Abel, M. (2013) The counter-cinema of the Berlin School. Rochester, N.Y.: Camden House.
Abel, Marco (2010) ‘Failing to connect: Itinerations of desire in Oskar Roehler’s postromance films’, New German Critique, 109.
Abel, Marco, ‘The State of Things Part Two: More Images for a Post-Wall German Reality’ in (no date a). Available at: http://sensesofcinema.com/2006/festival-reports/berlin2006/.
Abel, Marco, ‘The State of Things Part Two: More Images for a Post-Wall German Reality’ in (no date b). Available at: http://sensesofcinema.com/2006/festival-reports/berlin2006/.
Abel, Marco, ‘There is no Authenticity in the Cinema!: An Interview with Andreas Dresen’ in (no date). Available at: http://sensesofcinema.com/2009/50/andreas-dresen-interview/.
Acker, Robert, ‘The Major Directions of German Feminist Cinema’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-03T8%3A59%3A9BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=1985&rft.genre=article&rft.jtitle=literature%2Ffilm%20quarterly&rft.spage=245%5D&rft.volume=13&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=0090-4260.
‘Aimee and Jaguar (1999)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0019D373?bcast=28314669.
Akin, F. (2008a) Auf der anderen Seite. [U.K.]: Artificial Eye.
Akin, F. (2008b) Auf der anderen Seite. Köln: Pandora Film.
Akin’s Auf der anderen Seite (The Edge of Heaven) and  the widening periphery (no date). Available at: http://gfl-journal.de/3-2010/SilveyHillman.pdf.
Albert, B. (2006) Nordrand. Wien: Hoanzl.
Alexander Kluge (no date). Available at: http://sensesofcinema.com/2003/great-directors/kluge/.
Allan, S. and Sandford, J. (1999a) DEFA: East German cinema, 1946-1992. Oxford: Berghahn.
Allan, S. and Sandford, J. (1999b) DEFA: East German cinema, 1946-1992. Oxford: Berghahn.
Allan, S. and Sandford, J. (1999c) DEFA: East German cinema, 1946-1992. Oxford: Berghahn.
Allan, S. and Sandford, J. (1999d) DEFA: East German cinema, 1946-1992. Oxford: Berghahn.
Arslan, S. s (2012) A companion to German cinema. Edited by T. Ginsberg and A. Mensch. Chichester, England: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4041692.
Bammer, A. (1985) ‘Through a Daughter’s Eyes: Helma Sanders-Brahms’ Germany, Pale Mother’, New German Critique [Preprint], (36).
Beicken, P.U. (2004) Wie interpretiert man einen Film?: für die Sekundarstufe II. Stuttgart: Reclam.
Bergfelder, T., Carter, E. and Göktürk, D. (2002a) The German cinema book. London: British Film Institute.
Bergfelder, T., Carter, E. and Göktürk, D. (2002b) The German cinema book. London: British Film Institute.
Berghahn, D. (2005a) Hollywood behind the Wall: the cinema of East Germany. Manchester: Manchester University Press.
Berghahn, D. (2005b) Hollywood behind the Wall: the cinema of East Germany. Manchester: Manchester University Press.
Berghahn, D. (2005c) Hollywood behind the Wall: the cinema of East Germany. Manchester: Manchester University Press.
Beyer, F. and Neutsch, E. (2007) ‘Spur der Steine’. [U.S.]: First Run Features.
Biendarra, A. (2011) ‘Ghostly Business: Place, Space and Gender in Christian Petzolds Yella’, Seminar, 47, pp. 465–478.
Böll, H., Schlöndorff, V. and Trotta, M. von (2003) ‘Die verlorene Ehre der Katharina Blum’. [U.S.]: Criterion Collection.
Bordwell, D., Thompson, K. and Smith, J. (2017) Film art: an introduction. Eleventh edition. New York, NY: McGraw-Hill Education.
Braad Thomsen, C. (1997a) Fassbinder: the life and work of a provocative genius. London: Faber and Faber.
Braad Thomsen, C. (1997b) Fassbinder: the life and work of a provocative genius. London: Faber and Faber.
Braad Thomsen, C. (1997c) Fassbinder: the life and work of a provocative genius. London: Faber and Faber.
Brady, Martin, and Hughes, helen, ‘Downfall and Beyond: Hitler Films from Germany’ in (no date). Available at: http://www.gfl-journal.de/3-2006/brady_hughes.pdf.
Brandon Dennis, D. (2012) ‘Coming Out into Socialism: Heiner Carow’s Third Way’, in T. Ginsberg and A. Mensch (eds) A companion to German cinema. Chichester: Wiley-Blackwell, pp. 55–81.
Brunette, P. (2010) Michael Haneke. Urbana, Ill: University of Illinois Press.
Carow, H. (2003) ‘Coming out’. [U.K.]: Network.
Clarke, D. (2006) German cinema: since unification. London: Continuum.
Cook, R.F. (ed.) (2013) Berlin school glossary: an ABC of the New Wave in German cinema. Bristol: Intellect.
Cooke, P. (2012) Contemporary German cinema. Manchester: Manchester University Press.
Cooke, P. and Taberner, S. (2006a) German culture, politics, and literature into the twenty-first century: beyond normalization. Rochester, NY: Camden House.
Cooke, P. and Taberner, S. (2006b) German culture, politics, and literature into the twenty-first century: beyond normalization. Rochester, NY: Camden House.
Cooke, Paul (2004) ‘Whatever happened to Veronica Voss? Rehabilitating the “68ers” and the problem of Westalgie in Oskar Roehler’s Die Unberührbare (200)  IVol.27(1), pp.33-44’, German Studies Review, 27(1).
Cooke, Paul, ‘Supporting Contemporary German Film: How Triumphant is the Free Market?’ (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-02T15%3A49%3A35BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=2007&rft.genre=article&rft.issue=1&rft.jtitle=journal%20of%20contemporary%20european%20studies&rft.spage=35&rft.volume=15&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=1478-2804.
Corrigan, T. (1994a) New German film: the displaced image. Rev. ed. Bloomington: Indiana University Press.
Corrigan, T. (1994b) New German film: the displaced image. Rev. ed. Bloomington: Indiana University Press.
Corrigan, T. (1998) A short guide to writing about film. 3rd ed. New York: Longman.
Corrigan, T. (2015) A short guide to writing about film. Ninth edition, global edition. Harow: Pearson Education Limited.
Corrigan, Timothy (no date) Short Guide to Writing about Film, Global Edition. Available at: http://lib.myilibrary.com/Open.aspx?id=697874.
Dassanowsky, R. and Speck, O.C. (2011a) New Austrian film. New York: Berghahn.
Dassanowsky, R. and Speck, O.C. (2011b) New Austrian film. New York: Berghahn.
Dassanowsky, R. and Speck, O.C. (2011c) New Austrian film. New York: Berghahn.
Dassanowsky, R. and Speck, O.C. (2011d) New Austrian film. New York: Berghahn.
Dassanowsky, R. and Speck, O.C. (2011e) New Austrian film. New York: Berghahn.
Dassanowsky, R. and Speck, O.C. (2011f) New Austrian film. New York: Berghahn.
Dassanowsky, R. and Speck, O.C. (2011g) New Austrian film. New York: Berghahn.
Dassanowsky, R. and Speck, O.C. (2011h) New Austrian film. New York: Berghahn.
Dassanowsky, Robert von (2008) ‘A Wave Over Boundaries: New Austrian Film’, Film International, 6(1), pp. 31–44.
Dassanowsky, Robert von, ‘A Wave over Boundaries: New Austrian Film’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-03T11%3A17%3A17BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=2008&rft.genre=article&rft.issue=1&rft.jtitle=film%20international&rft.spage=31&rft.volume=6&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=1651-6826.
Davidson, J.E. (1999) Deterritorializing the new German cinema. Minneapolis: University of Minnesota Press.
‘Downfall (2004)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00568A3F?bcast=122756303.
Dresen, A. (2005) ‘Sommer vorm Balkon’. [Germany]: Warner Home Video (Germany).
Elsaesser, T. (1989) New German cinema: a history. Basingstoke: Macmillan Education.
Elsaesser, T. (1996) Fassbinder’s Germany: history, identity, subject. Amsterdam: Amsterdam University Press.
Elsaesser, Thomas, ‘Marathon Man’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-02T16%3A30%3A9BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=2008&rft.genre=article&rft.issue=3&rft.jtitle=film%20comment&rft.spage=52&rft.volume=44&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=0015-119X.
Färberböck, M., Fischer, E. and Huth, H. (2001) ‘Aimée & Jaguar’. [U.K.]: Optimum Releasing.
Fassbinder, Rainer Werner, ‘Rainer Werner Fassbinder über seinen Film Angst essen Seele auf: Ein Gespräch mit Hans Günter Pflaum’, Film-Korrespondenzm (no date). Available at: http://fassbinderfoundation.de/de/texte_detail.php?id+23&textid=116.
Fassbinder, R.W. (2006) ‘Angst essen Seele auf’. [U.K.]: Arrow Films.
Fassbinder, R.W., Schmitz, S. and Wilder, B. (2007) ‘Die Sehnsucht der Veronika Voss’. [U.K.]: Artificial Eye.
Feinstein, J. (2002) The triumph of the ordinary: depictions of daily life in the East German cinema, 1949-1989. Chapel Hill: University of North Carolina Press.
Feinstein, Joshua (1999) ‘Constructing the mythic present in the East German cinema: Frank Beyer’s spur der steine and the 11th plenum of 1965’, Central European History, 32(2).
Feinstein, Joshua, ‘Constructing the Mythic Present in the East German Cinema: Frank Beyers Spur der Steine and the 11th Plenum of 1965’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-02T16%3A48%3A34BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=1999&rft.genre=article&rft.issue=2&rft.jtitle=central%20european%20history&rft.spage=203&rft.volume=32&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=0008-9389.
Fest, J.C. et al. (2005) ‘Downfall’. [U.K.]: Momentum.
Fisher, J. (2011) ‘Globlaization as Uneven Geographical Development: The Creative Destruction of Place and Fantasy in Christian Petzolds Ghost Trilogy’, Seminar, 47, pp. 447–464.
Fisher, J., Fisher, J. and Prager, B. (2010a) The collapse of the conventional: German film and its politics at the turn of the twenty-first century. Detroit: Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=3416448.
Fisher, J., Fisher, J. and Prager, B. (2010b) The collapse of the conventional: German film and its politics at the turn of the twenty-first century. Detroit: Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=3416448.
Fisher, J., Fisher, J. and Prager, B. (2010c) The collapse of the conventional: German film and its politics at the turn of the twenty-first century. Detroit: Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=3416448.
Fisher, J. and Prager, B. (2010a) The collapse of the conventional: German film and its politics at the turn of the twenty-first century. Detroit, Mich: Wayne State University Press.
Fisher, J. and Prager, B. (2010b) The collapse of the conventional: German film and its politics at the turn of the twenty-first century. Detroit, Mich: Wayne State University Press.
Fisher, J. and Prager, B. (2010c) The collapse of the conventional: German film and its politics at the turn of the twenty-first century. Detroit, Mich: Wayne State University Press.
Fisher, J. and Prager, B. (2010d) The collapse of the conventional: German film and its politics at the turn of the twenty-first century. Detroit, Mich: Wayne State University Press.
Fisher, J. and Prager, B. (2010e) The collapse of the conventional: German film and its politics at the turn of the twenty-first century. Detroit, Mich: Wayne State University Press.
Fisher, Jaimey, & Prager, Brad (no date) The collapse of the conventional. Available at: http://site.ebrary.com/lib/bham/detail.action?docID=10533503.
Franklin, James C., ‘Method and Message: Forms of Communication in Fassbinders Angst essen Seele auf’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-02T16%3A58%3A25BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=1979&rft.genre=article&rft.issue=3&rft.jtitle=literature%2Ffilm%20quarterly&rft.spage=182&rft.volume=7&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=0090-4260.
Frey, M. (2013) Postwall German cinema: history, film history, and cinephilia. New York: Berghahn.
Frey, Mattias (2006) ‘No(ir) place to go: Spatial anxiety and sartorial intertextuality in Die Unberührbare’, Cinema Journal, 45(4).
Frieden, S.G. (1993a) Gender and German cinema: feminist interventions. Providence, RI: Berg.
Frieden, S.G. (1993b) Gender and German cinema: feminist interventions. Providence, RI: Berg.
Friedman, Lester D., ‘Cinematic Techniques in The Lost Honor of Katharina Blum’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-03T8%3A45%3A48BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=1979&rft.genre=article&rft.issue=3&rft.jtitle=literature%2Ffilm%20quarterly&rft.spage=244&rft.volume=7&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=0090-4260.
Fulbrook, M. and Fulbrook, M. (1991) Fontana history of Germany 1918-1990: the divided nation. London: Fontana.
Fulbrook, M. and Swales, M. (2000a) Representing the German nation: history and identity in twentieth-century Germany. Manchester: Manchester University Press.
Fulbrook, M. and Swales, M. (2000b) Representing the German nation: history and identity in twentieth-century Germany. Manchester: Manchester University Press.
Gemunden, G. (1994) ‘Re-Fusing Brecht: The Cultural Politics of Fassbinder’s German Hollywood’, New German Critique [Preprint], (63). Available at: https://doi.org/10.2307/488475.
Gemünden, Gerd (1994) ‘Re-Fusing Brecht: The Cultural Politics of Fassbinder’s German Hollywood’, New German Critique, 63.
Gifford, P. and Hauswedell, T. (2010) Europe and its others: essays on interperception and identity. Bern: Peter Lang.
Ginsberg, T. and Mensch, A. (2012) A companion to German cinema. Chichester: Wiley-Blackwell.
Gramling, David, ‘On the other side of Monolingualism: Fatih Akins Linguistic Turn’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-03T10%3A21%3A44BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=2010&rft.genre=article&rft.issue=3&rft.jtitle=the%20german%20quarterly&rft.spage=353&rft.volume=83&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=0016-8831.
Griffiths, R. (2008) Queer cinema in Europe. Bristol: Intellect.
Grisebach, V. (2007) ‘Sehnsucht’. [Germany]: Piffl Medien.
Haase, Christiane, ‘Ready for his Close-up?: representing Hitler in Der Untergang’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-03T9%3A31%3A51BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=2006&rft.genre=article&rft.issue=3&rft.jtitle=studies%20in%20european%20cinema&rft.spage=189&rft.volume=3&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=1741-1548.
Hake, S. (2002) German national cinema. London: Routledge.
Hake, S. and Mennel, B.C. (2012a) Turkish German cinema in the new millennium: sites, sounds, and screens. New York: Berghahn Books.
Hake, S. and Mennel, B.C. (2012b) Turkish German cinema in the new millennium: sites, sounds, and screens. New York: Berghahn Books.
Hake, S. and Mennel, B.C. (2012c) Turkish German cinema in the new millennium: sites, sounds, and screens. New York: Berghahn Books.
Halle, R. and McCarthy, M. (2003) Light motives: German popular film in perspective. Detroit, Mich: Wayne State University Press.
Haneke, M. (2010) ‘Das weisse Band: eine deutsche Kindergeschichte’. [U.K.]: Artificial Eye.
Hausner, J. (2006) ‘Hotel’. Wien: Hoanzl.
Herbst, Hildburg, ‘Young Törless: Schlöndorffs Film Adaptation of Musils Novella’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-02T16%3A16%3A55BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=1985&rft.genre=article&rft.issue=4&rft.jtitle=literature%2Ffilm%20quarterly&rft.spage=215&rft.volume=13&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=0090-4260.
Herminghouse, P. and Mueller, M. (1997a) Gender and Germanness: cultural productions of nation. Providence, RI: Berghahn.
Herminghouse, P. and Mueller, M. (1997b) Gender and Germanness: cultural productions of nation. Providence, RI: Berghahn.
Hess-Lüttich, E.W.B. et al. (2011a) Metropolen als Ort der Begegnung und Isolation: interkulturelle Perspektiven auf den urbanen Raum als Sujet in Literatur und Film. Frankfurt am Main: Peter Lang.
Hess-Lüttich, E.W.B. et al. (2011b) Metropolen als Ort der Begegnung und Isolation: interkulturelle Perspektiven auf den urbanen Raum als Sujet in Literatur und Film. Frankfurt am Main: Peter Lang.
Hofer, Stefanie, ‘...von der Unmöglichkeit der Gegenwart: Geschlecht, Generation und Nation in Petzolds Die Innere Sicherheit und SandersBrahms Deutschland, Bleiche Mutter’ in (no date). Available at: http://diglib1.bham.ac.uk:3210/sfxlcl3?ctx_enc=info%3Aofi%2Fenc%3AUTF-8&ctx_id=10_1&ctx_tim=2012-07-03T9%3A9%3A53BST&ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fsfxit.com%3Acitation&rft.date=2009&rft.genre=article&rft.issue=2&rft.jtitle=german%20life%20and%20letters&rft.spage=174&rft.volume=62&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Aarticle&sfx.title_search=contains&url_ctx_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Actx&url_ver=Z39.88-2004&issn=0016-8777.
Jordan, J. and Niven, W.J. (2003) Politics and culture in twentieth-century Germany. Rochester, NY: Camden House.
Kaes, A. (1989a) From ‘Hitler’ to ‘Heimat’: the return of history as film. Cambridge, Mass: Harvard University Press.
Kaes, A. (1989b) From ‘Hitler’ to ‘Heimat’: the return of history as film. Cambridge, Mass: Harvard University Press.
Kluge, A. (2007) ‘Abschied von gestern: Gelegenheitsarbeit einer Sklavin’. [Germany]: Film & Kunst GmbH.
Knight, J. (1992a) Women and the new German cinema. London: Verso.
Knight, J. (1992b) Women and the new German cinema. London: Verso.
Knörer, Ekkehard, ‘Notes on the New German Cinema’ (no date). Available at: http://www.closeupfilmcentre.com/vertigo_magazine/volume-3-issue-5-spring-2007/luminous-days-notes-on-the-new-german-cinema/.
Koepnick, L. (2002a) ‘Reframing the Past: Heritage Cinema and Holocaust in the 1990s’, New German Critique [Preprint], (87).
Koepnick, L. (2002b) ‘Reframing the Past: Heritage Cinema and Holocaust in the 1990s’, New German Critique [Preprint], (87). Available at: https://doi.org/10.2307/3211135.
Koepnick, L.P. (2002) The dark mirror: German cinema between Hitler and Hollywood. Berkeley, Calif: University of California Press.
Langford, M. (2012) Directory of world cinema: Volume 9: Germany. Bristol: Intellect Books.
Langford, M. (2013) Directory of world cinema: Volume 24: Germany 2. Bristol: Intellect.
Leal, Joanne (2006) ‘Time, Transformation and Tradition in Oskar Roehler’s Die Unberührbare’, German as a Foreign Language, 1.
Linville, S.E. (1992) ‘The Mother-Daughter Plot in History: Helma Sanders-Brahms’s Germany, Pale Mother’, New German Critique [Preprint], (55).
Mayne, J. (1977) ‘Fassbinder and Spectatorship’, New German Critique [Preprint], (12).
Mayne, J. (1981) ‘Female Narration, Women’s Cinema: Helke Sander’s the All-Round Reduced Personality/Redupers’, New German Critique [Preprint], (24/25).
McCormick, R.W. (1991) Politics of the self: feminism and the postmodern in West German literature and film. Princeton: Princeton University Press.
McGee, Laura G., ‘Teaching Andreas Dresen’ in (no date). Available at: http://www.gfl-journal.de/3-2006/mcgee.pdf.
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