Bibliography for Film Theory and Criticism I (09 29437) BETA

‘A Trip to the Moon (1902) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=zXgTFBIwDCc.

‘All That Heaven Allows [DVD]’ (no date). Available at: https://www.amazon.co.uk/All-That-Heaven-Allows-DVD/dp/B00128TX6G/ref=sr_1_1?s=dvd&ie=UTF8&qid=1505316804&sr=1-1&keywords=all+that+heaven+allows+dvd.

Bartolini, L. and De Sica, V. (2006) ‘Ladri di biciclette’. [U.K.]: Arrow Films.

‘Battleship Potemkin (1925) - Full Movie; English - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=7TgWoSHUn8c.

Bazin, A., Gray, H. and Andrew, Dudley, 1945- (2005) What is cinema?: Vol. 1. [New edition]. Berkeley, California: University of California Press.

‘Bicycle Thieves (1948)’ (no date a). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66?bcast=122623822.

‘Bicycle Thieves (1948)’ (no date b). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00112E66.

Bloch, R. and Hitchcock, A. (2005) ‘Psycho’. [U.K.]: Universal Pictures (UK).

Bordwell, D. (1972) ‘The Idea of Montage in Soviet Art and Film’, Cinema Journal, 11(2). Available at: https://doi.org/10.2307/1225046.

Bordwell, D. (1985) Narration in the fiction film. London: Methuen.

Bordwell, D. and American Council of Learned Societies (2005) Figures traced in light: on cinematic staging. Berkeley: University of California Press.

Bordwell, D., Staiger, J. and Thompson, K. (1985) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge & Kegan Paul.

Bordwell, D. and Thompson, K. (1980) Film art: an introduction. Reading, Mass: Addison-Wesley.

‘Broken Blossoms | 1919, silent, full film - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=GNzYWG5FTmk.

Chion, M. and Gorbman, C. (1994) Audio-vision: sound on screen. New York: Columbia University Press.

‘Citizen Kane (1941)’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01787544.

Creed, B. (1993a) The monstrous feminine: film, feminism, psychoanalysis. London: Routledge.

Creed, B. (1993b) The monstrous-feminine: film, feminism, psychoanalysis. London: Routledge.

‘Der blaue Engel (1930)’ (no date). Arte. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/104794E6.

Dibbets, Karel (no date) ‘The Introduction of Sound’. Available at: https://search.proquest.com/docview/1745491266?accountid=8630&rfr_id=info%3Axri%2Fsid%3Aprimo.

Eisenstein, S. (1991) Selected works: Volume II: Towards a theory of montage. Edited by M. Glenny and R. Taylor. London, [England]: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=676398.

Eisner, L.H. (2008) The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. 2nd pbk. ed. Berkeley: University of California Press.

Eĭzenshteĭn, S. et al. (1994) Selected works S. M. Eisenstein. Vol.2, Towards a theory of montage. London: British Film Institute.

Gibbs, J. (2002) Mise-en-scène: film style and interpretation. New York: Wallflower.

Gibson, P.C. and Hill, J. (1998) The Oxford guide to film studies. Oxford: Oxford University Press.

Glassman, A. and British Film Institute (2006) ‘Visions of light: the art of cinematography’. London: British Film Institute.

Graf, A. and Scheunemann, D. (2007) Avant-garde film. Amsterdam: Rodopi.

Graham, P.J. and Vincendeau, G. (2009) The French new wave: critical landmarks. [New and expanded ed.]. London: BFI.

Grant, B.K. (2008a) Auteurs and authorship: a film reader. Malden, Mass: Blackwell Publishing.

Grant, B.K. (2008b) Auteurs and authorship: a film reader. Malden, Mass: Blackwell Publishing.

Kuleshov, L. and Levaco, R. (1974) Kuleshov on film: writings by Lev Kuleshov. Berkeley (etc.): University of California Press.

La Camera Stylo - Alexandre Astruc (no date). Available at: http://www.newwavefilm.com/about/camera-stylo-astruc.shtml.

Lastra, J. (2000) Sound technology and the American cinema: perception, representation, modernity. New York: Columbia University Press.

Lieberman, EvanHegarty, Kerry (no date) ‘Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland’, Journal of Film and Video, 62(1), pp. 31–51. Available at: https://search.proquest.com/docview/212690826/fulltext/D6A98D8D3A414C63PQ/1?accountid=8630.

Lloyd, J. (1991) German expressionism: primitivism and modernity. New Haven: Yale University Press.

‘Man with a Movie Camera (Alloy Orchestra) 1929 - Человек с киноаппаратом - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=7ZkvjWIEcoU.

Mann, H. and Von Sternberg, J. (2002) ‘The blue angel’. London: Eureka.

‘Mother 1926 - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=vh9cxevRbEg.

Mulvey, L. (1975) ‘Visual Pleasure and Narrative Cinema’, Screen, 16(3), pp. 6–18. Available at: https://doi.org/10.1093/screen/16.3.6.

Mulvey, L. and British Film Institute (1992) Citizen Kane. London: B.F.I. Publishing.

‘Nosferatu | 1922, silent, full film, high quality - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=oAX2WBzCh5Y.

O’Pray, M. (2003) Avant-garde film: forms, themes and passions. London: Wallflower.

Popple, S. and Kember, J. (2004) Early cinema: from factory gate to dream factory. London: Wallflower.

‘Psycho (1960)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=113926139.

Roberts, G. (2000) The man with the movie camera. London: I. B. Tauris.

Ruberto, L.E. and Wilson, K.M. (2007) Italian neorealism and global cinema. Detroit, Mich: Wayne State University Press.

Sanchez, A. and Pavlovic, T. (2009) ‘Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936)’, in 100 years of Spanish cinema. Malden, MA: Wiley-Blackwell, pp. 21–38. Available at: https://doi.org/10.1002/9781444304794.ch2.

Sargeant, A. (2000) Vsevolod Pudovkin: classic films of the Soviet avant-garde. London: I.B.Tauris.

Shiel, M. (2006a) Italian neorealism: rebuilding the cinematic city. London: Wallflower.

Shiel, M. (2006b) Italian neorealism: rebuilding the cinematic city. London: Wallflower. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=909624.

Silverman, K. (1988) The acoustic mirror: the female voice in psychoanalysis and cinema. Indianapolis, Ind: Indiana University Press.

Sinnerbrink, R. (2012) ‘Stimmung: exploring the aesthetics of mood’, Screen, 53(2), pp. 148–163. Available at: https://doi.org/10.1093/screen/hjs007.

‘The Great Train Robbery - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=ZCWKh14Mvzg.

‘The Last Laugh (F.W. Murnau, 1924) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=Zxc3ST9tjpU.

‘The Seashell and the Clergyman 1928 (Restored Full Movie) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=ypseXIQVaF0.

‘To Have and Have Not’ (no date). Available at: https://www.amazon.co.uk/Have-Not-Humphrey-Bogart/dp/B015OQIJ0W/ref=sr_1_1?ie=UTF8&qid=1505316650&sr=8-1&keywords=to+have+and+have+not+dvd.

Turim, Maureen (1973) ‘THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema’, THE AESTHETIC BECOMES POLITICAL: A History of Film Criticism in Cahiers du Cinema, 9. Available at: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1306639553&indx=4&recIds=TN_proquest1306639553&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&rfnGrpCounter=1&dscnt=0&scp.scps=scope:(44BIR_PDA1_DS),scope:(44BIR_ETH1_DS),scope:(44BIR_LGUI_DS),scope:(44BIR_PURE_FT),scope:(44BIR_ALEPH_DS),scope:(44BIR_MIM_DS+),scope:(44BIR_RLIST_DS),scope:(44BIR_ML_DS),scope:(44BIR_SFX_DS),scope:(44BIR_DR1_DS),scope:(44BIR_DR2_DS),44BIR_Ebsco_1,primo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&fctV=eng&rfnGrp=1&srt=rank&tab=local&fctN=facet_lang&dum=true&vl(freeText0)=nouvelle+vague+cahier+du+cinema&dstmp=1504697475949.

‘Turn-of-the-Century Surgery (1900) - ALICE GUY BLACHE - Chirurgie fin de siecle - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=ck6K8q8JbVQ&list=PL2Cs2h2P03cmogHcwtQepFM8hGzj2yEy7&index=8.

‘Un Chien Andalou with new original orchestral soundtrack - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=vLM9qc29rh4.

Welles, O. (2003) ‘Citizen Kane’. [U.K.]: Universal Pictures (UK).

Wiegand, C. (2001) French new wave. Harpenden: Pocket Essentials.

Williams, L. (1992) Figures of desire: a theory and analysis of surrealist film. Berkeley, Calif: University of California Press.

‘Workers Leaving The Lumiere Factory - Lumiere Brothers 1895 - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=yvC_xrDqB3s.