Alvarado, Manuel. ‘Reality Television’. The SAGE Handbook of Television Studies. Ed. Manuel Alvarado et al. London: SAGE Publications Ltd, 2015. [297]-314. Web. <http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_gvrl_refCX7070700033&indx=13&recIds=TN_gvrl_refCX7070700033&recIdxs=12&elementId=12&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22reality%20television%22&dum=true&dstmp=1505250070408>.
Brunsdon, Charlotte et al. ‘Factual Entertainment on British Television’. European Journal of Cultural Studies 4.1 (2001): 29–62. Web.
Bruzzi, Stella. New Documentary. Second edition. London: Routledge, 2006. Print.
---. New Documentary: A Critical Introduction. 2nd ed. Abingdon, [England]: Routledge, 2006. Web. <https://ebookcentral.proquest.com/lib/bham/detail.action?docID=273802>.
Kilborn, Richard. ‘Dissecting the Factual Viewer When It Comes to the Audience for Factual Entertainment, as the Adage Goes, It’s Different Strokes for Different Folks. This Viewing Slice Often Gets Lumped into One Category, but Author and Academic Richard Kilborn Says That’s a Gross Simplification’. Dissecting the Factual Viewer When It Comes to the Audience for Factual Entertainment, as the Adage Goes, It’s Different Strokes for Different Folks. This Viewing Slice Often Gets Lumped into One Category, but Author and Academic Richard Kilborn Says That’s a Gross Simplification. N.p., 2007. Web. <http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest236193923&indx=10&recIds=TN_proquest236193923&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=%22factual%20entertainment%22&dum=true&dstmp=1505227636726>.
King, Geoff. The Spectacle of the Real: From Hollywood to ‘reality’ TV and Beyond. Bristol: Intellect, 2005. Print.
Skeggs, Beverley, and Helen Wood. Reacting to Reality Television: Performance, Audience and Value. New York, N.Y.: Routledge, 2012. Print.
