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Soundings: A Contemporary Score. https://www.moma.org/momaorg/shared/pdfs/docs/publication_pdf/3185/Soundings_PREVIEW.pdf
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First ever recording of computer music. https://soundcloud.com/guardianaustralia/first-ever-recording-of-computer-music
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Collins N, Schedel M, Wilson S. Electronic Music. Cambridge University Press; 2013. https://www.cambridge.org/core/books/electronic-music/4FD04D2A538AB21D7504B9CEA054DB4F
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Global String Video. https://vimeo.com/46800992
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Yo-Yo Ma playing the Hypercello at Tanglewood. http://web.media.mit.edu/~joep/MPEGs/YoYo.mpg
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Steingo G. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. The University of Chicago Press; 2016.
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Timothy D. Taylor. The Gendered Construction of the Musical Self: The Music of Pauline Oliveros. The Musical Quarterly. 1993;77(3):385-396. http://www.jstor.org/stable/742386?seq=2#page_scan_tab_contents
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Oliveros P. The Contribution of Women Composers. Software for people: collected writings 1963-1980. Published online 1984:132-137.
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And Don’t Call Them Lady Composers. http://music.ucsc.edu/sites/default/files/22.OliverosDontCallThemLadies.pdf
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RA Exchange: EX.293 Pauline Oliveros. https://www.residentadvisor.net/podcast-episode.aspx?exchange=293
14.
The Black Madonna: ‘I discovered Underground Resistance through the first guy who hit me.’ https://www.traxmag.com/the-black-madonna-i-discovered-underground-resistance-through-the-first-guy-who-hit-me/
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The Invisible Woman: A Conversation With Björk | Pitchfork. http://pitchfork.com/features/interview/9582-the-invisible-woman-a-conversation-with-bjork/
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RA: Between The Beats: The Black Madonna. https://www.residentadvisor.net/features/2793
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The Black Madonna b2b Mike Servito - BOILER ROOM. https://boilerroom.tv/recording/the-black-madonna-mike-servito/
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Oliveros P. Software for People: Collected Writings 1963-1980. Smith Publications; 1984.
19.
The girl crew partying for a better world | Dazed. http://www.dazeddigital.com/music/article/30653/1/siren-london-clubbing-zine-partying-collective-female-girl
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Discwoman : Discwoman.com. http://www.discwoman.com/
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After Robot: Kwaito Music in Johannesburg (26 min, 2002) - YouTube. https://www.youtube.com/watch?v=VPMydKs71Jc
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24.
Farrugia R, Swiss T. Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies. Journal of Popular Music Studies. 2005;17(1):30-44. doi:10.1111/j.1524-2226.2005.00032.x
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Kittler, Friedrich. Gramophone, Film, Typewriter. In: Gramophone, Film, Typewriter. Vol 41. ; 1987. http://www.findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1300028062&indx=2&recIds=TN_proquest1300028062&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22gramophone%20film%20typewriter%22&dum=true&dstmp=1509016471785
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Magnusson T. Musical Organics: A Heterarchical Approach to Digital Organology. Journal of New Music Research. 2017;46(3):286-303. doi:10.1080/09298215.2017.1353636
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Sterne J. MP3: The Meaning of a Format. Duke University Press; 2012.
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Sterne J. MP3: The Meaning of a Format. Vol Sign, storage, transmission. Duke University Press; 2012. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173260
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Stems. https://www.native-instruments.com/en/specials/stems/
31.
Clara Rockmore - Summertime. Published online 20AD. https://www.youtube.com/watch?v=j0c7p5geJZs
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Theremin - Clara Rockmore play ‘The Swan’ (Saint-Saëns). Published online 3AD. https://www.youtube.com/watch?v=pSzTPGlNa5U
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Best of NIME 2014. Published online 1AD. https://www.youtube.com/watch?v=beLxqGKvI-M
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DJ Shiva / .noncompliant. @ Room 4 Resistance - ://about Blank garden - 10.09.2016 by Room 4 Resistance | Free Listening on SoundCloud. https://soundcloud.com/room4resistance/dj-shiva-non-compliant-room-4-resistance-10092016
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Caleb Kelly. Sound and art. Grove Art Online. http://www.oxfordartonline.com/subscriber/article/grove/art/T079882
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Demers JT. Listening through the Noise: The Aesthetics of Experimental Electronic Music. Oxford University Press; 2010.
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Douglas Kahn and Christian Marclay. Christian Marclay’s Early Years: An Interview. Leonardo Music Journal. 2003;13:17-21. http://www.jstor.org/stable/1513444?seq=1#page_scan_tab_contents
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Record without a Cover by Christian Marclay. https://youtu.be/iVyO9BaMvAQ
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Yasunao Tone. John Cage and Recording. Leonardo Music Journal. 2003;13:11-15. http://www.jstor.org/stable/1513443?seq=1#page_scan_tab_contents
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Iddon M. OUTSOURCING PROGRESS: ON CONCEPTUAL MUSIC. Tempo. 2016;70(275):36-49. doi:10.1017/S0040298215000613
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Guitar Drag by Christian Marclay. https://youtu.be/NEIc7YdSFpU
50.
Solo for Wounded CD by Yasunao Tone. https://youtu.be/CEDi-39o5qw
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Documentary about Kreidler’s outsourcing works. https://www.youtube.com/watch?v=L72d_0zIT0c
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LaBelle B. Background Noise: Perspectives on Sound Art. Second edition. Bloomsbury Academic; 2015.
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LaBelle B. Background Noise: Perspectives on Sound Art. Second edition. Bloomsbury Academic; 2015. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2003623
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Voegelin S, Voegelin S. Listening to Noise and Silence: Towards a Philosophy of Sound Art. Continuum; 2010. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=601993
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Rosalind Krauss. Two Moments from the Post-Medium Condition. October. 2006;116:55-62. http://www.jstor.org/stable/40368424?Search=yes&resultItemClick=true&searchText=sn:01622870&searchText=AND&searchText=year:2006&searchUri=%2Fopenurl%3Fpage%3D2%26amp%3Bed%3D%26amp%3BQuery%3Dsn%253A01622870%2BAND%2Byear%253A2006%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.%26amp%3Bsd%3D&seq=1#page_scan_tab_contents
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Kim-Cohen S, Kim-Cohen S. In the Blink of an Ear: Towards a Non-Cochlear Sonic Art. Continuum; 2009. https://ebookcentral.proquest.com/lib/bham/detail.action?docID=601811
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Soundings: A Contemporary Score. https://www.moma.org/momaorg/shared/pdfs/docs/publication_pdf/3185/Soundings_PREVIEW.pdf
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Butler MJ. Part III: Electronic Dance Music and the Epic. In: Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Vol Profiles in popular music. Indiana University Press; 2006:177-254.
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Garcia, Luis-Manuel. On and On: Repetition as Process and Pleasure in Electronic Dance Music. Music Theory Online. 11(4). http://www.mtosmt.org/issues/mto.05.11.4/mto.05.11.4.garcia.html
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Nick Collins. Live Coding of Consequence. Leonardo. 2011;44(3):207-230. http://www.jstor.org/stable/20869451?seq=1#page_scan_tab_contents
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George E. Lewis. Too Many Notes: Computers, Complexity and Culture in ‘Voyager’. Leonardo Music Journal. 2000;10:33-39. http://www.jstor.org/stable/1513376?seq=1#page_scan_tab_contents
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Wilson S, Lorway N, Coull R, Vasilakos K, Moyers T. Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal. 2014;38(1):54-64. doi:10.1162/COMJ_a_00229
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Chaves R, Hickman F. A Window in Between: Mediation Strategies in Networked Sonic Arts | Interference. http://www.interferencejournal.com/articles/sound-methods/a-window-in-between-mediation-strategies-in-networked-sonic-arts
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Föllmer G. Lines of net music. Contemporary Music Review. 2005;24(6):439-444. doi:10.1080/07494460500296102
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Chandler A, Neumark N. At a Distance: Precursors to Art and Activism on the Internet. Vol Leonardo. MIT Press; 2005.
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Searching For The Perfect Beep -- A Personal History Of Hardware Hacking. Published online 2006. http://nicolascollins.com/texts/perfectbeep.pdf
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Hackers Holding Hands. Published online 20AD. https://www.youtube.com/watch?v=8E38DX4Cw4A
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Maker Faire | Electric Saxophone. http://makerfaire.com/maker/entry/58025/
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Ghazala QR. The Folk Music of Chance Electronics: Circuit-Bending the Modern Coconut. Leonardo Music Journal. 2004;14:97-104. doi:10.1162/0961121043067271
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Reed Ghazala’s Anti-Theory Workshop. http://www.anti-theory.com/
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Reed Ghazala, the Father of Circuit Bending: Sound Builders. Published online 31AD. https://www.youtube.com/watch?v=KHDL9iGxDPM
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How Arduino is open-sourcing imagination | Massimo Banzi. Published online 27AD. https://www.youtube.com/watch?v=UoBUXOOdLXY
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