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Bugarín González, Rosendo ; Bugarín - Diz, Carmen (2014) ‘El maltrato de género en Te doy mis ojos (2003)’, El maltrato de género en Te doy mis ojos (2003), 10(4), pp. 157–163. Available at: http://bham-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=2&tabs=detailsTab&ct=display&fn=search&doc=TN_dialnetART0000736985&indx=2&recIds=TN_dialnetART0000736985&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=te%20doy%20mis%20ojos&dum=true&dstmp=1480448873544.
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Cruz, J. (2005) ‘Amores que matan: Dulce Chacón, Iciar Bollaín y la violencia de género’, Letras hispanas, 2(1). Available at: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2005040366&indx=1&recIds=TN_mla2005040366&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=amores%20que%20matan%20dulce%20chacon&dum=true&dstmp=1480084642088.
‘Dellinger, Mary Ann. “El cuerpo como mazmorra: una lectura femenina de” La voz dormida" y" Las trece rosas"." Letras peninsulares 20.2 (2007): 361-374.’ (no date).
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Etxebarría, L. (1999b) Amor, curiosidad, prozac y dudas. Barcelona: Plaza y Janes.
Etxebarría, L. (2010) Amor, curiosidad, prozac y dudas. Madrid: mr. ediciones.
Ferrán, Ofelia (2014) ‘Oppositional Practices in Dulce Chacón’s La voz dormida: Affirming Women’s Testimony and Agency’, Oppositional Practices in Dulce Chacón’s La voz dormida: Affirming Women’s Testimony and Agency, 14, pp. 118–137. Available at: http://bham-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2015305699&indx=1&recIds=TN_mla2015305699&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&query=any%2Ccontains%2Coppositional+practices+in+la+voz+dormida&search_scope=CSCOP_44BIR_DEEP&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&vl(98300991UI0)=any&onCampus=false&vid=44BIR_VU1&institution=44BIR&bulkSize=10&highlight=true&tab=local&shown_query=oppositional+practices+in+la+voz+dormida&dym=true&displayField=title&vl(freeText0)=oppositional%20practices%20in%20la%20voz%20dormida&dstmp=1480448415198.
Habib Zanzana (2010) ‘Domestic Violence and Social Responsibility in Contemporary Spanish Cinema: A Portfolio View of Behavioral Dynamics’, Hispania, 93(3), pp. 380–398. Available at: http://www.jstor.org/stable/25758209?seq=1#page_scan_tab_contents.
Henseler, C. and Pope, R.D. (2007) Generation X rocks: contemporary peninsular fiction, film, and rock culture. Nashville, Tenn: Vanderbilt University Press.
Horrocks, R. (1994) Masculinity in crisis: myths, fantasies and realities. New York: St. Martin’s.
Inma Cívico Lyons (2009) ‘Writing Gender in Revolutionary Times: Male Identity and Ideology in Dulce Chacón’s La voz dormida’, Hispania, 92(3), pp. 465–475. Available at: http://www.jstor.org/stable/40648387?Search=yes&resultItemClick=true&searchText=sn:00182133&searchText=AND&searchText=year:2009&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dsn%253A00182133%2BAND%2Byear%253A2009%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents.
Jorge González del Pozo (2008) ‘La liberación a través del arte en “Te doy mis ojos” de Icíar Bollaín’, Ciberletras: Revista de crítica literaria y de cultura [Preprint], (19). Available at: https://dialnet.unirioja.es/servlet/articulo?codigo=2742424.
Kietrys, K.A. and Linares, M. (2009) Women in the Spanish novel today: essays on the reflection of self in the works of three generations. Jefferson, N.C.: McFarland.
Larson, K.C. (2015) ‘¿Te acuerdas?: Prosthetic Memories of Traumatic Experience in Dulce Chacón’s “La voz dormida” (2002)’, Oceánide, 7. Available at: http://oceanide.netne.net/articulos/art7-8.pdf.
Linville, R. (2014) ‘Tomasa’s Traumatic Memories in “La voz dormida”’, Hispanic Research Journal, 15(2), pp. 167–180. Available at: https://doi.org/10.1179/1468273713Z.00000000082.
Lopez, F. (2012) ‘Female Subjects in Late Modernity: Lucía Etxebarría’s “Amor, Curiosidad, Prozac y Dudas”’, Dissidences, 2(4). Available at: http://digitalcommons.bowdoin.edu/cgi/viewcontent.cgi?article=1067&context=dissidences.
Maria Elena Soliño (no date) ‘Escaping Toledo’s History of Repression: Painting as Therapy in Iciar Bollaín’s Te doy mis ojos’, Letras Peninsulares [Preprint]. Available at: http://www.academia.edu/7387593/Escaping_Toledos_History_of_Repression_Painting_as_Therapy_in_Iciar_Bolla%C3%ADns_Te_doy_mis_ojos.
Mazal Oaknin (2009) ‘La reinscripción del rol de la mujer en la Guerra Civil española: La voz dormida’, Espéculo: Revista de Estudios Literarios [Preprint], (43). Available at: https://dialnet.unirioja.es/servlet/articulo?codigo=3177643.
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Pilar Nieva de La Paz (1999) ‘Modelos femeninos e indeterminación de la identidad: Amor, curiosidad, prozac y dudas (1997), de Lucía Etxebarría y Atlas de geografía humana (1998), de Almudena Grandes’, Hispanística XX, (17), pp. 199–212. Available at: https://dialnet.unirioja.es/servlet/articulo?codigo=3650715.
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Smith, Jennifer (2014) ‘Violence and Hegemonic Masculinity in Historias del Kronen, El Bola, and Te doy mis ojos’, Violence and Hegemonic Masculinity in Historias del Kronen, El Bola, and Te doy mis ojos, 13, pp. 219–256. Available at: http://bham-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2015320243&indx=4&recIds=TN_mla2015320243&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=te%20doy%20mis%20ojos&dum=true&dstmp=1480448817555.
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