Bibliography for Electronic Music Studies (10 29011 and 10 29010) BETA

@inbook{Born_1995, address={London}, title={Music Research and Psychoacoustics}, publisher={Routledge}, author={Born, Georgina}, year={1995} }

@inbook{Butler_2006, address={Bloomington}, title={Part III: Electronic Dance Music and the Epic}, volume={Profiles in popular music}, booktitle={Unlocking the groove: rhythm, meter, and musical design in electronic dance music}, publisher={Indiana University Press}, author={Butler, Mark J.}, year={2006}, pages={177–254} }

@book{Butler_2014a, address={New York}, title={Playing with something that runs: technology, improvisation, and composition in DJ and laptop performance}, publisher={Oxford University Press}, author={Butler, Mark J.}, year={2014} }

@inbook{Butler_2014b, address={New York}, title={Making It Up and Breaking It Down}, url={http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780195393613.001.0001/acprof-9780195393613-chapter-4}, DOI={10.1093/acprof:oso/9780195393613.003.0004}, booktitle={Playing with something that runs: technology, improvisation, and composition in DJ and laptop performance}, publisher={Oxford University Press}, author={Butler, Mark J.}, year={2014}, pages={113–171} }

@book{Butler_2014c, address={New York}, title={Playing with something that runs: technology, improvisation, and composition in DJ and laptop performance}, publisher={Oxford University Press}, author={Butler, Mark J.}, year={2014} }

@article{Caleb Kelly, title={Sound and art}, url={http://www.oxfordartonline.com/subscriber/article/grove/art/T079882}, journal={Grove Art Online}, publisher={Oxford University Press}, author={Caleb Kelly} }

@book{Chandler_Neumark_2005, address={Cambridge, Mass}, title={At a distance: precursors to art and activism on the Internet}, volume={Leonardo}, publisher={MIT Press}, author={Chandler, Annmarie and Neumark, Norie}, year={2005} }

@misc{Chaves_Hickman, title={A Window in Between: Mediation Strategies in Networked Sonic Arts | Interference}, url={http://www.interferencejournal.com/articles/sound-methods/a-window-in-between-mediation-strategies-in-networked-sonic-arts}, author={Chaves, Rui and Hickman, Felippe} }

@book{Collins_Escrivan Rincâon_Escrivan Rincón_2007, address={Cambridge}, title={The Cambridge companion to electronic music}, publisher={Cambridge University Press}, author={Collins, Nick and Escrivan Rincâon, Julio d’ and Escrivan Rincón, Julio d’}, year={2007} }

@book{Collins_Schedel_Wilson_2013, address={Cambridge}, title={Electronic music}, url={https://www.cambridge.org/core/books/electronic-music/4FD04D2A538AB21D7504B9CEA054DB4F}, publisher={Cambridge University Press}, author={Collins, Nick and Schedel, Margaret and Wilson, Scott}, year={2013} }

@book{Demers_2010a, address={Oxford}, title={Listening through the noise: the aesthetics of experimental electronic music}, publisher={Oxford University Press}, author={Demers, Joanna Teresa}, year={2010} }

@book{Demers_2010b, address={Oxford}, title={Listening through the noise: the aesthetics of experimental electronic music}, url={http://www.oxfordscholarship.com.bham-ezproxy.idm.oclc.org/view/10.1093/acprof:oso/9780195387650.001.0001/acprof-9780195387650}, publisher={Oxford University Press}, author={Demers, Joanna Teresa}, year={2010} }

@inbook{dEscrivan_2012, address={Cambridge}, title={Hacking electronics for music}, url={https://www.cambridge.org/core/books/music-technology/hacking-electronics-for-music/DA332935ADEA72B38C48C48382BFEA25}, booktitle={Music technology}, publisher={Cambridge University Press}, author={dEscrivan, Julio}, year={2012}, pages={173–183} }

@article{Dobrian_Koppelman_2006, title={The ‘E’ in NIME: musical expression with new computer interfaces}, url={http://dl.acm.org/citation.cfm?id=1142283}, journal={Proceedings of the 2006 conference on New interfaces for musical expression}, publisher={IRCAM — Centre Pompidou}, author={Dobrian, Christopher and Koppelman, Daniel}, year={2006}, month={Apr}, pages={277–282} }

@article{Dougherty_2012, title={The Maker Movement}, volume={7}, DOI={10.1162/INOV_a_00135}, number={3}, journal={Innovations: Technology, Governance, Globalization}, author={Dougherty, Dale}, year={2012}, month={Jul}, pages={11–14} }

@article{Douglas Kahn and Christian Marclay_2003, title={Christian Marclay’s Early Years: An Interview}, volume={13}, url={http://www.jstor.org/stable/1513444?seq=1#page_scan_tab_contents}, journal={Leonardo Music Journal}, publisher={The MIT PressThe MIT Press}, author={Douglas Kahn and Christian Marclay}, year={2003}, pages={17–21} }

@inbook{Emmerson_2000, address={Aldershot}, title={Music, electronic media and culture}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=429716&query=Music%2C+Electronic+Media+and+Culture}, publisher={Ashgate}, author={Emmerson, Simon}, year={2000} }

@inbook{Escrivan Rincón_2012, address={Cambridge}, title={Music technology}, volume={Cambridge introductions to music}, publisher={Cambridge University Press}, author={Escrivan Rincón, Julio d’}, year={2012} }

@article{Farrugia_Swiss_2005, title={Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies}, volume={17}, DOI={10.1111/j.1524-2226.2005.00032.x}, number={1}, journal={Journal of Popular Music Studies}, author={Farrugia, Rebekah and Swiss, Thomas}, year={2005}, month={Apr}, pages={30–44} }

@book{Fink_2005a, address={Berkeley}, title={Repeating ourselves: American minimal music as cultural practice}, publisher={University of California Press}, author={Fink, Robert Russell}, year={2005} }

@book{Fink_2005b, address={Berkeley}, title={Repeating Ourselves: American Minimal Music as Cultural Practice}, url={http://birmingham.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3514744190004871&institutionId=4871&customerId=4870}, publisher={University of California Press}, author={Fink, Robert Wallace}, year={2005} }

@article{Föllmer_2005, title={Lines of net music}, volume={24}, DOI={10.1080/07494460500296102}, number={6}, journal={Contemporary Music Review}, author={Föllmer, Golo}, year={2005}, month={Dec}, pages={439–444} }

@article{Garcia, Luis-Manuel, title={On and On: Repetition as Process and Pleasure in Electronic Dance    Music}, volume={11}, url={http://www.mtosmt.org/issues/mto.05.11.4/mto.05.11.4.garcia.html}, number={4}, journal={Music Theory Online}, author={Garcia, Luis-Manuel} }

@article{George E. Lewis_2000, title={Too Many Notes: Computers, Complexity and Culture in ‘Voyager’}, volume={10}, url={http://www.jstor.org/stable/1513376?seq=1#page_scan_tab_contents}, journal={Leonardo Music Journal}, publisher={The MIT PressThe MIT Press}, author={George E. Lewis}, year={2000}, pages={33–39} }

@inbook{Georgina Lewis, Eric Straw, Will Born, title={Improvisation and Social Aesthetics}, url={http://www.findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=44BIR_SFX_DS3710000001118533&indx=2&recIds=44BIR_SFX_DS3710000001118533&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=improvisation%20social%20aesthetics%20born%20straw&dum=true&dstmp=1518788387653}, author={Georgina Lewis, Eric Straw, Will Born} }

@article{Ghazala_2004, title={The Folk Music of Chance Electronics: Circuit-Bending the Modern Coconut}, volume={14}, url={http://www.jstor.org/stable/1513514}, DOI={10.1162/0961121043067271}, journal={Leonardo Music Journal}, author={Ghazala, Qubais Reed}, year={2004}, month={Dec}, pages={97–104} }

@article{Green_2011, title={Agility and Playfulness: Technology and skill in the performance ecosystem}, volume={16}, DOI={10.1017/S1355771811000082}, number={02}, journal={Organised Sound}, author={Green, Owen}, year={2011}, month={Aug}, pages={134–144} }

@article{Gresham-Lancaster_1998, title={The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music}, volume={8}, DOI={10.2307/1513398}, journal={Leonardo Music Journal}, author={Gresham-Lancaster, Scot}, year={1998} }

@article{Iddon_2016, title={OUTSOURCING PROGRESS: ON CONCEPTUAL MUSIC}, volume={70}, DOI={10.1017/S0040298215000613}, number={275}, journal={Tempo}, author={Iddon, Martin}, year={2016}, month={Jan}, pages={36–49} }

@article{John Driscoll and Matt Rogalsky_2004, title={David Tudor’s ‘Rainforest’: An Evolving Exploration of Resonance}, volume={14}, url={http://www.jstor.org/stable/1513502?seq=1#page_scan_tab_contents}, journal={Leonardo Music Journal}, publisher={The MIT PressThe MIT Press}, author={John Driscoll and Matt Rogalsky}, year={2004}, pages={25–30} }

@book{Kim-Cohen_Kim-Cohen_2009, address={New York}, title={In the blink of an ear: towards a non-cochlear sonic art}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=601811}, publisher={Continuum}, author={Kim-Cohen, Seth and Kim-Cohen, Seth}, year={2009} }

@inbook{Kittler, Friedrich_1987, title={Gramophone, Film, Typewriter}, volume={41}, url={http://www.findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1300028062&indx=2&recIds=TN_proquest1300028062&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22gramophone%20film%20typewriter%22&dum=true&dstmp=1509016471785}, booktitle={Gramophone, Film, Typewriter}, author={Kittler, Friedrich}, year={1987} }

@article{Kronengold, Charles_2008, title={Exchange Theories in Disco, New Wave, and Album-Oriented Rock}, volume={50}, url={http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_museS1536034208100036&indx=1&recIds=TN_museS1536034208100036&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbrSourceidDisplay=muse&frbrIssnDisplay=0011-1589&dscnt=0&frbrRecordsSource=Primo+Central&mode=Basic&vid=44BIR_VU1&lastPag=&rfnGrp=frbr&tab=local&frbrJtitleDisplay=&dstmp=1513963325182&frbg=260652882879128926&lastPagIndx=1&frbrEissnDisplay=1536-0342&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&cs=frb&fctV=260652882879128926&srt=rank&fctN=facet_frbrgroupid&dum=true&vl(freeText0)=kronengold%20exchange%20disco}, number={1}, journal={Criticism}, author={Kronengold, Charles}, year={2008}, pages={43–82} }

@book{LaBelle_2015a, address={New York, NY}, edition={Second edition}, title={Background noise: perspectives on sound art}, publisher={Bloomsbury Academic}, author={LaBelle, Brandon}, year={2015} }

@book{LaBelle_2015b, address={New York, NY}, edition={Second edition}, title={Background noise: perspectives on sound art}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2003623}, publisher={Bloomsbury Academic}, author={LaBelle, Brandon}, year={2015} }

@article{Magnusson_2017, title={Musical Organics: A Heterarchical Approach to Digital Organology}, volume={46}, DOI={10.1080/09298215.2017.1353636}, number={3}, journal={Journal of New Music Research}, author={Magnusson, Thor}, year={2017}, month={Jul}, pages={286–303} }

@inproceedings{Magnusson, Thor, title={Confessions of a Live Coder}, url={http://quod.lib.umich.edu/i/icmc/bbp2372.2011.122/5/--confessions-of-a-live-coder?page=root;size=100;view=pdf}, booktitle={Proceedings of the International Computer Music Conference 2011}, author={Magnusson, Thor} }

@article{Montano_2008, title={’You’re Not A Real Dj Unless You Play Vinyl’ : Technology And Formats : The Progression Of Dance Music And Dj Culture}, url={http://arpjournal.com/%E2%80%98you%E2%80%99re-not-a-real-dj-unless-you-play-vinyl%E2%80%99-%E2%80%93-technology-and-formats-%E2%80%93-the-progression-of-dance-music-and-dj-culture/}, journal={Journal on the Art of Record Production}, author={Montano, Ed}, year={2008} }

@article{Montano_2010, title={‘How do you know he’s not playing Pac-Man while he’s supposed to be DJing?’: technology, formats and the digital future of DJ culture}, volume={29}, DOI={10.1017/S0261143010000449}, number={03}, journal={Popular Music}, author={Montano, Ed}, year={2010}, month={Oct}, pages={397–416} }

@article{Nick Collins_2011, title={Live Coding of Consequence}, volume={44}, url={http://www.jstor.org/stable/20869451?seq=1#page_scan_tab_contents}, number={3}, journal={Leonardo}, publisher={The MIT PressLeonardo}, author={Nick Collins}, year={2011}, pages={207–230} }

@article{Oliveros_1984a, address={Baltimore}, title={The Contribution of Women Composers}, journal={Software for people: collected writings 1963-1980}, publisher={Smith Publications}, author={Oliveros, Pauline}, year={1984}, pages={132–137} }

@book{Oliveros_1984b, address={Baltimore}, title={Software for people: collected writings 1963-1980}, publisher={Smith Publications}, author={Oliveros, Pauline}, year={1984} }

@book{Reynolds_1998, address={London}, title={Energy flash: a journey through rave music and dance culture}, publisher={Picador}, author={Reynolds, Simon}, year={1998} }

@article{Rosalind Krauss_2006, title={Two Moments from the Post-Medium Condition}, volume={116}, url={http://www.jstor.org/stable/40368424?Search=yes&resultItemClick=true&searchText=sn:01622870&searchText=AND&searchText=year:2006&searchUri=%2Fopenurl%3Fpage%3D2%26amp%3Bed%3D%26amp%3BQuery%3Dsn%253A01622870%2BAND%2Byear%253A2006%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.%26amp%3Bsd%3D&seq=1#page_scan_tab_contents}, journal={October}, publisher={The MIT PressThe MIT Press}, author={Rosalind Krauss}, year={2006}, pages={55–62} }

@book{Schafer_1994, address={Rochester, Vt}, title={The soundscape: our sonic environment and the tuning of the world}, publisher={Destiny Books}, author={Schafer, R. Murray}, year={1994} }

@misc{ title={Performance Ecosystems: Ecological approaches to musical interaction}, url={http://www.ems-network.org/spip.php?article278}, publisher={Electroacoustic Music Studies Network}, author={Simon Waters} }

@article{SPICER_2004, title={(Ac)cumulative Form in Pop-Rock Music}, volume={1}, DOI={10.1017/S1478572204000052}, number={1}, journal={twentieth-century music}, author={SPICER, MARK}, year={2004}, month={Mar}, pages={29–64} }

@book{Steingo_2016, address={Chicago}, title={Kwaito’s promise: music and the aesthetics of freedom in South Africa}, publisher={The University of Chicago Press}, author={Steingo, Gavin}, year={2016} }

@book{Sterne_2012a, address={Durham}, title={MP3: the meaning of a format}, publisher={Duke University Press}, author={Sterne, Jonathan}, year={2012} }

@book{Sterne_2012b, address={Durham}, title={MP3: the meaning of a format}, volume={Sign, storage, transmission}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173260}, publisher={Duke University Press}, author={Sterne, Jonathan}, year={2012} }

@inbook{Taylor_2003, address={Middletown, Conn}, title={A Riddle Wrapped in a Mystery: Transnational Music Sampling and Enigma’s ‘Return to Innocence}, volume={Music/culture}, booktitle={Music and technoculture}, publisher={Wesleyan University Press}, author={Taylor, Timothy}, year={2003}, pages={64–92} }

@book{Thornton_1995, address={Cambridge}, title={Club cultures: music, media and subcultural capital}, publisher={Polity}, author={Thornton, Sarah}, year={1995} }

@article{Timothy D. Taylor_1993, title={The Gendered Construction of the Musical Self: The Music of Pauline Oliveros}, volume={77}, url={http://www.jstor.org/stable/742386?seq=2#page_scan_tab_contents}, number={3}, journal={The Musical Quarterly}, publisher={Oxford University PressOxford University Press}, author={Timothy D. Taylor}, year={1993}, pages={385–396} }

@book{Voegelin_Voegelin_2010, address={New York}, title={Listening to noise and silence: towards a philosophy of sound art}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=601993}, publisher={Continuum}, author={Voegelin, Salomé and Voegelin, Salomâe}, year={2010} }

@article{Wilson_Lorway_Coull_Vasilakos_Moyers_2014, title={Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems}, volume={38}, DOI={10.1162/COMJ_a_00229}, number={1}, journal={Computer Music Journal}, author={Wilson, Scott and Lorway, Norah and Coull, Rosalyn and Vasilakos, Konstantinos and Moyers, Tim}, year={2014}, month={Mar}, pages={54–64} }

@inbook{Windsor_2013, title={Through and around the acousmatic: The interpretation of electroacoustic sounds}, url={https://ebookcentral.proquest.com/lib/bham/detail.action?docID=429716&query=Music%2C+Electronic+Media+and+Culture}, booktitle={Music, Electronic Media and Culture}, author={Windsor, Luke}, year={2013}, pages={7–35} }

@article{Yasunao Tone_2003, title={John Cage and Recording}, volume={13}, url={http://www.jstor.org/stable/1513443?seq=1#page_scan_tab_contents}, journal={Leonardo Music Journal}, publisher={The MIT PressThe MIT Press}, author={Yasunao Tone}, year={2003}, pages={11–15} }

@misc{Best of NIME 2014_1AD, url={https://www.youtube.com/watch?v=beLxqGKvI-M}, year={1AD} }

@misc{Theremin - Clara Rockmore play ‘The Swan’ (Saint-Saëns)_3AD, url={https://www.youtube.com/watch?v=pSzTPGlNa5U}, year={3AD} }

@misc{Experimental live coding stream -- Yaxu live from Hangar Barcelona._5AD, url={https://www.youtube.com/watch?v=FenTeBMkAsQ}, year={5AD} }

@misc{Clara Rockmore - Summertime_20AD, url={https://www.youtube.com/watch?v=j0c7p5geJZs}, year={20AD} }

@misc{Hackers Holding Hands_20AD, url={https://www.youtube.com/watch?v=8E38DX4Cw4A}, year={20AD} }

@misc{How Arduino is open-sourcing imagination | Massimo Banzi_27AD, url={https://www.youtube.com/watch?v=UoBUXOOdLXY}, year={27AD} }

@misc{Reed Ghazala, the Father of Circuit Bending: Sound Builders_31AD, url={https://www.youtube.com/watch?v=KHDL9iGxDPM}, year={31AD} }

@misc{Searching For The Perfect Beep -- A Personal History Of Hardware Hacking_2006, address={Brussels}, url={http://nicolascollins.com/texts/perfectbeep.pdf}, publisher={Experimental Media Arts}, year={2006} }

@book{Emmerson_Landy_2016, address={Cambridge}, title={Expanding the horizon of electroacoustic music analysis}, publisher={Cambridge University Press}, year={2016} }

@misc{Soundings: A Contemporary Score, url={https://www.moma.org/momaorg/shared/pdfs/docs/publication_pdf/3185/Soundings_PREVIEW.pdf} }

@misc{First ever recording of computer music, url={https://soundcloud.com/guardianaustralia/first-ever-recording-of-computer-music} }

@misc{Global String Video, url={https://vimeo.com/46800992} }

@misc{Wire Recorder Piece - Halim El-Dabh, url={https://www.youtube.com/watch?v=j_kbNSdRvgo} }

@misc{Yo-Yo Ma playing the Hypercello at Tanglewood, url={http://web.media.mit.edu/~joep/MPEGs/YoYo.mpg} }

@misc{RA: An alternate history of sexuality in club culture, url={https://www.residentadvisor.net/features/1927} }

@misc{And Don’t Call Them Lady Composers, url={http://music.ucsc.edu/sites/default/files/22.OliverosDontCallThemLadies.pdf} }

@misc{RA Exchange: EX.293 Pauline Oliveros, url={https://www.residentadvisor.net/podcast-episode.aspx?exchange=293} }

@misc{The Black Madonna: ‘I discovered Underground Resistance through the first guy who hit me.’, url={https://www.traxmag.com/the-black-madonna-i-discovered-underground-resistance-through-the-first-guy-who-hit-me/} }

@misc{The Invisible Woman: A Conversation With Björk | Pitchfork, url={http://pitchfork.com/features/interview/9582-the-invisible-woman-a-conversation-with-bjork/} }

@misc{RA: Between The Beats: The Black Madonna, url={https://www.residentadvisor.net/features/2793} }

@misc{The Black Madonna b2b Mike Servito - BOILER ROOM, url={https://boilerroom.tv/recording/the-black-madonna-mike-servito/} }

@misc{The girl crew partying for a better world | Dazed, url={http://www.dazeddigital.com/music/article/30653/1/siren-london-clubbing-zine-partying-collective-female-girl} }

@misc{Discwoman : Discwoman.com, url={http://www.discwoman.com/} }

@misc{After Robot: Kwaito Music in Johannesburg (26 min, 2002) - YouTube, url={https://www.youtube.com/watch?v=VPMydKs71Jc} }

@misc{Real Scenes: Johannesburg - YouTube, url={https://www.youtube.com/watch?v=Ykt2f6o7-e8} }

@misc{Stems, url={https://www.native-instruments.com/en/specials/stems/} }

@misc{DJ Shiva / .noncompliant. @ Room 4 Resistance - ://about Blank garden - 10.09.2016 by Room 4 Resistance | Free Listening on SoundCloud, url={https://soundcloud.com/room4resistance/dj-shiva-non-compliant-room-4-resistance-10092016} }

@misc{Festivals and Venues - Graham, Stephen, 2016 (RECOMMENDED) }

@misc{Internet-mediated Musics: From Aesthetics to Materialities to Social Forms - Haworth, Christopher and Georgina Born. Forthcoming (BACKGROUND)) }

@misc{http://remix.nin.com, url={http://remix.nin.com} }

@misc{Record without a Cover by Christian Marclay, url={https://youtu.be/iVyO9BaMvAQ} }

@misc{Guitar Drag by Christian Marclay, url={https://youtu.be/NEIc7YdSFpU} }

@misc{Solo for Wounded CD by Yasunao Tone, url={https://youtu.be/CEDi-39o5qw} }

@misc{Documentary about Kreidler’s outsourcing works, url={https://www.youtube.com/watch?v=L72d_0zIT0c} }

@misc{Soundings: A Contemporary Score, url={https://www.moma.org/momaorg/shared/pdfs/docs/publication_pdf/3185/Soundings_PREVIEW.pdf} }

@misc{.noncompliant. (DJ Shiva) @ Room 4 Resistance - ://about Blank garden - 10.09.2016 by Room 4 Resistance, url={https://soundcloud.com/room4resistance/dj-shiva-non-compliant-room-4-resistance-10092016} }

@misc{Show Us Your Screens, url={https://vimeo.com/20241649} }

@misc{The toplap manifesto, url={https://toplap.org/wiki/ManifestoDraft} }

@misc{TOPLAP | the home of live coding, url={https://toplap.org} }

@misc{algorave.com, url={https://algorave.com} }

@misc{ResoNations 2009: International Telematic Concerts for Peace (background watching) }

@misc{Global String - Atau Tanaka, url={http://www.ataut.net/site/Global-String} }

@misc{NMF2013: The Hub on Vimeo, url={https://vimeo.com/65502094} }

@misc{· · · CROSSFADE· · · Chris Brown & John Bischoff - Indigenous to the Net ~ Early Network Bands in the San Francisco Area, url={http://crossfade.walkerart.org/brownbischoff/index.html} }

@misc{Stuck Note, url={http://crossfade.walkerart.org/brownbischoff/hub_texts/stucknote.html} }

@misc{Max Neuhaus, url={https://web.archive.org/web/20180626212759/http://www.max-neuhaus.info/audio-video/} }

@misc{Max Neuhaus - The Broadcast Works and Audium, url={http://designblog.uniandes.edu.co/blogs/dise2514/files/2009/04/broadcast_works_and_audium_neuahaus.pdf} }

@misc{Truax, title={The Handbook for Acoustic Ecology}, url={https://www.sfu.ca/~truax/handbook2.html} }

@misc{Music Hackspace, url={http://musichackspace.org/} }

@misc{Technology Featured Instructables, url={http://www.instructables.com/tag/type-id/category-technology/} }

@misc{Maker Faire | Electric Saxophone, url={http://makerfaire.com/maker/entry/58025/} }

@misc{Reed Ghazala’s Anti-Theory Workshop, url={http://www.anti-theory.com/} }

@misc{Arduino - Home, url={https://www.arduino.cc/} }