Bibliography for Film Theory and Criticism II (09 29438) BETA

Aaron, M. (2004) New queer cinema: a critical reader. Edinburgh: Edinburgh University Press.

Aaron, M. (2007) Spectatorship: the power of looking on. London: Wallflower.

Allen, R. (1995) Projecting illusion: film spectatorship and the impression of reality. Cambridge: Cambridge University Press.

Altman, R. (1999) Film/genre. London: British Film Institute.

Barker, Jennifer M., 1969- (2009) The tactile eye: touch and the cinematic experience. University of California Press. Available at: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08197.0001.001.

Barker, J.M. (no date) The tactile eye: touch and the cinematic experience. Berkeley, CA: University of California Press.

Bordwell, D., Thompson, K. and Smith, J. (2017) Film art: an introduction. Eleventh edition. New York, NY: McGraw-Hill Education.

Brevik-Zender, H. (2011) ‘Let Them Wear Manolos: Fashion, Walter Benjamin, and Sofia Coppola’s Marie Antoinette’, Camera Obscura: Feminism, Culture, and Media Studies, 26(3 78), pp. 1–33. Available at: https://doi.org/10.1215/02705346-1415416.

Cameron, I. and Pye, D. (1996) The Movie book of the western. London: Studio Vista.

CARROLL, N. (2010) ‘Movies, the Moral Emotions, and Sympathy’, Midwest Studies In Philosophy, 34(1), pp. 1–19. Available at: https://doi.org/10.1111/j.1475-4975.2010.00197.x.

Carroll, Noel (1979) ‘Avant-Garde Film and Film Theory’, Avant-Garde Film and Film Theory, (4), pp. 135–143. Available at: http://bham-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1295098707&indx=1&recIds=TN_proquest1295098707&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=Avant-Garde%20Film%20and%20Film%20Theory%20Carroll&dum=true&dstmp=1513740032538.

‘Cine-Tracts 2: Vol. 1, No. 2, Summer 1977 - CT02.pdf’ (no date). Available at: https://library.brown.edu/cds/cinetracts/CT02.pdf.

Cook, P. (ed.) (2007) The cinema book. Third edition. London: BFI.

Cooper, S. and Modern Humanities Research Association (2005) Selfless cinema?: ethics and French documentary. London: Legenda.

DADLEZ, E.M. (2010) ‘Seeing and Imagination: Emotional Response to Fictional Film’, Midwest Studies In Philosophy, 34(1), pp. 120–135. Available at: https://doi.org/10.1111/j.1475-4975.2010.00194.x.

Davis, Lennard J., 1949- (1995) Enforcing normalcy: disability, deafness, and the body. Verso. Available at: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb02823.0001.001.

Davis, L.J. (1995) Enforcing normalcy: disability, deafness, and the body. London: Verso.

Davis, L.J. (ed.) (2017a) The disability studies reader. Fifth edition. New York, NY: Routledge, an imprint of the Taylor & Francis Group.

Davis, L.J. (2017b) The disability studies reader. Fifth edition. New York, New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=4741427.

Deren, M. and Nichols, B. (2001) Maya Deren and the American avant-garde. Berkeley, Calif: University of California Press.

Dixon, W.W. and Foster, G.A. (2002) Experimental cinema, the film reader. London: Routledge.

Downing, L. and Saxton, L. (2009) Film and ethics: foreclosed encounters. New York, NY: Routledge. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=449453.

Downing, L. and Saxton, L. (2010) Film and ethics: foreclosed encounters. London: Routledge.

Dyer, R. and Pidduck, J. (2003a) Now you see it: studies in lesbian and gay film. 2nd ed. London: Routledge.

Dyer, R. and Pidduck, J. (2003b) Now you see it: studies on lesbian and gay film. 2nd ed. London: Routledge.

Eid, H. and Ghazel, K. (2009) ‘Footprints of Fanon in Gillo Pontecorvo’s The Battle of Algiers and Sembene Ousamne’s Xala’, English in Africa, 35(2). Available at: https://doi.org/10.4314/eia.v35i2.42858.

Elsaesser, T. and Hagener, M. (2015a) Film theory: an introduction through the senses. 2. ed. New York: Routledge.

Elsaesser, T. and Hagener, M. (2015b) Film theory: an introduction through the senses. 2nd ed. New York, New York: Routledge.

Eng, D.L., Halberstam, J. and Muñoz, J.E. (2005) What’s queer about queer studies now? Durham, N.C.: Duke University Press.

Fernando Solanas and Octavio Getino (1970) ‘TOWARD A THIRD CINEMA’, Cinéaste, 4(3), pp. 1–10. Available at: http://www.jstor.org/stable/41685716?Search=yes&resultItemClick=true&searchText=third&searchText=cinema&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dthird%2Bcinema%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff&seq=1#page_scan_tab_contents.

For an imperfect cinema by Julio García Espinosa, trans. by Julianne Burton (no date). Available at: http://www.ejumpcut.org/archive/onlinessays/JC20folder/ImperfectCinema.html.

French, S. and Shacklock, Z. (2014) ‘The affective sublime in Lars von Trier’s                              and Terrence Malick’s’, New Review of Film and Television Studies, 12(4), pp. 339–356. Available at: https://doi.org/10.1080/17400309.2014.942555.

Galt, R. (2011) Pretty: film and the decorative image. New York: Columbia University Press. Available at: https://www.vlebooks.com/vleweb/Product/Index/792191?page=0.

Galt, Rosalind (2011) ‘Pretty: Film and the Decorative Image’. Available at: http://findit.bham.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2011031545&indx=1&recIds=TN_mla2011031545&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844BIR_PDA1_DS%29%2Cscope%3A%2844BIR_ETH1_DS%29%2Cscope%3A%2844BIR_LGUI_DS%29%2Cscope%3A%2844BIR_PURE_FT%29%2Cscope%3A%2844BIR_ALEPH_DS%29%2Cscope%3A%2844BIR_MIM_DS+%29%2Cscope%3A%2844BIR_RLIST_DS%29%2Cscope%3A%2844BIR_ML_DS%29%2Cscope%3A%2844BIR_SFX_DS%29%2Cscope%3A%2844BIR_DR1_DS%29%2Cscope%3A%2844BIR_DR2_DS%29%2C44BIR_Ebsco_1%2Cprimo_central_multiple_fe&mode=Basic&vid=44BIR_VU1&srt=rank&tab=local&vl(freeText0)=pretty%20rosalind%20galt&dum=true&dstmp=1504605725877.

GAUT, B. (2010) ‘Empathy and Identification in Cinema’, Midwest Studies In Philosophy, 34(1), pp. 136–157. Available at: https://doi.org/10.1111/j.1475-4975.2010.00211.x.

Geiger, J. and Rutsky, R.L. (2013) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.

Grant, B.K. (2012a) Film genre reader IV. Austin, Tex: University of Texas Press.

Grant, B.K. (2012b) Film genre reader IV. Austin, Tex: University of Texas Press.

Grant, B.K. (2012c) Film genre reader IV. Austin, Tex: University of Texas Press.

Grossberg, L. et al. (1992) Cultural studies. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1122888.

Grossberg, L., Nelson, C. and Treichler, P.A. (1992) Cultural studies. New York: Routledge.

Hatfield, J. and Littman, S. (eds) (2015) Experimental film and video: an anthology. New Bernet, Herts, [England]: John Libbey Publishing. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2042367.

Hill, L. and Olsson, G.H. (2015) ‘Concerning violence: nine scenes from the anti-imperialistic self-defense’. [London]: Dogwoof.

Keller, S. (2013) ‘Frustrated Climaxes: On Maya Deren’s Meshes of the Afternoon and Witch’s Cradle’, Cinema Journal, 52(3), pp. 75–98. Available at: https://doi.org/10.1353/cj.2013.0018.

Klinger, B. (2006) ‘The art film, affect and the female viewer: The Piano revisited’, Screen, 47(1), pp. 19–41. Available at: https://doi.org/10.1093/screen/hjl002.

Laine, T. (2013) Feeling cinema: emotional dynamics in film studies. Paperback ed. New York: Bloomsbury.

Laine, T. (2015a) Bodies in pain: emotion and the cinema of Darren Aronofsky. New York: Berghahn Books.

Laine, T. (2015b) Bodies in pain: emotion and the cinema of Darren Aronofsky. New York, New York: berghahn. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1707815.

Lee, S. (2016) ‘Wes Anderson’s ambivalent film style: the relation between                              -                              -                              and emotion’, New Review of Film and Television Studies, 14(4), pp. 409–439. Available at: https://doi.org/10.1080/17400309.2016.1172858.

Littman, S. and Hatfield, J. (2006) Experimental Film and Video: An Anthology. Bloomington, IN: John Libbey Pub. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=2042367.

Marks, L.U. (2000a) The skin of the film: intercultural cinema, embodiment, and the senses. Durham, N.C.: Duke University Press.

Marks, L.U. (2000b) The skin of the film: intercultural cinema, embodiment, and the senses. Durham: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1167652.

McRuer, R. (2003) ‘AS GOOD AS IT GETS: Queer Theory and Critical Disability’, GLQ: A Journal of Lesbian and Gay Studies, 9(1–2), pp. 79–105. Available at: https://doi.org/10.1215/10642684-9-1-2-79.

McRuer, R. and Bérubé, M. (2006) Crip theory: cultural signs of queerness and disability. New York: New York University Press.

McRuer, R. and Bérubé, M.F. (2006) Crip theory: cultural signs of queerness and disability. New York: New York University Press.

‘Outsiders_-The-Battle-of-Algiers-and-political-cinema.pdf’ (no date). Available at: http://www.cronistas.org/wp-content/uploads/2014/02/Outsiders_-The-Battle-of-Algiers-and-political-cinema.pdf.

P. Adams Sitney (2002) Visionary Film : The American Avant-Garde, 1943-2000. Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/bham/reader.action?docID=241285&ppg=11.

PLANTINGA, C. (2010) ‘"I Followed the Rules, and They All Loved You More”: Moral Judgment and Attitudes toward Fictional Characters in Film’, Midwest Studies In Philosophy, 34(1), pp. 34–51. Available at: https://doi.org/10.1111/j.1475-4975.2010.00204.x.

Pribram, E.D. (1988) Female spectators: looking at film and television. London: Verso.

‘QUEER AND PRESENT DANGER’ (no date) Sight and Sound, 10. Available at: https://search-proquest-com.ezproxyd.bham.ac.uk/docview/1305510453/fulltextPDF/C3BAD7840B704099PQ/1?accountid=8630.

Radley, E. (2007) ‘Terrible Pleasures or Pleasurable Terrors? The Psychotic Act of Horror Film Spectatorship’, Nottingham French Studies, 46(3), pp. 92–108. Available at: https://doi.org/10.3366/nfs.2007-3.008.

Rich, B.R. (2013a) New queer cinema: the director’s cut. Durham: Duke University Press.

Rich, B.R. (2013b) New queer cinema: the director’s cut. Durham: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173623.

Rich, B.R. (2013c) New queer cinema: the director’s cut. Durham: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/bham/detail.action?docID=1173623.

Rob Stone, ,  Juli?n Daniel Guti?rrez-Albilla, , and  Julian Daniel Gutierrez-Albilla (2013) A Companion to Luis Buñuel. John Wiley & Sons, Incorporated. Available at: https://ebookcentral.proquest.com/lib/bham/reader.action?docID=1129776&ppg=5.

‘SH-Coding.pdf’ (no date). Available at: http://faculty.georgetown.edu/irvinem/theory/SH-Coding.pdf.

Sinnerbrink, R. (2012) ‘Stimmung: exploring the aesthetics of mood’, Screen, 53(2), pp. 148–163. Available at: https://doi.org/10.1093/screen/hjs007.

Sitney, P.A. (2002) Visionary film: the American avant-garde, 1943-2000. Third edition. Oxford: Oxford University Press.

Stone, R. and Gutiérrez-Albilla, J.D. (eds) (2013) A companion to Luis Buñuel. Oxford: Wiley-Blackwell.

Vol 11, No 2 (2007) (no date). Available at: http://www.film-philosophy.com/index.php/f-p/issue/view/13.

Wright, W. (1977) Six guns and society: a structural study of the Western. Berkeley: University of California Press.