A. (2002). Visionary film: the American avant-garde, 1943-2000 (Third edition). Oxford University Press.
Stone, R., & Gutiérrez-Albilla, J. D. (Eds.). (2013). A companion to Luis Buñuel. Wiley-Blackwell.
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Wright, W. (1977). Six guns and society: a structural study of the Western. University of California Press.
