[1]
Bogart, Anne 1951-, The viewpoints book [electronic resource] : a practical guide to viewpoints and composition. 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=904659
[2]
D. Callery, Through the Body. London: Taylor & Francis Ltd, 2002.
[3]
Tackling Text and Subtext. Nick Hern Books, 2009.
[4]
D. Callery, The active text: unlocking plays through physical theatre. London: Nick Hern Books, 2015.
[5]
A. Boal and A. Jackson, Games for Actors and Non-actors, 2nd Revised edition. London: Taylor & Francis Ltd, 2001.
[6]
K. Johnstone, Impro: Improvisation and the Theatre. London: Bloomsbury Publishing PLC, 2007.
[7]
J. Burrows, A choreographer’s handbook. London: Routledge, 2010.
[8]
N. Moseley, Actioning. London: Nick Hern Books, 2016.
[9]
B. Simonsen, Ed., The art of rehearsal: conversations with contemporary theatre makers. London: Bloomsbury Methuen Drama, 2017.
[10]
M. M. Delgado and P. P. Heritage, In Contact with the Gods? Manchester: Manchester University Press, 1996.
[11]
P. Brook, There are no secrets: thoughts on acting and theatre. London: Methuen, 1993.
[12]
A. Bogart, Director Prepares. London: Taylor & Francis Ltd, 2001.
[13]
V. O. Toporkov, Stanislavski in rehearsal: the final years. London: Routledge, 1998.
